TOM JONES MEDLEY (IT'S NOT UNUSUAL & HELP YOURSELF)
keys A & Eb to E 4:42
8 bar intro ; vocal thru full song ; 8 bar intro to HELP YOURSELF ; thru full song ; including key change as per Tom Jones version ; rall the last line and finish.

MP3 DEMO:
GM64. TOM JONES MEDLEY - demo 1
IT'S NOT UNUSUAL (key - A) HELP YOURSELF (key - Eb to E) - range - original keys.
A medley of two of Tom Jones's biggest hits. Suitable for high Male ranges.
Download the HELP YOURSELF demo below.
GM64. TOM JONES MEDLEY - 2nd part demo - HELP YOURSELF

TOO SHY TO SAY key E 2:52
4 bar intro ; vocal thru as per - key change for reprise chorus and finish.

MP3 DEMO:
GM45. TOO SHY TO SAY
key - E - (chorus in D plus key change for last chorus) - vocal range - E to Eb.
Wonderful Stevie Wonder ballad, given a really cool groove and stripped back piano, bass and keys. Lovely!
Also sung by Hue and Cry.

TOUT DE TOI key A 3:47
4 bar intro (2/4 bar at bar 4); same form as the Julio Iglesias version.

MP3 DEMO:
GM174. TOUT DE TOI Pianotrak
key - A - vocal range - E to E
French hit for Julio Iglesias. Arranged for piano only and in a higher key; the original is in F.
 

TOWER OF SONG key B 4:06
8 bar intro and vocal in at 16 seconds, continue through as per the Tom Jones version, same key.

MP3 DEMO:
GM792. TOWER OF SONG - B
key - B - vocal range - B to D#
Superb and atmospheric arrangement that is loosely based on the Tom Jones version of this Leonard Cohen song, some extra magic added!

TRACES key C to Db 3:06
same form as the original with a definite finish.

MP3 DEMO:
GM159. TRACES - C to Db
key - C to Db - vocal range - B to Eb
Huge hit for the Classics IV - note - this version is a full tone down from the original.

 

TURN AROUND LOOK AT ME key Ab 3:01
4 bar intro and vocal in at 18 secs - same form as the Glen Campbell version, except in a lower key.

MP3 DEMO:
GM237. TURN AROUND LOOK AT ME
key - Ab - range - F (below middle C) to Eb (optional F top note) (huge range!) suitable for lower range male
Lovely song that scored a hit for Glen Campbell. Fresh arrangement in a much lower key.

TURN BACK THE PAGES key E 4:10
Same form and original key as the Stephen Stills "Stills"album version.

MP3 DEMO:
GM587. TURN BACK THE PAGES
key - E - range - original key and range
Superb version based on the original Stephen Stills album version from 1975.
 

TURN OUT THE LAMPLIGHT key Eb 4:10
As per George Benson version from the "GIVE ME THE NIGHT" album.

MP3 DEMO:
SM22. TURN OUT THE LAMPLIGHT
key - Eb - vocal range - Bb to F
Wonderful ballad from the George Benson album " Give Me The Night". Livetrak arrangement.

TURN YOUR LOVE AROUND key C 3:24
8 bar intro ; as per Benson version. 4 bars break ; repeat Chorus twice ; at the very end after the push/stab -sing "TURN YOUR LOVE AROUND " and finish.

MP3 DEMO:
SM11. TURN YOUR LOVE AROUND
key - C - vocal range - F to A - high male key, also suitable for low female range.
George Benson classic! Track is very old and heavily EQ-ed and compressed, hence the Sale price.

TURN YOUR LOVE AROUND key Bb 3:38
8 bar intro, vocal in at 20 secs, continue thru - 4 bar break leading into the 2nd verse and vocal back in at 1:35, continue thru the original form and finish!

MP3 DEMO:
GM332. TURN YOUR LOVE AROUND - Bb
key - Bb - vocal range - Eb to G
Livetrak version of the classic George Benson hit! A full tone down from the original key.

TURNING TABLES key Gm 4:02
Same form as the Adele version, in a male key.

MP3 DEMO:
GM368. TURNING TABLES - Gm
key - Gm - vocal range - G to G
The Adele song, in a male key.

TWISTIN' THE NIGHT AWAY key A 2:42
The form basically as per the original; sax solo; verse; chorus TWICE and finish.
ORIGINAL KEY.

MP3 DEMO:
GM120. TWISTIN' THE NIGHT AWAY - A
key - A - vocal range - A to F#
Sam Cooke gem in the original key.

TWISTIN' THE NIGHT AWAY key F 2:42
4 bar intro, vocal through, sax solo, verse, chorus twice and finish. 2 full tones lower than the original key.

MP3 DEMO:
GM119. TWISTIN' THE NIGHT AWAY - F
key - F - vocal range - F to D
Cool arrangement of the Sam Cooke classic, in a lower key.
 

GM244 UNBREAK MY HEART key Am (chorus goes to Cm) 4:08
8 bar intro, vocal in at 16 secs, continue thru the song - the solo break is a tad longer than the original version - starts at 2:22 and ends at 2:36, vocal back in and continue thru and ad lib as per the Braxton version - end with "say you love me.....say you love me......tell me you love me.....unbreak my heart......".

MP3 DEMO:
GM244. UNBREAK MY HEART - Am
key - Am - vocal range - C to G (optional Bb falsetto!)
Uptempo Livetrak arrangement of the Toni Braxton hit. It really has a massive range, but you can get away with keeping to the main Chorus theme and not going for the massive ending that Ms Braxton goes for.
Suitable also for lower female ranges (but you'll need to be in your boots for the bottom notes and then up on your toes for the higher notes).

UNCHAINED MELODY - key Bb 4:04
4 bar intro ; vocal in ; same format as original just different feel.

MP3 DEMO:
SM7. UNCHAINED MELODY
Original Livetrak arrangement of this hugely popular ballad, featured heavily in the movie "Ghost".
key - Bb - vocal range - D to F

UNCHAINED MELODY key C 3:47
2 bar intro; vocal through all the way and finish.

MP3 DEMO:
GM156. UNCHAINED MELODY - C
key - C - vocal range - E to G (higher male range)
Livetrak arrangement of this popular song, keeping to the 12/8 feel.

 

UNDER THE BOARDWALK key D 2:39
4 bar intro and vocal in at 6 secs, continue thru as per the original, short solo at 1:45 and vocal back in at 1:58, chorus at 2:14 and finish.

MP3 DEMO:
GM234. UNDER THE BOARDWALK - D
key - D - vocal range - A to D (optional F#)
Great arrangement of this classic Drifters song, in a more manageable male key.

UNDER THE BOARDWALK key D 3:09
4 bar intro and vocal in at 8 seconds, vocal through the song, trumpet solo at 2:02, vocal back in at 2:19 with "under the boardwalk.. down by the sea...", continue through the chorus and finish with "boardwalk... boardwalk"

MP3 DEMO:
GM630. UNDER THE BOARDWALK - D version 2
key - D - range - A to D (optional F#)
Laidback latin MOR arrangement of the Drifters classic, covered by everyone, in a more manageable male key.
 

UNTIL YOU COME BACK TO ME key Ab 4:30
Same form as the Bobby Caldwell version, except a full tone lower.

MP3 DEMO:
GM306. UNTIL YOU COME BACK TO ME - Ab
key - Ab - vocal range - Ab to Ab (suit higher male ranges)
Cool arrangement, based on the Bobby Caldwell version of this soul classic, same form with ad libs.
Same arrangement as GM305 except a full tone lower.

UNTIL YOU COME BACK TO ME key Bb 4:29
Same form as the Bobby Caldwell version, original key.

MP3 DEMO:
GM305. UNTIL YOU COME BACK TO ME - Bb
key - Bb - vocal range - Bb to Bb (suit really high male!)
Cool arrangement, based on the Bobby Caldwell version of this soul classic, same form with ad libs, in his key.

UP THE JUNCTION key E 3:16
Same form and key as the original SQUEEZE version.

MP3 DEMO:
GM348. UP THE JUNCTION
key - E - ORIGINAL KEY
SQUEEZE (the band) song. The track is based on the original version and form but doesn't have any guitars included at all so is perfect for a guitarist and singer!

UP WHERE WE BELONG key C to Db 4:48
Based on the live Williams Brothers version, simialr arrangement, form and extended ending.

MP3 DEMO:
GM807. UP WHERE WE BELONG - C
key - C to Db - vocal range - G to F (big range!)
Originally a duet for Jennifer Warnes and Joe Cocker, this version is based on the Williams Brothers Live version, a gospel tinged arrangement that can be done by one vocal, although it's a big range! Same arrangement as GM806 except a full tone lower.

UP WHERE WE BELONG key D to Eb 4:48
Based on the live Williams Brothers version, similar arrangement, same key, form and extended ending.

MP3 DEMO:
GM806. UP WHERE WE BELONG - D
key - D to Eb - vocal range - A to G (big range!)
Originally a duet for Jennifer Warnes and Joe Cocker, this version is based on the Williams Brothers Live version, a gospel tinged arrangement that can be done by one vocal, although it's a big range!
 

VENUS key C 2:34
Based on the same form as the Frankie Avalon version.

MP3 DEMO:
GM106. VENUS
key - C - vocal range - C to E
Frankie Avalon hit in a cool arrangement.

VENUS key C 2:23
4 bar intro and vocal in at 10 seconds, vocal through - no solo - at 1:18 with "venus...goddess of all that you are...", continue through, from 1:52 sing "oh venus..." etc and finish.

MP3 DEMO:
GM865. VENUS - C 2022
key - C - vocal range - C to E
Punchy and big arrangement of the Frankie Avalon hit from the 50's.

VINCENT key G 5:23
piano intro and vocal in at 22 seconds, continue through, 2nd verse in at 1:43, at 2:59 "for they could not love you...", continue through, at 3:29 "this world was never meant for one..",  3rd verse in at 3:42 (more intimate sounding), continue through and finish.

GM568. VINCENT - G
key - G - vocal range - D to E
Stunning arrangement of the Don McLean classic. Very open and rubato but very easy to catch if you know the song well. Stunning string pads and evolving top end string lines really add a uniqueness to this wonderful song, and the piano voicings really shine!

WALK ON BY key Ab (first chord and implied key is Cm) 2:54
4 bar intro, vocal in at 11 seconds, vocal through verse and chorus, 2nd verse and chorus in at 1:01, brass break at 1:51, vocal back in at 2:05 with the chorus, continue through, no extended vocal ad libs and finish on Fmaj7.

GM556. WALK ON BY - Cm
key - Ab - vocal range - C to F
Cool new arrangement of the classic Burt Bacharach and Hal David song, scored a massive hit for Dionne Warwick. Different vibe in the arrangement, more funkiness, nice 80's inspired electric pianos, cool brass licks and an upfront kit.

WALK ON BY & MORE THAN A WOMAN medley key Cm and F 5:30
8 bar intro and vocal in at 19 seconds, continue through the full song form, short instrumental at 1:53, vocal back in at 2:06 with "walk on by...." 2 bar key change at 2:40 and 4 bar intro into MORE THAN A WOMAN at 2:44, vocal in at 2:52 with "girl I've known you very well...." continue through the full song form - verse/chorus/verse/chorus/chorus and finish.

MP3 DEMOS: NOTE - THIS IS A COMPLETE MEDLEY. 2 Demos are provided for each song.
GM929. DEMO 1 WALK ON BY live
GM929. DEMO 2 transition into MORE THAN A WOMAN live
keys - Cm (WALK ON BY) and F (MORE THAN A WOMAN) - vocal range - WALK ON BY C to F, MORE THAN A WOMAN Eb to F
Digging through my Livetrak archives I found thism edley of 2 great soul classics. Played totally live and even live bass pedals, it's punchy, fresh and individual and perfect for a busy gig where you need a bit of freshness to cut through.

WALKING BACK TO HAPPINESS  key E to F 2:27
Guitar strum and vocal in right away at 1 sec with the verse, tempo kick in at 15 secs and continue thru as per the song form, KEY CHANGE to F at 1:54 and vocal back in with the last verse, repeat " I shared with you" 3 times and finish.

MP3 DEMO:
GM251. WALKING BACK TO HAPPINESS
key - E to F - vocal range - C# to F
Cool arrangement of the Helen Shapiro hit, in a male key!

WASN'T IT GOOD key Eb 4:22
5 bar intro and vocal in at 21 seconds, continue through as per the Tina Arena original form. At 3:36 the 4 bar groove section repeats twice and finishes on Dm.

MP3 DEMO:
GM585. WASN'T IT GOOD - Eb Pianotrak
key - Eb - vocal range - Bb to Eb
Stunning ballad from Tina Arena's 1994 Don't Ask album. (Different piano arrangement from GF306).
Same arrangement as GM584 except a full tone lower.

WASN'T IT GOOD key F 4:22
5 bar intro and vocal in at 21 seconds, continue through as per the Tina Arena original form. At 3:36 the 4 bar groove section repeats twice and finishes on Dm.

MP3 DEMO:
GM584. WASN'T IT GOOD - F Pianotrak
key - F - vocal range - C to F
Stunning ballad from Tina Arena's 1994 Don't Ask album. (Different piano arrangement from GF306).
 

WASTED DAYS AND WASTED NIGHTS key D 2:48
Piano arpeggio and vocal in at 3 seconds, continue through as per the Freddie Fender form, electric guitar solo at 1:30, vocal back in at 1:53 with "don't you remember the day...", continue through and finish.

MP3 DEMO:
GM487. WASTED DAYS AND WASTED NIGHTS - D
key - D - vocal range - C# to E
The Freddie Fender hit in a similar arrangement (with a guitar solo replacing the original synth solo), a full tone lower than the original version.

WATCHING THE RIVER RUN key G 3:31
original key, form and similar arrangement.

MP3 DEMO:
GM409. WATCHING THE RIVER RUN
key - G - vocal range - D to E
Loggins and Messina song from their 1973 album "Full Sail".

WATERLOO SUNSET key E 3:32
8 bar intro and vocal in at 16 seconds, vocal through all the way, from 3:03 sing "waterloo sunset's fine" four times and finish.

MP3 DEMO:
GM489. WATERLOO SUNSET - E
key - E - vocal range - B to G# (big range)
The Kinks hit, in the original key but loosely based on the 1996 Cathy Dennis version.

WE DON'T TALK ANYMORE key C 4:21
8 bar intro and vocal in at 18 seconds, vocal through as per the original Cliff Richards version, original key and a definite ending.

MP3 DEMO:
GM700. WE DON'T TALK ANYMORE - C
key - C - vocal range - G to A (optional B and E falsetto!)
Wonderful hit for Cliff Richards back in the late 70's and here's an arrangement that keeps pretty much to the original version.

WE'RE IN THIS LOVE TOGETHER key Bb to C 3:37
4 bar intro, vocal in at 14 secs, continue thru, key change and sax solo at 2:03, vocal back in at 2:30, continue looping the chorus 4 times and finish.

MP3 DEMO:
GM250. WE'RE IN THIS LOVE TOGETHER
key - Bb to C - vocal range - (C) F to G original key
Wonderful Al Jarreau gem with a fabulous laidback groove!

WE'VE GOT TONIGHT key A 4:18
4 bar intro and as per Bob Seger original version.

MP3 DEMO:
G41. WE'VE GOT TONIGHT
key - A - cover key. High male key and also suitable for low female range
Wonderful Bob Seger hit ballad in an Original Livetrak arrangement.

WELCOME HOME key F to F# 3:44
pickup and 4 bar intro, vocal in at 9 secs, continue thru as per the original version arrangement and form.

MP3 DEMO:
GM386. WELCOME HOME
key - F to F# - vocal range - C to F
Based on the original Peters and Lee massive hit from 1973, in the original key.
 

WHAT A FRIEND WE HAVE IN JESUS key A 4:55
8 bar intro; verses thru 3 times with 4 bar break between each verse; organ solo in F then the 4 bar break; back to A for the last verse; repeat "everything to God in prayer" and finish.

MP3 DEMO:
GM136. WHAT A FRIEND WE HAVE IN JESUS - A
key - A - vocal range - E to F#
Wonderfully fresh arrangement of the cool worship song - any time I've heard this it's been such a dirge!
Here's something more Bossa based with cool chord changes and a Hammond solo in the key of F - classy yet tasteful.
 

WHAT A FRIEND WE HAVE IN JESUS key F 3:24
4 bar intro; vocal thru 3 verses with 4 bar breaks between each verse; no solo - repeat "everything to God in prayer" and finish.

MP3 DEMO:
GM164. WHAT A FRIEND WE HAVE IN JESUS - F
key - F - vocal range - C to D
Wonderful version based on GM136 but in a lower key and shorter - no solo at all.
 

WHAT A WONDERFUL WORLD key Ab 3:06
4 bar intro and vocal in at 8 secs, continue thru the song, short organ solo at 1:42, vocal back in at 1:58 with "but I do know one and one is two..." continue thru again into bridge at 2:09, continue and finish.

MP3 DEMO:
WHAT A WONDERFUL WORLD (Sam Cooke) - Ab
key - Ab - vocal range - Eb to F
Fresh arrangement of the wonderful Sam Cooke hit, in a lower key.

WHAT A WONDERFUL WORLD key F 3:06
4 bar intro and vocal in at 8 secs, continue thru the song, short organ solo at 1:42, vocal back in at 1:58 with "but I do know one and one is two..." continue thru again into bridge at 2:09, continue and finish.

MP3 DEMO:
WHAT A WONDERFUL WORLD (Sam Cooke) - F
key - F - vocal range - C to D
Fresh arrangement of the wonderful Sam Cooke hit, in a much lower key, suitable for general male ranges.

WHAT A WONDERFUL WORLD key F 2:43
2 bar intro and vocal in at 6 secs, continue thru - no solo - back to the 1st verse only -  "I see trees of green....." at 1:43 and then repeat the last line 3 times - "I think to myself.....what a wonderful world..." -  from 2:08 and ad lib the ending.

MP3 DEMO:
GM217. WHAT A WONDERFUL WORLD reggae
key - F - vocal range - C to D
Cool reggae arrangement of the classic Louis Armstrong hit. Loosely based on the Ziggy Marley version.

WHAT MORE CAN I DO key Am 4:04
Piano riff and vocal in at 2 seconds, continue through as per the Jack Savoretti official version, same form and key but piano only.

MP3 DEMO:
GM544. WHAT MORE CAN I DO - Am Pianotrak
key - Am - range - A to G (the vocal doesn't need to start the octave lower as in the original version, but it still has a hefty range, so it's suitable for higher male ranges)
Big Jack Savoretti hit in 2019, great song and a great retro vibe to it. Here's a great piano only version based on the hit version form and key.

WHAT THE WORLD NEEDS NOW key A 3:53
2 bar intro and vocal in at 4 seconds with "what the world needs now.. is love.. sweet love..", continue through as per the Luther Vandross version, in the original key and without the long extended ending, no fades.

MP3 DEMO:
GM596. WHAT THE WORLD NEEDS NOW - A
key - A - range - E to F# (optional G# falsetto)
Cool arrangement, loosely based on the Luther Vandross version from his 1994 Songs album, without the vocal and drums only intro and the long extended ad lib ending. Original key.

WHAT YOU WON'T DO FOR LOVE key Em 3:33
8 bar intro ; vocal thru as per - no solo - dead stop on brass lick.

MP3 DEMO:
GM46 . WHAT YOU WON'T DO FOR LOVE
key - Em - vocal range - E to G
Great Bobby Caldwell song, given a cool "live" feel. Also sung by Peter Cox ( Go West - great singer!). check out the demo.

WHAT YOU WON'T DO FOR LOVE key C#m 3:50
8 bar intro and vocal in at 24 secs, continue thru, trombone solo at 2:18, vocal back in at 2:41 with "what you won't do.. you do for love..", continue and finish.

MP3 DEMO:
GM299. WHAT YOU WON'T DO FOR LOVE - C#m
key - C#m - vocal range - C# to E
Super new version of this great Bobby Caldwell song and loosely based on his version, but in a lower key.

WHAT'S GOING ON - key E 3:38
8 bar intro, vocal through, shorter solo than original, vocal back in, continue through, ad lib ending and finish.

MP3 DEMO:
SM16. WHAT'S GOING ON
key - E - vocal range - E to G# (suit high male range)
Super cool arrangement of the Marvin Gaye classic.
 

WHEN A LOVE AFFAIR IS THROUGH keys Cm & C (chorus) 5:36
Piano intro and vocal in at 7 seconds with the verse, continue through similar to the Neil Sedaka version form, easy to latch onto as long as you know the song well enough. 2 full tones lower than the Sedaka key.

MP3 DEMO:
GM637. WHEN A LOVE AFFAIR IS THROUGH - Cm & C
key - Cm (verses) & C (chorus) - range - A to Eb
Wonderful Neil Sedaka song from 1991, in a gorgeous arrangement. 2 full tones lower than the Sedaka key.

WHEN A MAN LOVES A WOMAN key A to Bb 4:38
4 bar intro and vocal in at 19 secs, vocal thru, key change after the bridge at 2:15 into a verse, continue as per the Michael Bolton version, although not as long a rall at the end, back into to a brighter tempo for the ad libs at the end.

MP3 DEMO:
GM257. WHEN A MAN LOVES A WOMAN
key - A to Bb - vocal range - E to G (optional Bb)
Loosely based on a Michael Bolton live version. Great song and great live sounding arrangement.

WHEN A MAN LOVES A WOMAN key F 3:58
4 bar intro and vocal in at 16 seconds, vocal through as per the Michael Bolton live version form - no key change after the bridge, continue through as per the youtube link form.

MP3 DEMO:
GM524. WHEN A MAN LOVES A WOMAN - F
key - F - vocal range - C to F (optional G)
Fresh version of the classic Percy Sledge song and I've only highlighted the Bolton version purely for the form of the arrangement. My version is quicker, it doesn't have a key change and is in a very manageable male key.
 

WHEN I FIRST SAW YOU key D 3:09
2 bar intro then as per the original Jamie Foxx and Beyonce version, in the original key.

MP3 DEMO:
GM770. WHEN I FIRST SAW YOU - D
key - D - vocal range - original duet key
Superb duet from the movie "Dreamgirls", featuring the powerhouse vocal talents of Jamie Foxx and Beyonce. This arrangement is very much based on the original movie version. If a song like this features both of these artists you know it's a heavy duty sing!

WHEN SOMETHING IS WRONG WITH MY BABY key E 4:53
4 bar intro, vocal in at 24 secs, continue thru as per the Sam Moore version below..

MP3 DEMO:
GM258. WHEN SOMETHING IS WRONG WITH MY BABY
key - E - vocal range - B to G# (very much a "feel" song)
A soul classic from Sam and Dave. This arrangement is loosely based on the Sam Moore version from the White House Memphis Sounds Performance on Youtube.

WHEN THE GOOD TIMES COME AGAIN key Bb to B
Based on the original Barry Manilow version, same key plus key change, double chorus at the end and a definite ending.

MP3 DEMO:
GM729. WHEN THE GOOD TIMES COME AGAIN - Bb to B
key - Bb to B - vocal range - Bb to F#
Wonderful Barry Manilow gem from 1989, similar big arrangement and in the original keys, key change included.

WHEN WILL I SEE YOU AGAIN key Eb 3:03
8 bar intro and vocal in at 18 seconds with "when will I see you again...", continue through as per the original Three Degrees form -  short solo at 1:30 and vocal back in at 1:45 with "are we in love.... ", continue and at 2:02 sing the last verse again "when will I see you again.. when will our hearts be togther"..., continue and repeat the last line a few times and finish.

MP3 DEMO:
GM702. WHEN WILL I SEE YOU AGAIN - Eb
key - Eb - vocal range - Eb to G
Wonderful smash hit from the Three Degrees in an arrangement that sticks to the original version, but for a male key!
I've added an extra verse because the original version is very short and I've taken out the "ooooos,, ahahaaaa", section at the start as well.

WHEN YOU'RE IN LOVE WITH A BEAUTIFUL WOMAN key F# 2:54
Same form as the original with a definite ending.

MP3 DEMO:
GM265. WHEN YOU'RE IN LOVE WITH A BEAUTIFUL WOMAN
key - F# - vocal range - C# to F#
Arrangement loosely based on the original Dr Hook version, in a lower key and slightly slower groove.

WHERE IS THE LOVE  key Eb 2:54
8 bar intro and vocal in at 18 secs, continue thru as per the original form but with a definite ending. Original key.

MP3 DEMO:
GM392. WHERE IS THE LOVE - Eb
key - Eb - vocal range - Eb to F (optional G)
Superb version, based on the original Roberta Flack and Donny Hathaway version, original key, but with a definite ending.

WHERE IS THE LOVE? key Eb 3:08
1 bar pickup and vocal in on " where is the love....." ; where is the love......." twice then into verse and as per Will Downing/Mica Paris which is actually very similar to the original except for extra bars between verses. Easy to catch and ad lib the ending and a dead stop.

MP3 DEMO:
GM53. WHERE IS THE LOVE - Smooth
key - Eb - range - Eb to F (optional G on the ad lib ending).
This format is based on the version covered by Will Downing and Mica Paris ; but the arrangement is all mine! Wonderful smooth jazz dance version!

WHEREVER I LAY MY HAT key Bb 4:14
8 bar intro, vocal in at 23 secs, vocal thru, bridge at 2:10, continue, at 3:21 repeat "wherever I lay my hat...", ad lib during the 8 bar turnaround and at 3:51 sing "wherever I lay my hat.......that's my home...." - (phrase it with the keyboard pushes) and finish.

MP3 DEMO:
GM333. WHEREVER I LAY MY HAT
key - Bb - vocal range - F to G (optional Bb!)
Great Marvin Gaye song in a fresh Livetrak arrangement! Suit higher male ranges!

WHOLE LOTTA SHAKIN' GOIN' ON (Whole Lotta Shakin Goin On) key C 3:08
4 bar intro and vocal in at 6 seconds, continue through and piano solo at 1:15, vocal back in at 1:31, continue through (repeat verses..), another piano solo at 2:22, vocal back in at 2:41 with "shake baby shake..... shake baby shake..." and finish.

MP3 DEMO:
GM867. WHOLE LOTTA SHAKIN' GOIN' ON - C
key - C - vocal range - Bb to Eb (more about the feel than the range..)
Super punchy arrangement of the Jerry Lee Lewis worldwide smash and still hugely popular today - and instant floor filler. This version is extended (it's a short song...) so you can take it through twice, duplicate verses, even add any 12 bar blues at that tempo etc and there's two 12 bar piano solos included.

WIDE EYED AND LEGLESS key G 4:19
8 bar intro, vocal in at 19 secs, continue thru, short SAX solo (at 1.34), then the vocal comes back in at  1.49 with the chorus, continues into the next verse (at 2.24) and chorus and then a repeat of the chorus at 3.31 and then finish.

MP3 DEMO:
GM203. WIDE EYED AND LEGLESS
key - G - vocal range - G to G (suit higher range male)
Great song from Andy Fairweather Low in a cool arrangement! Available with the Sax removed.
 

WIGGLE THAT WOTSIT key Am 3:18
4 bar intro and vocal in at 9 seconds with 'wiggle that wotsit...", continue through as per the Hollies version, repeat the chorus a few times and then finish with the brass riff.

MP3 DEMO:
GM476. WIGGLE THAT WOTSIT
key - Am - vocal range - original key
The Hollies song from their 1976 album Russian Roulette. Check out the original on YouTube - https://www.youtube.com/watch?v=AepdUN9KfRg

WILD WORLD key C 3:20
4 bar intro and vocal in at 13 secs, vocal thru the song, 1st verse again at 1:53, into the chorus, repeat chorus at 2:44 and finish.

MP3 DEMO:
GM316. WILD WORLD
key - C - vocal range - D to E
The old Cat Stevens 70's song but in a fresh arrangement, loosely based on the Damon Castillo version and the same key...

WILDWOOD DAYS key C to Db 2:34
1 bar introduction and vocals through as per the Bobby Rydell version. Same key change and form.

MP3 DEMO:
GM165. WILDWOOD DAYS
key - C to Db  - vocal range - A to F
This is a great “feel good” song from Bobby Rydell, very typical of the period.

WILDWOOD DAYS key B to C 2:34
same as GM165 except a semitone lower.

MP3 DEMO:
GM166. WILDWOOD DAYS - B to C
key - B to C - vocal range - G to E
This is a great “feel good” song from Bobby Rydell, very typical of the period.
Same arrangement as GM165 except a semitone lower.

WITH A CHILD'S HEART key Eb 4:05
Same form as the Michael Jackson version - a touch slower and with a definite ending.

MP3 DEMO:
GM285. WITH A CHILD'S HEART
key - Eb - vocal range - Eb to D (optional F)
Very lovely song that was featured on the Stevie Wonder album "Uptight". Also covered by a very young Michael Jackson.
This version is loosely based on the Jackson version and in the same key. Suitable for a typical male range.

WITH ONE LOOK & I DREAMED A DREAM key B & Ab to Bb 6:09
intro, vocal through and into tempo, through whole song, intro for I Dreamed A Dream, vocal through full song, key change, continue, and finish.

MP3 DEMO:
G43. WITH ONE LOOK & I DREAMED A DREAM
With One Look - key - B - vocal range - B to D# (With One Look)
I Dreamed A Dream - key - Ab to Bb - vocal range - B to F
Two great show songs (Sunset Boulevard & Les Miserables) together in a medley.
This arrangement is based on the Michael Ball versions.

WITH THESE HANDS key C to Db 3:58
4 bar intro and vocal in at 15 seconds, vocal through - no solo - key change at 2:19 and vocal in at 2:23 with "with this heart ...I will sing to you....", continue through, slow the last line and big finish.

MP3 DEMO:
GM842. WITH THESE HANDS - C to Db
key - C to Db - vocal range - B to Eb (optional F)
Superb arrangement of the huge Tom Jones hit, but it's been around a while - Eddie Fisher covered it in 1953, Shirley Bassey in 1960 and many others. The arrangement is a lot slower than it is normally done but it's a superb version.

WITH THESE HANDS (the Temptations) key Ab 3:44
8 bar intro and vocal in at 18 seconds, continue through as per The Temptations version form.

MP3 DEMO:
GM870. WITH THESE HANDS (The Temptations) - Ab DEMO 1
GM870. WITH THESE HANDS (The Temptations) - Ab DEMO 2
key - Ab - vocal range - G to C
A superb copy replication of The Temptations cover of the huge hit for Tom Jones, covered by lots of artists.
I've included 2 demos and the track is true to this cover version. Same arrangement as GM869 except a full tone lower. Also suitable for high female ranges.

WITH THESE HANDS (the Temptations) key Bb 3:44
8 bar intro and vocal in at 18 seconds, continue through as per The Temptations version, original key.

MP3 DEMO:
GM869. WITH THESE HANDS (The Temptations) - Bb DEMO 1
GM869. WITH THESE HANDS (The Temptations) - Bb DEMO 2
key - Bb - vocal range - original key
A superb copy replication of The Temptations cover of the huge hit for Tom Jones, covered by lots of artists.
I've included 2 demos and the track is true to this cover version.

WONDERFUL TONIGHT key G 3:49
8 bar intro and vocal in at 21 secs, vocal thru as per the original form.

MP3 DEMO:
GM417. WONDERFUL TONIGHT - G Pianotrak
key - G - vocal range - G to E
Lovely and intimate piano only arrangement of the classic Eric Clapton song. Original key.

WORDS key G 3:20
4 bar intro and the vocal in at 14 seconds, vocal through the song - no solo - at 1:59 the vocal goes back to "talk... in every lasting words..... and dedicate them.....", (forget the la la la lyric) continue through, at 2:49 repeat the last line and finish.

MP3 DEMO:
GM534. WORDS - G
key - G - vocal range - D to Eb
Very cool arrangement of the old Bee Gees hit, with a freshness in sound and feel.

WOULD I LIE TO YOU key Eb 3:26
This is two tones down from the original version.
8 bar intro ; vocal starts with the chorus ; verse ; chorus ; verse ; chorus - no solo - straight in the bridge - back to " I'm telling you baby , you will never find..." ; watch for the extra bar leading to the chorus ; chorus thru twice ; and finish.

MP3 DEMO:
GM55. WOULD I LIE TO YOU? - Eb
key - Eb - vocal range - G to Eb
Great , memorable song from one hit wonders Charles and Eddie. I've taken the key down to a more "general" male key.
Fresh arrangement based on the "single" version.

WRITE THIS DOWN key Ab - original key 3:40
Loosely based on the original George Strait version.

MP3 DEMO:
GM454. WRITE THIS DOWN
key  Ab - vocal range - original key
Huge country hit for George Strait in 1999.

Y VIVA ESPANA key Em & E to F 3:46
8 bar intro and vocal in at 7 secs, vocal through as per the original form, key change for the last chorus and finish.

MP3 DEMO:
GM283. Y VIVA ESPANA
key - Em & E & F - range - E to F
The hugely successful corny hit (wish I wrote it!) in a male key....Pretty cool arrangement though....

YOU AND I (Eddie Rabbitt & Crystal Gayle) key F 4:01
4 bar intro and vocal in at 13 seconds, continue through as per the original version form, original key.

MP3 DEMO:
GM529. YOU AND I (Eddie Rabbitt & Crystal Gayle) Pianotrak
key - F - vocal range - original key
Hit duet for Eddie Rabbitt and Crystal Gayle back in 1982. Here's a lovely piano only arrangement in the original key.

YOU AND ME key Ab and G 3:57
Orchestral intro and vocal in at 29 secs, continue thru as per the Joe Longthorne version.

MP3 DEMO:
GM229. YOU AND ME
key - Ab and G - vocal range - (Ab) C to G
Loosely based on the Joe Longthorne version of this song from his album "You and Me".