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£5.00
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CHEEK TO CHEEK key C 3:45
8 bar intro and vocal in at 14 seconds, vocal through - no solo - at 2:12 the vocal goes back to "oh I'd love to climb a mountain....", continue through and finish as per Steve Tyrell version.
MP3 DEMO:
M2975. CHEEK TO CHEEK - C Steve Tyrell
key - C - vocal range - B to E
Based on the Steve Tyrell version of the Irving Berlin classic song, original key and without the soloing section so it's vocal all the way.
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£5.00
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CHEEK TO CHEEK key Bb 3:45
8 bar intro and vocal in at 14 seconds, vocal through - no solo - at 2:12 the vocal goes back to "oh I'd love to climb a mountain....", continue through and finish as per Steve Tyrell version.
MP3 DEMO:
M2976. CHEEK TO CHEEK - Bb Steve Tyrell
key - Bb - vocal range - A to D
Based on the Steve Tyrell version of the Irving Berlin classic song, and without the soloing section so it's vocal all the way.
Same arrangement as M2975 except a full tone lower.
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£5.00
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DON'T WORRY 'BOUT ME key F 4:21
2 bar intro (no verse included) and vocal in at 8 seconds, continue through - no solo - at 2:12 the vocal goes back to "let's say that our little show is over.....", continue through as per the Tony Bennett version form and finish.
MP3 DEMO:
M2977. DON'T WORRY 'BOUT ME - F
key - F - vocal range - C to C
The wonderful old standard in a very lovely arrangement that is loosely based on the Tony Bennett version from his album "Perfectly Frank", with same piano lines and fills but without the verse, the piano solo and with light strings added.
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£5.00
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DON'T WORRY 'BOUT ME key Eb 4:21
2 bar intro (no verse included) and vocal in at 8 seconds, continue through - no solo - at 2:12 the vocal goes back to "let's say that our little show is over.....", continue through as per the Tony Bennett version form and finish.
MP3 DEMO:
M2978. DON'T WORRY 'BOUT ME - Eb
key - Eb - vocal range - Bb to Bb
The wonderful old standard in a very lovely arrangement that is loosely based on the Tony Bennett version from his album "Perfectly Frank", with same piano lines and fills but without the verse, the piano solo and with light strings added.
Same arrangement as M2977 except a full tone lower.
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£5.00
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I THOUGHT ABOUT YOU key C 3:46 PIANO SOLO REMOVED!
4 bar intro and vocali in at 13 seconds, vocal through, piano solo at 1:49, vocal back in at 2:12 with "two or three cars, parked under the stars...", continue through, at 3:12 sing "what did I do........" (then up a semitone) "what did I do......" (back down again) what did I do.........I thought about you...." and let the band finish.
MP3 DEMO:
M2979. I THOUGHT ABOUT YOU - C Trio
key - C - vocal range - A to C
Superb Trio arrangement of this classic standard, at a slower 80 bpm and it works a treat! Same arrangement as F2469 except a full tone higher.
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£5.00
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I THOUGHT ABOUT YOU key C 3:46
4 bar intro and vocali in at 13 seconds, vocal through, piano solo at 1:49, vocal back in at 2:12 with "two or three cars, parked under the stars...", continue through, at 3:12 sing "what did I do........" (then up a semitone) "what did I do......" (back down again) what did I do.........I thought about you...." and let the band finish.
MP3 DEMO:
M2979. I THOUGHT ABOUT YOU - C Trio
key - C - vocal range - A to C
Superb Trio arrangement of this classic standard, at a slower 80 bpm and it works a treat! Same arrangement as F2469 except a full tone higher.
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£5.00
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I THOUGHT ABOUT YOU key C 2:59
4 bar intro and vocal in at 11 seconds, vocal through twice - no solo, at 2:35 sing "what did i do......what did I do...... .what did I do...... I thought about you" and finish.
M2980. I THOUGHT ABOUT YOU - C Trio version 2
key - C - vocal range - A to D
Superb alternate Trio arrangement of the classic jazz standard in the classic Trio format - piano, upright bass and brushes.
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£5.00
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I THOUGHT ABOUT YOU key D 2:59
4 bar intro and vocal in at 11 seconds, vocal through twice - no solo, at 2:35 sing "what did i do......what did I do...... .what did I do...... I thought about you" and finish.
M2981. I THOUGHT ABOUT YOU - D Trio
key - D - vocal range - B to E
Superb alternate Trio arrangement of the classic jazz standard in the classic Trio format - piano, upright bass and brushes.
Same arrangement as M2981 except a full tone higher.
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£5.00
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BETWEEN THE DEVIL AND THE DEEP BLUE SEA key D 2:29
4 bar intro and vocal in at 8 seconds, vocal through twice - no solo, from 2:12 repeat "the devil and the deep blue sea..." 3 times and finish.
MP3 DEMO:
M2982. BETWEEN THE DEVIL AND THE DEEP BLUE SEA - D Trio
key - D - vocal range - A to D
Super Trio arrangement of the classic standard, with music by Harold Arlen and lyrics by Ted Koehler.
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£5.00
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BETWEEN THE DEVIL AND THE DEEP BLUE SEA key C 2:29
4 bar intro and vocal in at 8 seconds, vocal through twice - no solo, from 2:12 repeat "the devil and the deep blue sea..." 3 times and finish.
MP3 DEMO:
M2983. BETWEEN THE DEVIL AND THE DEEP BLUE SEA - C Trio
key - C - vocal range - G to C
Super Trio arrangement of the classic standard, with music by Harold Arlen and lyrics by Ted Koehler. Same arrangement as M2983 except a full tone lower.
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£5.00
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COME MONDAY key A 3:11
4 bar intro and vocal in at 9 seconds, continue through as per the Jimmy Buffett version, original key.
MP3 DEMO:
GM1026. COME MONDAY - A
key - A - vocal range - original key
Copy version of the Jimmy Buffett hit from 1974, in the original key.
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£3.00
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HARVEST FOR THE WORLD key Eb 3:30
8 bar intro and vocal in at 16 seconds, vocal through as per the original form, with the 8 bar breaks between verses and the bridge, continue through and finish.
MP3 DEMO:
GM1027. HARVEST FOR THE WORLD - Eb Acoustic Guitar
key - Eb - vocal range - Eb to F
The wonderful Isley Brothers massive hit in a guitar only arrangement, perfect for a quality intimate vocal!
Same arrangement as GF575 except 2 full tones lower, suitable for a male pop range.
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£5.00
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HOW DO I KNOW I LOVE YOU key F to Gb 4:23
intro and vocal in at 11 seconds, continue thorugh as per the Howard Hewett (lead vocalist of Shalamar) form, original key.
MP3 DEMO:
GM1028. HOW DO I KNOW I LOVE YOU
key - F to Gb - vocal range - original key.
Lovely ballad from Howard Hewett, of Shalamar fame, 1995 "It's Time" album. The album track has a big production but my track is more small group sounding, but still with punchy drums as the track builds. It has a hefty upper vocal range so good vocal chops are the order of the day!
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£3.00
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LOSING MY RELIGION key Am 4:35
8 bar intro and the vocal in at 18 seconds, continue through as per the original REM form in the original key, but with a definite finish.
MP3 DEMO:
GM1029. LOSING MY RELIGION - Am Acoustic Guitar
key - Am - vocal range - G to C
This was a massive hit for REM and here's an acoustic guitar arrangement in the original key. It has tiny vocal range but it's the lyrics that sell the song....
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£5.00
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MIDNIGHT TRAIN TO GEORGIA key Ab 4:08
4 bar intro and vocal in at 12 seconds, vocal through as per the original Gladys Knight full form - PLEASE NOTE there are no backing vocals or similar instrument lines to copy the backing vocals. This arrangement is based on the Garth Brooks version he did to honour Gladys Knight at the Kennedy Center Honors show, with a proper shortened ending.
MP3 DEMO:
GM1030. MIDNIGHT TRAIN TO GEORGIA - Ab
key - Ab - vocal range - Eb to Ab
This is a strange one for me - Garth Brooks, the country singer, performing at The Kennedy Center to honour Gladys Knight the iconic legend of soul, but he pulls it off and does a good job. The arrangement for the show is shortened and it's a lot brighter in tempo but I've slowed it a bit and added the full Gladys Knight and the Pips song form. It does work fine for a solo vocal, you can just ad lib and fill it out where you think it needs it!
Same arrangement as GF579 except a full tone lower, suit a male pop range.
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£5.00
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£5.00
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ROCK WITH YOU key E to F 3:38
8 bar intro and vocal in at 19 seconds, continue through as per the original Michael Jackson form in his original key, key change included for the last chorus and at 3:16 sing "rock the night away...... rock the night away....." and finish.
MP3 DEMO:
GM1032. ROCK WITH YOU - E
key - E to F - vocal range - D# to A
The incredible song by Rod Temperton that scored a truly massive hit for Michael Jackson. It's an arrangement that is more small group based, so there isn't any brass or strings or a big production value to this. Great song and a great track by yours truly. Same arrangement as GF582 except a full tone lower. Suit higher male pop ranges.
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