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Male Gigsville Backing Track Downloads

MALE general, pop, soul, MOR and easy listening tracks in Alphabetical order or use the Search box.

Male Gigsville Backing Track Downloads
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HOW SWEET IT IS key G 3:30
1 bar pickup and then into the chorus - "how sweet it is to be..", continue thru the song, trumpet solo, vocal back in at "you were better to me than I've been to myself.", continue with a double chorus and finish.

MP3 DEMO:
GM187. HOW SWEET IT IS
key - G - vocal range - D to E
Fresh arrangement of the wonderful song by the Motown songwriting team of Holland-Dozier-Holland.
Loosely based on the form of the James Taylor version.
 

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HUMAN NATURE key Bb 4:01
4 bar intro and vocal in at 11 secs, continue thru as per the Michael Jackson form.

MP3 DEMO:
GM275. HUMAN NATURE - Bb
key - Bb - vocal range - C to D
Fresh arrangement of the Michael Jackson hit, in a much lower key.

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HUMAN NATURE key Db 4:01
4 bar intro and vocal in at 11 secs, continue thru as per Michael Jackson form.

MP3 DEMO:
GM276. HUMAN NATURE - Db
key - Db - vocal range - Eb to F
Same arrangement as GM275, but in a higher key.

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HUNGRY EYES key Ab 3:54
12 bar intro and vocal in at 28 seconds, continue through as per the original Eric Carmen version, in the original key, sax solo included and a definite ending after a double chorus.

MP3 DEMO:
GM948. HUNGRY EYES - Ab
key - Ab - vocal range - C to Eb
Superb arrangement of the classic Eric Carmen hit from Dirty Dancing in a more typical male range. Same arrangement as GF519 except a tone and a half higher.

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HUNGRY EYES key Bb 3:56
12 bar intro and vocal in at 27 seconds, vocal through, 8 bar hard sax solo at 2:46, vocal back in at 3:04 with a double chorus and finish with "but did I take you by surprise..." and finish.

MP3 DEMO:
GM780. HUNGRY EYES - Bb
key - Bb - vocal range - D to Eb
Fresh arrangement of the Eric Carmen classic from Dirty Dancing, in a much more manageable key. The original key was F.
Same arrangement as GM779 except a full tone lower.

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HUNGRY EYES key C 3:56
12 bar intro and vocal in at 27 seconds, vocal through, 8 bar hard sax solo at 2:46, vocal back in at 3:04 with a double chorus and finish with "but did I take you by surprise..." and finish.

MP3 DEMO:
GM779. HUNGRY EYES - C
key - C - vocal range - E to F
Fresh arrangement of the Eric Carmen classic from Dirty Dancing, in a much more manageable key. The original key was F.

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HUNGRY HEART key A 3:03
8 bar intro and vocal in at 18 secs, continue thru as per the Bruce Springsteen version, definite finish.

MP3 DEMO:
GM354. HUNGRY HEART - A
key - A - vocal range - E to C# (optional E and F# ad libs)
Great song from Bruce Springsteen, from his album The River. No BV's but organ solo included!
Same arrangement as GM353 except 2 full tones lower.

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HUNGRY HEART key Db 3:03
8 bar intro and vocal in at 18 secs, continue thru as per the Bruce Springsteen version, definite finish.

MP3 DEMO:
GM353. HUNGRY HEART - Db
key - Db - vocal range - Ab to F (optional Ab and Bb ad libs)
Great song from Bruce Springsteen, from his album The River, in the original key. No BV's but organ solo included!

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HURT key Bb 3:16
4 bar intro and vocal in at 14 seconds, vocal through - no solo - at 2:02 go back to "I'm hurt... much more than you'll ever know...", continue through and finish.

MP3 DEMO:
GM602. HURT - Bb orchestral
key - Bb - vocal range - C to D
Rich, moody and expressive Orchestral arrangement of this worldwide hit for Timi Yuro. Covered by so many great singers in various styles. Same arrangement as GM601 except a full tone lower.

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HURT key C 3:16
4 bar intro and vocal in at 14 seconds, vocal through - no solo - at 2:02 go back to "I'm hurt... much more than you'll ever know...", continue through and finish.

MP3 DEMO:
GM601. HURT - C orchestral
key - C - vocal range - D to E
Rich, moody and expressive Orchestral arrangement of this worldwide hit for Timi Yuro. Covered by so many great singers in various styles.

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I AM WHAT I AM key Bb to Db 4:41
5 bar intro and vocal in at 17 secs, continue thru as per the Dorothy Squires version -
https://www.youtube.com/watch?v=ZeAQDl1Kklg except in a male key! Key changes at each verse - Bb, B, C and finishing on Db.

MP3 DEMO:
GM389. I AM WHAT I AM  - Bb to Db
keys - Bb to Db inclusive of key changes - vocal range - A to F (optional Ab)
Based on the Dorothy Squires version of the massive hit from "La Cage Aux Folles", in a male key.

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I BELIEVE I CAN FLY key Bb to B 4:48
string intro leading into slow tempo for verse ; dance tempo kicks in on ' there's nothing to it.." ; continue thru as per ; ad lib ending aka R Kelly version, or ad lib and finish.

MP3 DEMO:
GM47. I BELIEVE I CAN FLY
key - Bb to B - vocal range - D to F# (optional ad libs). Not original key.
Nice Dance version of the R Kelly hit. First verse slow then tempo kicks in @ the chorus.

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I CAN'T HELP MYSELF key C 3:20
1 bar piano fill and 6 bar intro, vocal in at 16 seconds, continue through as per the original form, piano solo at 1:08, vocal back in at 1:26, continue through, repeat the first verse at 2:50 and finish.

GM439. I CAN'T HELP MYSELF - C Pianotrak
key - C - vocal range - C to G (original key)
Very cool piano arrangement of the classic Four Tops hit. Slower, bluesy licks and a gospel feel that's perfect for a laidback vocal.

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I CAN'T MAKE YOU LOVE ME key F 4:53
8 bar intro ; vocal thru as per Bonnie Raitt version. Ad lib ending.

MP3 DEMO:
GM31. I CAN'T MAKE YOU LOVE ME
key - F - vocal range - C to F
Absolutely gorgeous ballad from Bonnie Raitt. Also covered by George Michael and many others.

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I CAN'T MAKE YOU LOVE ME key Eb 4:45
8 bar intro and vocal in at 32 seconds, vocal through as per the Bonnie Raitt form, short piano break at 2:02 and vocal in at 2:18, continue through and finish with the piano outro.

MP3 DEMO:
GM502. I CAN'T MAKE YOU LOVE ME  - Eb Pianotrak
key - Eb - vocal range - Bb to Eb
Beautiful piano only arrangement of the Bonnie Raitt classic, covered by artists including George Michael to Nancy Wilson.
Same arrangement as GM501 except a full tone lower.

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I CAN'T MAKE YOU LOVE ME key F 4:45
8 bar intro and vocal in at 32 seconds, vocal through as per the Bonnie Raitt form, short piano break at 2:02 and vocal in at 2:18, continue through and finish with the piano outro.

MP3 DEMO:
GM501. I CAN'T MAKE YOU LOVE ME  - F Pianotrak
key - F - vocal range - C to F
Beautiful piano only arrangement of the Bonnie Raitt classic, covered by artists including George Michael to Nancy Wilson.

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I CAN'T MAKE YOU LOVE ME key F 5:31
8 bar intro and vocal in at 35 seconds, continue through as per the George Michael Live version form, a copy version.

MP3 DEMO:
GM950. I CAN'T MAKE YOU LOVE ME George Michael - F
key - F - vocal range - D to F
A copy arrangement that is based on the Live version by George Michael. The demo plays for 1 min and 4 seconds but doesn't include the strings and the vocal group obviously because they come much later but they are in the complete version. Check out the youtube links above for the original George Michael version. Same arrangement as GM949 except a full tone lower.

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I CAN'T MAKE YOU LOVE ME key G 5:31
8 bar intro and vocal in at 35 seconds, continue through as per the George Michael Live version form, in the original key and a copy version.

MP3 DEMO:
GM949. I CAN'T MAKE YOU LOVE ME George Michael - G
key - G - vocal range - E to G
A copy arrangement that is based on the Live version by George Michael, in his original key. The demo plays for 1 min and 4 seconds but doesn't include the strings and the vocal group obviously because they come much later but they are in the complete version. Check out the youtube links above for the original George Michael version.

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I DON'T WANT TO key Ab to Bb 3:38
4 bar intro ; vocal thru as per Toni Braxton version ; double chorus at the end and finish.

MP3 DEMO:
SM14. I DON'T WANT TO
key - Ab to Bb - vocal range - Eb to F
Dance version of the huge Toni Braxton hit.

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I DON'T WANT TO BE ALONE key Eb 4:02
Copy version of the Billy Joel song from his 1980 album "Glass Houses". Same key and definite ending.

MP3 DEMO:
GM398. I DON'T WANT TO BE ALONE
key - Eb - vocal range - Eb to G
Fantastic copy arrangement of the Billy Joel song.

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I DON'T WANT TO TALK ABOUT IT (I DON'T WANNA TALK ABOUT IT) key E to F 4:30
4 bar intro and vocal in at 16 seconds, vocal through as per the Rod Stewart & Amy Belle Live version form in a general male key, with a sax solo included, solo is not based on the youtube version.

MP3 DEMOS:
GM741. I DON'T WANT TO TALK ABOUT IT - E to F demo 1

GM741. I DON'T WANT TO TALK ABOUT IT - E to F demo 2
key - E to F - vocal range - B to D
A fresh take on the classic Rod Stewart hit and this arrangement is based on the live version form, in a general male key, with 2 demos to show how the track builds. Same form as the Rod Stewart and Amy Belle youtube version above.

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I DON'T WANT TO TALK ABOUT IT (I DON'T WANNA TALK ABOUT IT) key Gb to G 4:30
4 bar intro and vocal in at 16 seconds, vocal through as per the Rod Stewart & Amy Belle Live version form in a male key, with a sax solo included, solo is not based on the youtube version.

MP3 DEMOS:
GM742. I DON'T WANT TO TALK ABOUT IT - Gb to G demo 1

GM742. I DON'T WANT TO TALK ABOUT IT - Gb to G demo 2
key - Gb to G - vocal range - Db to E
A fresh take on the classic Rod Stewart hit and this arrangement is based on the live version form, in a male key, with 2 demos to show how the track builds. Same form as the Rod Stewart and Amy Belle youtube version above.
Same arrangement as GM741 except a full tone higher.

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I DREAMED A DREAM key E to F# 3:51
4 bar intro, vocal in at 16 secs, continue thru as per the original form, rall the last line and repeat it at 3:27 and finish.

MP3 DEMO:
GM224. I DREAMED A DREAM - E to F#
key - E to F# - vocal range - G to C# (suit lower male ranges and a higher female range)
I'm not a fan of musical theatre, but I love a few of the songs from Les Miserables. Here's a very lovely arrangement of one of the best songs from the musical.

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I FEEL FINE key Eb 2:17
Based on the same form as the Beatles version. Not original key.

MP3 DEMO:
GM98. I FEEL FINE - Eb
key - Eb - vocal range - D to Db
Cool version of the Beatles tune, in a more maneagable male key.

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I FEEL GOOD key C 2:29
intro riff and vocal through - verse twice ; break / bridge / verse / break / bridge / verse - repeat " so good --- so good ----- I got you" three times and finish.

MP3 DEMO:
SM18. I FEEL GOOD - C
key - C - vocal range - high male key / easy female key
James Brown classic reworked, a tone lower than the original key.

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I GOT A NAME key Eb 3:30
Intro and vocal in at 7 secs, contine thru as per the Jim Croce version, acoustic guitar solo at 1:37 and vocal back in at 2:00, continue thru as per and finish.

MP3 DEMO:
GM350. I GOT A NAME
key - Eb - vocal range - Bb to Eb
Based on the original version of the Jim Croce hit, but with a latin feel to the arrangement. A semitone lower than the original.

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I GUESS THAT'S WHY THEY CALL IT THE BLUES key Bb 4:58
4 bar intro and vocal in at 12 seconds, same form as the original, in the original key, except a definite professional ending.

MP3 DEMO:
GM926. I GUESS THAT'S WHY THEY CALL IT THE BLUES - Bb
key - Bb - vocal range - C to Eb
Wonderful Elton John song in a fesh new arrangement that sticks to the original feel, with a harmonica solo also included (not a copy of the original Harmonica solo). Same arrangement as GM925 except a full tone lower.

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I GUESS THAT'S WHY THEY CALL IT THE BLUES key C 4:58
4 bar intro and vocal in at 12 seconds, same form as the original, in the original key, except a definite professional ending.

MP3 DEMO:
GM925. I GUESS THAT'S WHY THEY CALL IT THE BLUES - C
key - C - vocal range - D to F
Wonderful Elton John song in a fesh new arrangement that sticks to the original feel, with a harmonica solo also included (not a copy of the original Harmonica solo).

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I HEAR YOU KNOCKING key D 3:09
4 bar intro and vocal in at 10 seconds, continue through 2 verses/chorus, guitar solo at 1:04, back in at 1:32 with "you better get back to your......used to be...", continue, at 1:59 verse is " I told you way back in '52.." and then REPRISE the 1st verse again at 2:26 and finish.

MP3 DEMO:
GM765. I HEAR YOU KNOCKING - D
key - D - vocal range - D to F
Superb arrangement of this hugely popular song, the original version was in 1955 by Smiley Lewis, but the Dave Edmunds was the crowd pleasing version, with this version in the Edmunds original key. Here's my take with a punchy groove and great sounds - all plugins and great playing! Same arrangement as GM764 except a full tone lower.

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I HEAR YOU KNOCKING key E 3:09
4 bar intro and vocal in at 10 seconds, continue through 2 verses/chorus, guitar solo at 1:04, back in at 1:32 with "you better get back to your......used to be...", continue, at 1:59 verse is " I told you way back in '52.." and then REPRISE the 1st verse again at 2:26 and finish.

MP3 DEMO:
GM764. I HEAR YOU KNOCKING - E
key - E - vocal range - E to G
Superb arrangement of this hugely popular song, the original version was in 1955 by Smiley Lewis, but the Dave Edmunds was the crowd pleasing version, with this version in the Edmunds original key. Here's my take with a punchy groove and great sounds - all plugins and great playing!

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I HONESTLY LOVE YOU key C to Db 3:45
4 bar intro and vocal in at 16 seconds, vocal through as per the original form, staying in tempo all the way and key change included for the very last verse.

MP3 DEMO:
GM835. I HONESTLY LOVE YOU - C to Db
key - C to Db - vocal range - C to D
This song scored a huge hit for Olivia Newton John but it's been covered by great male artists like Peter Allen, Glen Campbell, and many more. Here's a superb arrangement that keeps to the original song form, once through, key change included.
Same arrangement as GM834 except a full tone lower.

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I HONESTLY LOVE YOU key D to Eb 3:45
4 bar intro and vocal in at 16 seconds, vocal through as per the original form, staying in tempo all the way and key change included for the very last verse.

MP3 DEMO:
GM834. I HONESTLY LOVE YOU - D to Eb
key - D to Eb - vocal range - D to E
This song scored a huge hit for Olivia Newton John but it's been covered by great male artists like Peter Allen, Glen Campbell, and many more. Here's a superb arrangement that keeps to the original song form, once through, key change included.

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I JUST CAN'T HELP BELIEVING key Eb 3:26
4 bar intro, vocal in at 8 secs, continue thru the song, band solo at 2:17, vocal back in at 2:45 with "for more than just a day..", continue thru as per the B J Thomas live version :
https://www.youtube.com/watch?v=_gRZOvSVSps

MP3 DEMO:
GM413. I JUST CAN'T HELP BELIEVING - Eb
key - Eb - vocal range - Bb to Eb
Based on the B J Thomas live version - same key,  form and ending. Check out the youtube link above.
Same arrangement as GM412 except a full tone lower.
 

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I JUST CAN'T HELP BELIEVING key F 3:26
4 bar intro, vocal in at 8 secs, continue thru the song, band solo at 2:17, vocal back in at 2:45 with "for more than just a day..", continue thru as per the B J Thomas live version :
https://www.youtube.com/watch?v=_gRZOvSVSps

MP3 DEMO:
GM412. I JUST CAN'T HELP BELIEVING - F
key - F - vocal range - C to F
Based on the B J Thomas live version - same key,  form and ending. Check out the youtube link above.

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I JUST DON'T WANT TO BE LONELY key Eb 2:57
8 bar intro and vocal in at 26 seconds, vocal through - there is no break section so from 1:58 repeat " I'd rather be loved... needed... depended on....." section twice and then finish.

MP3 DEMO:
GM782. I JUST DON'T WANT TO BE LONELY - Eb
key - Eb - vocal range - Eb to F
Wonderful hit for Ronnie Dyson back in 1973 and a bigger hit for The Main Ingredient in 1974. Here's a superb arrangement that keeps to the Dyson version intro but with a great groove and feel. Same arrangement as GM781 except a full tone lower.

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I JUST DON'T WANT TO BE LONELY key F 2:57
8 bar intro and vocal in at 26 seconds, vocal through - there is no break section so from 1:58 repeat " I'd rather be loved... needed... depended on....." section twice and then finish.

MP3 DEMO:
GM781. I JUST DON'T WANT TO BE LONELY - F
key - F - vocal range - F to G
Wonderful hit for Ronnie Dyson back in 1973 and a bigger hit for The Main Ingredient in 1974. Here's a superb arrangement that keeps to the Dyson version intro but with a great groove and feel. Original key.

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I LOVE YOU MORE THAN YOU'LL EVER KNOW key Ab 4:19
4 bars plus 2/4 bar and vocal in at 17 seconds, vocal through as per this Michael Ruff song version form.

MP3 DEMO:
GM684. I LOVE YOU MORE THAN YOU'LL EVER KNOW - Ab
key - Ab - vocal range - Db to F
I've loved this song since i heard Natalie Cole cover it but any of the original songwriter Michael Ruff's versions are simply wonderful. This is a gorgeous piano and orchestral arrangement. Same arrangement as GM683 except a full tone lower.

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I LOVE YOU MORE THAN YOU'LL EVER KNOW key Bb 4:19
4 bars plus 2/4 bar and vocal in at 17 seconds, vocal through as per this Michael Ruff song version form.

MP3 DEMO:
GM683. I LOVE YOU MORE THAN YOU'LL EVER KNOW - Bb
key - Bb - vocal range - Eb to G
I've loved this song since i heard Natalie Cole cover it but any of the original songwriter Michael Ruff's versions are simply wonderful. This is a gorgeous piano and orchestral arrangement in the original Michael Ruff key.

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I MADE IT THRU (THROUGH) THE RAIN key Bb to C 3:56
piano intro ; vocal pickup and into tempo ; continue as per Barry Manilow version. No reprise on the ending.

MP3 DEMO:
GM49. I MADE IT THRU THE RAIN
key - Bb to C - vocal range - Eb to F
Great Gerard Kenny song which scored a massive hit for Barry Manilow. Original Livetrak arrangement.

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I MADE IT THRU (THROUGH) THE RAIN key G to A 4:08
Same form as the Manilow version but with a definite ending.

MP3 DEMO:
GM190. I MADE IT THRU THE RAIN - G to A
key - G to A - vocal range - C to D
Lovely arrangement of this great song, in a lower key. Written by Gerard Kenny, the massive worldwide hit went to Barry Manilow.
 

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I NEVER DREAMED YOU'D LEAVE IN SUMMER key Ab to Bb 3:56
2 bar intro, (half time feel), vocal thru, solo over the first verse, vocal back in "you said there would be one love in springtime...." ; continue through and finish.

MP3 DEMO:
SM19. I NEVER DREAMED YOU'D LEAVE IN SUMMER
key - Ab to Bb - vocal range - Eb to G
Stevie Wonder ballad with a cool groove twist. Not original key.

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I NEVER DREAMED YOU'D LEAVE IN SUMMER key Ab to Bb 3:02
4 bar intro and vocal in at 12 seconds, continue through as per the Stevie Wonder form, including the key change. Not original key.

MP3 DEMO:
GM560. I NEVER DREAMED YOU'D LEAVE IN SUMMER - Ab to Bb Pianotrak
key - Ab to Bb - vocal range - Eb to G
Classy piano only arrangement of the Stevie Wonder classic, in a higher male key. (The original Stevie key is C to D!)

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I NEVER DREAMED YOU'D LEAVE IN SUMMER key F to G 3:02
4 bar intro and vocal in at 12 seconds, continue through as per the Stevie Wonder form, including the key change. Not original key.

MP3 DEMO:
GM561. I NEVER DREAMED YOU'D LEAVE IN SUMMER - F to G Pianotrak
key - F to G - vocal range - C to E
Classy piano only arrangement of the Stevie Wonder classic, in a manageable male key. (The original Stevie key is C to D!)

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I RECALL A GYPSY WOMAN key Bb to C 2:59
8 bar intro and vocal in at 10 seconds, continue through 2 verses and chorus, at 1:13 there's a 4 bar break and vocal back in at 1:19 with "soft breezes blow...", continue and at 1:39 there's a key change to C for the last verse and into the chorus at 2:02, repeat the chorus again at 2:22, continue through, at 2:44 sing.. "and the taste........ of life's sweet wine" and finish.

MP3 DEMO:
GM800. I RECALL A GYPSY WOMAN - Bb to C
keys - Bb to C - vocal range - Bb to C (optional D)
Fresh and punchy arrangement of the Don Williams country classic.

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I RECALL A GYPSY WOMAN key C to D 2:59
8 bar intro and vocal in at 10 seconds, continue through 2 verses and chorus, at 1:13 there's a 4 bar break and vocal back in at 1:19 with "soft breezes blow...", continue and at 1:39 there's a key change to C for the last verse and into the chorus at 2:02, repeat the chorus again at 2:22, continue through, at 2:44 sing.. "and the taste........ of life's sweet wine" and finish.

MP3 DEMO:
GM801. I RECALL A GYPSY WOMAN - C to D
keys - C to D - vocal range - C to D (optional E)
Fresh and punchy arrangement of the Don Williams country classic. Same arrangement as GM800 except a full tone higher.

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I SWEAR key B 4:25
8 bar intro and vocal in at 25 seconds, continue through 2 verses and 2 choruses, synth solo from 3:05, chorus again from 3:27 and finish.

MP3 DEMO:
GM784. I SWEAR - B
key - B - vocal range - B to E
Superb and fresh arrangement of the massive country hit for John Michael Montgomery, and also covered 90's RnB boyband All-4-One. Same arrangement as GM783 except a full tone lower.

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I SWEAR key Db 4:25
8 bar intro and vocal in at 25 seconds, continue through 2 verses and 2 choruses, synth solo from 3:05, chorus again from 3:27 and finish.

MP3 DEMO:
GM783. I SWEAR - Db
key - Db - vocal range - Db to Gb
Superb and fresh arrangement of the massive country hit for John Michael Montgomery, and also covered 90's RnB boyband All-4-One.

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I TOLD YOU SO key A 4:17
4 bar intro and the vocal in at 13 seconds, continue through as per the same form as the original Randy Travis version, in the original key, slower in tempo.

MP3 DEMO:
GM731. I TOLD YOU SO - A
key - A - vocal range - A to D
A fresh arrangement of the Randy Travis country hit. More easy listening than country with lovely string lines, electric and acoustic piano fills but the same form as the Randy Travis version and an intro included.

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I TOLD YOU SO key B 4:17
4 bar intro and the vocal in at 13 seconds, continue through as per the same form as the original Randy Travis version, slower in tempo.

MP3 DEMO:
GM732. I TOLD YOU SO - B
key - B - vocal range - B to E
A fresh arrangement of the Randy Travis country hit. More easy listening than country with lovely string lines, electric and acoustic piano fills but the same form as the Randy Travis version and an intro included.
Same arrangement as GM732 except a full tone higher.

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I WALK THE LINE keys F, Bb and Eb - original keys 2:24
14 bar intro and vocal in at 16 secs, continue thru - 4 bars between verses/key changes (listen for the fills leading you in..)..thru as per the Johnny Cash form.

MP3 DEMO:
GM367. I WALK THE LINE
keys - F, Bb and Eb (back and forth!) - vocal range - F to D
Fresh, more structured arrangement in the original Johnny Cash keys, with a definite finish.

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I WHO HAVE NOTHING key Bbm 2:53
4 bar intro and vocal in at 16 seconds, continue through as per the Jordin Sparks version form.

MP3 DEMO:
GM874. I WHO HAVE NOTHING - Bbm
key - Bbm - vocal range - Db to Db (optional F)
A big song that's been covered by many great artists with many great arrangements. This stunning copy version is based on the American Idol season 6 winner Jordin Sparks album version, in a male key. Same arrangement as GM873 except a full tone lower.

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I WHO HAVE NOTHING key Cm 2:53
4 bar intro and vocal in at 16 seconds, continue through as per the Jordin Sparks version form.

MP3 DEMO:
GM873. I WHO HAVE NOTHING - Cm
key - Cm - vocal range - Eb to Eb (optional G)
A big song that's been covered by many great artists with many great arrangements. This stunning copy version is based on the American Idol season 6 winner Jordin Sparks album version, in a male key.

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I WISH - key Am 4:13
4 bar pickup/ 4 bar big intro ; vocal in ; thru as per Stevie Wonder version - remember to add the break between full song format - " I love em so ..--da do da do....... " ; (2 times full song format); break / solo / vocal back in at " try the best to bring the water.....etc ? ;chorus twice ; break ; TIP -- vocally end on "I love em so".

MP3 DEMO:
SM24. I WISH
key - Am - vocal range - G to E
The genius of Stevie Wonder in a much more general key but with a different, more "live" feel.
Original Livetrak arrangement.

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I WISH & ISN'T SHE LOVELY Medley key C#m & D 5:00
8 bar intro, vocal in 18 secs, continue thru the song, breakdown at 2:56 and then the tempo and feel changes at 3:05 for Isn't She Lovely - 4 bar intro and vocal in at 3:13, short Harmonica solo at 3:44 and vocal back in at 4:18 with the main theme again and finish.

MP3 DEMOS:
GM252. I WISH & ISN'T SHE LOVELY medley
keys - C#m and D - vocal range - A to A (down a full tone from Stevie's keys)
Two great Stevie Wonder classics in a superb medley. It's based on a live version so there's a few different pushes and fills there!

I WISH demo click here

I WISH into ISN'T SHE LOVELY demo click here
Also available with the Harmonica solo removed!

Price:
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I WISH I WAS EIGHTEEN AGAIN key Bb 3:38
4 bar intro and vocal in at 8 secs, continue thru, same form as the Ray Price version, repeat the last line and finish. 

MP3 DEMO:
GM321. I WISH I WAS EIGHTEEN AGAIN
key - Bb - vocal range - Bb to G
Based on the Ray Price version from his final album.

Price:
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I WON'T LET GO key Gb to Ab 3.57
2 bar intro, vocal in at 8 secs and continue thru as per the live radio version:
Check YouTube: Rascal Flatts - "I Won't Let Go" - 95.5 WPLJ

MP3 DEMO:
GM197. I WON'T LET GO
key - Gb to Ab - vocal range - Db to F (optional Ab top)
Rascal Flatts song and the arrangement is based on a live radio version, in a lower key.
Check YouTube: Rascal Flatts - "I Won't Let Go" - 95.5 WPLJ
 

Price:
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I WONDER WHY key Bb 4:20
14 bar intro then as per the original form. Definite ending.

MP3 DEMO:
GM79. I WONDER WHY
key - Bb to C - vocal range - D to F (optional G)
Curtis Stigers' breakthrough hit. Awesome song in a great fresh arrangement but sticking to the form of the original and a definite ending.

Price:
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I WRITE THE SONGS key Eb to G to Ab 4:15
4 bar intro and vocal in at 15 seconds, continue through as per the Barry Manilow original version form.

MP3 DEMO:
GM711. I WRITE THE SONGS - Eb
keys - Eb to G to Ab - vocal range - C to Eb (optional E)
Wonderful song that scored a massive hit for Barry Manilow. Here's a wonderful BIG arrangement complete with vocal ooo's and aah's and a superb build for the final two key changed choruses.
Same arrangement as GM710 except a full tone lower.

Price:
£5.00
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I WRITE THE SONGS key F to A to Bb 4:15
4 bar intro and vocal in at 15 seconds, continue through as per the Barry Manilow original version form. Original key.

MP3 DEMO:
GM710. I WRITE THE SONGS - F
keys - F to A to Bb - vocal range - D to F (optional F#)
Wonderful song that scored a massive hit for Barry Manilow. Here's a wonderful BIG arrangement complete with vocal ooo's and aah's and a superb build for the final two key changed choruses. Original keys.

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I'D RATHER LEAVE WHILE I'M IN LOVE key C 3:44
4 bar intro ; vocal thru ; solo ; vocal back in at " too many times I've seen the rose die..." ; continue ; tag the last line and finish.

MP3 DEMO:
GM50. I'D RATHER LEAVE WHILE I'M IN LOVE - C
key - C - vocal range - C to D
Really lovely song - a big hit for Rita Coolidge and suitable also for high female range. Lovely Original Livetrak arrangement.

Price:
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I'LL BE THERE key G 3:40
4 bar intro ; as per original ; just a different groove. Double chorus at the end and rall for the last line. Nice stop on the 2nd verse!

MP3 DEMO:
GM48. I'LL BE THERE
key - G - vocal range - (G optional low note) to G
Really cool version of the Jackson's hit. Also suitable as a male/female duet.

Price:
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I'LL HAVE TO SAY I LOVE YOU IN A SONG key Eb 2:41
8 bar intro; vocal thru; short guitar solo; vocal back in at " 'cause every time I tried to tell you".......; continue; intro to finish.

MP3 DEMO:
GM112. I'LL HAVE TO SAY I LOVE YOU IN A SONG - Eb
key - Eb - vocal range - Eb to D (suit lower range male)
Nice version of the Jim Croce song.

Price:
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I'M A BELIEVER key E 2:58
Loosely based on the Neil Diamond 1967 version, same key but with a definite ending.

MP3 DEMO:
GM399. I'M A BELIEVER
key - E - vocal range - C# to C# (optional E)
Great track that's loosely based on the original Neil Diamond version.

Price:
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I'M GONNA MAKE YOU LOVE ME key Ab 3:36
4 bar intro and vocal in at 11 seconds, vocal through, 8 bar synth solo at 2:05, vocal back in at 2:27 with "every night every day....", continue through and repeat the chorus at 3:01 and finish.

MP3 DEMO:
GM595. I'M GONNA MAKE YOU LOVE ME  - Ab
key - Ab - range - Ab to E
Fabulous arrangement of this wonderful soul classic. Big range and a big chorus but what a song! Classic 80's vibe, wonderful synth sounds and a cool groove. Same arrangement as GM594 except a full tone lower.

Price:
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I'M GONNA MAKE YOU LOVE ME key Bb 3:36
4 bar intro and vocal in at 11 seconds, vocal through, 8 bar piano solo at 2:04, vocal back in at 2:26 with "every night every day...", continue through, repeat the chorus at 3:01 and finish.

MP3 DEMO:
GM593. I'M GONNA MAKE YOU LOVE ME - Ab Pianotrak
key - Ab - range - Ab to E
Wonderful soul classic in a classy piano only arrangement. Big vocal range but perfectly manageable for a typical male range.
Same arrangement as GM592 except a full tone lower.

Price:
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I'M GONNA MAKE YOU LOVE ME key Bb 3:36
4 bar intro and vocal in at 11 seconds, vocal through, 8 bar synth solo at 2:05, vocal back in at 2:27 with "every night every day....", continue through and repeat the chorus at 3:01 and finish.

MP3 DEMO:
GM594. I'M GONNA MAKE YOU LOVE ME  - Bb
key - Bb - range - Bb to Gb
Fabulous arrangement of this wonderful soul classic. Big range and a big chorus but what a song! Classic 80's vibe, wonderful synth sounds and a cool groove.

Price:
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I'M GONNA MAKE YOU LOVE ME key Bb 3:36
4 bar intro and vocal in at 11 seconds, vocal through, 8 bar piano solo at 2:04, vocal back in at 2:26 with "every night every day...", continue through, repeat the chorus at 3:01 and finish.

MP3 DEMO:
GM592. I'M GONNA MAKE YOU LOVE ME - Bb Pianotrak
key - Bb - range - Bb to Gb
Wonderful soul classic in a classy piano only arrangement. Big vocal range but perfectly manageable for a typical gigging male range.

Price:
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I'M NOT ANYONE key F 4:49
4 bar intro and vocal in at 13 seconds, same form and key as the Sammy Davis Jnr live version, except with a definite ending.

MP3 DEMO:
GM690. I'M NOT ANYONE - F
key - F - vocal range - D to D (optional G top note)
A live version of the Paul Anka song by the wonderful Sammy Davis Jnr, in a very similar arrangement.
Same arrangement as GM689 except a full tone lower.

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I'M NOT ANYONE key G 4:49
4 bar intro and vocal in at 13 seconds, same form and key as the Sammy Davis Jnr live version, except with a definite ending.

MP3 DEMO:
GM689. I'M NOT ANYONE - G
key - G - vocal range - E to E (optional A top note)
A live version of the Paul Anka song by the wonderful Sammy Davis Jnr, very similar arrangement and the same key.

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I'M STILL STANDING key A & Am 3:03
8 bar intro and vocal in at 12 seconds, continue through as per the Elton John version and includes the guitar solo,  no fade - definite ending ends on "I'm still standing".

MP3 DEMO:
GM909. I'M STILL STANDING - A (& Am)
key - A & Am (chorus goes to Am) - vocal range - E to G
The Elton John classic in a superb new arrangement, and a semitone down from the original Elton John key.

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I'M STILL STANDING key G & Gm 3:03
8 bar intro and vocal in at 12 seconds, continue through as per the Elton John version and includes the guitar solo,  no fade - definite ending ends on "I'm still standing".

MP3 DEMO:
GM910. I'M STILL STANDING - G (& Gm)
key - G & Gm (chorus goes to Gm) - vocal range - D to F
The Elton John classic in a superb new arrangement, and a semitone down from the original Elton John key. Same arrangement as GM909 except a full tone lower. (So, GM910 is 3 semitones lower than the original Elton John key).

Price:
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I'M TALKING TO YOU BABY key Dm 4:16
Same form and key as the Jeff Cascaro version.

MP3 DEMO:
GM297. I'M TALKING TO YOU BABY
key - Dm - vocal range - D to A  (optional D top note)
Great smooth groove and cool song from Jeff Cascaro. Cover key.

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I'VE DONE ENOUGH DYING TODAY key D 4:12
8 bar intro and vocal in at 18 seconds, vocal through all the way - same form and similar arrangement as the original Larry Gatlin & The Gatlin Brothers version except in a much lower key.

MP3 DEMO:
GM457. I'VE DONE ENOUGH DYING TODAY - D
key - D - vocal range - G to D (suit lower male ranges)
Wonderful song from Larry Gatlin, the original version is wonderful, later versions not so (huge vibrato). Here's an arrangement that is loosely based on the original album version. Note - The 2nd verse has strings added, like the original version.
The original key was A, with an A top note falsetto.

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I'VE DONE ENOUGH DYING TODAY key E 4:12
8 bar intro and vocal in at 18 seconds, vocal through all the way - same form and similar arrangement as the original Larry Gatlin & The Gatlin Brothers version except in a much lower key.

MP3 DEMO:
GM458. I'VE DONE ENOUGH DYING TODAY - E
key - E - vocal range - A to E
Wonderful song from Larry Gatlin, the original version is wonderful, later versions not so (huge vibrato). Here's an arrangement that is loosely based on the original album version. Note - The 2nd verse has strings added, like the original version.
The original key was A, with an A top note falsetto.
Same arrangement as GM457 except a full tone higher.

Price:
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IDOL key G 4:22
The form is as per the live George Michael version from his Symphonica album.

MP3 DEMO:
GM310. IDOL
key - G original key
Elton John song that George Michael recently covered on his Symphonica tour, and album. an exceptional track, Loosely based on the live Geroge Michael version.

Price:
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IF key Eb 5:10
4 bar intro ; vocal thru ; short piano solo - vocal back in at "you come...... and pour ....." ; continue through the song and finish.

MP3 DEMO:
GM57. IF - Eb
key - Eb - vocal range - Bb to Eb
Wonderful song by the marvellous David Gates and given a totally fresh and original REALTRAK groove arrangement that really updates the song.

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IF key F 3:15
4 bar intro; vocal through all the way - no solo - and really rall the last line and finish.

MP3 DEMO:
GM154. IF - F
key - F - vocal range - C to F
Wonderful David Gates song in an Original Livetrak arrangement.

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IF TOMORROW NEVER COMES key A 3:52
2 bar intro and vocal in at 5 seconds, vocal through - no solo, at 3:26 slow the last few lines and finish.

MP3 DEMO:
GM619. IF TOMORROW NEVER COMES - A
key - A - range - E to E
Great fresh arrangement of the Garth Brooks worldwide hit, and covered by all the major artists.
Same arrangement as GM618 except a full tone higher.

Price:
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IF TOMORROW NEVER COMES key G 3:52
2 bar intro and vocal in at 5 seconds, vocal through - no solo, at 3:26 slow the last few lines and finish.

MP3 DEMO:
GM618. IF TOMORROW NEVER COMES - G
key - G - range - D to D
Great fresh arrangement of the Garth Brooks worldwide hit, and covered by all the major artists.

Price:
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IF YOU COULD READ MY MIND key C 3:32
This version is a cover of the dance version that was out a couple of years back. No fade out - dead stop ending.

MP3 DEMO:
GM32. IF YOU COULD READ MY MIND
key - C - vocal range - E to E
Dance based version of the Gordon Lightfoot hit that was released a few years back.

Price:
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IF YOU EVER BELIEVED key B to C 3:48
8 bar intro and vocal in at 18 secs, continue thru as per the Andy Williams version.

MP3 DEMO:
GM420. IF YOU EVER BELIEVED
key - B to C - vocal range - original key
Andy Williams song from his 1976 album "Andy".
 

Price:
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IF YOU REALLY LOVE ME key C to Db 2:59
4 bar intro ;whole chorus - then same format as Stevie Wonder ; includes key change after 2nd time verses ; repeat chorus/ad lib and nice fresh ending - easy to catch once you've heard it. Stays uptempo all the way!

MP3 DEMO:
GM67. IF YOU REALLY LOVE ME
key - C to Db - vocal range - C to F(optional G) suit higher male ranges.
Absolutely wonderful Stevie Wonder gem in a fab fresh arrangement - stays in tempo all the way and works so well!

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IF YOU WERE HERE TONIGHT key Fm 4:52
8 bar intro ; vocal thru as per original Alexander O'Neal version.

MP3 DEMO:
SM9. IF YOU WERE HERE TONIGHT
KEY - Fm - vocal range - Ab to Ab (optional)
Alexander O'Neil gem and a favourite of mine, original key but also suitable for low female range.

Price:
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IMAGINE key Bb 3:58
4 bar intro and vocal in at 15 secs, continue thru, 4 bar break at 2:06, vocal back in at 2:21 with "imagine no possessions...", continue thru and finish.

MP3 DEMO:
GM425. IMAGINE - Bb
key - Bb - vocal range - F to D (optional F - "ah ha..")
Beautiful and tasteful orchestral arrangement of the John Lennon classic.
Same arrangement as GM424 except a full tone lower.

Price:
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IMAGINE key C 3:58
4 bar intro and vocal in at 15 secs, continue thru, 4 bar break at 2:06, vocal back in at 2:21 with "imagine no possessions...", continue thru and finish.

MP3 DEMO:
GM424. IMAGINE - C
key - C - vocal range - G to E (optional G - "ah ha..")
Beautiful and tasteful orchestral arrangement of the John Lennon classic.

Price:
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IN DREAMS key Ab 4:05
2 bar intro in tempo - the verse stays in tempo - vocal in at 6 seconds, vocal through as per the original form, not original key.

MP3 DEMO:
GM759. IN DREAMS - Ab orchestral
key - Ab - vocal range - F to Ab falsetto (huge range!)
Gorgeous orchestral arrangement of the Roy Orbison hit song. Slower in tempo and much more subtle, it's also suitable for a higher female range, it just means changing octaves at the verse, chorus, etc - it works fine this way if you can hit a Ab in chest voice. Same arrangement as GM758 except a full tone lower.

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IN DREAMS key Bb 4:05
2 bar intro in tempo - the verse stays in tempo - vocal in at 6 seconds, vocal through as per the original form, not original key.

MP3 DEMO:
GM758. IN DREAMS - Bb orchestral
key - Bb - vocal range - G to Bb falsetto (huge range!)
Gorgeous orchestral arrangement of the Roy Orbison hit song. Slower in tempo and much more subtle, it's also suitable for a higher female range, it just means changing octaves at the verse, chorus, etc - it works fine this way if you can hit a Bb in chest voice.

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IN MY LIFE key A 2:51
4 bar intro and vocal in at 10 seconds, continue through as per the Beatles form, original key.

MP3 DEMO:
GM788. IN MY LIFE - A Piano
key - A - vocal range - E to E
Lovely piano only arrangement of the Beatles tune, slower and more melancholy in style but includes the rather pompous classical based solo that seems so out of place.

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IN MY LIFE key G 2:51
4 bar intro and vocal in at 10 seconds, continue through as per the Beatles form.

MP3 DEMO:
GM789. IN MY LIFE - G Piano
key - G - vocal range - D to D
Lovely piano only arrangement of the Beatles tune, slower and more melancholy in style but includes the rather pompous classical based solo that seems so out of place. Same arrangement as GM788 except a full tone lower.

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IN THE COLD LIGHT OF DAY key Bb 2:59
4 bar intro; vocal through as per the Gene Pitney version but with a definite ending.

MP3 DEMO:
GM182. IN THE COLD LIGHT OF DAY
key - Bb - vocal range - C to Eb
A hit for Gene Pitney back in 1966. This arrangement is a full tone lower than the original key.
 

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IN  THE GHETTO key D 3:38
2 bar intro and vocal in at 6 secs; continue thru as per the Ronan Keating version.

MP3 DEMO:
GM184. IN THE GHETTO
key - D - vocal range - D to D (optional F)
Massive hit for Elvis but this version is based on the Ronan Keating version. Includes backing vocals. Optional No BVs version as well..
 

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IN THE MIDNIGHT HOUR key A 2:36
6 bar intro, vocal in at and continue through as per the original form (brass section solo included), with a definite ending.

MP3 DEMO:
GM604. IN THE MIDNIGHT HOUR - A
key - A - vocal range - G to E
Wonderful 2019 arrangement of the Wilson Pickett classic, covered by all the great soul singers, sticking more to the original tempo and original form but in a much lower key and suitable for lower male ranges.
Same arrangement as GM603 except a full tone higher.

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IN THE MIDNIGHT HOUR key G 2:36
6 bar intro, vocal in at and continue through as per the original form (brass section solo included), with a definite ending.

MP3 DEMO:
GM603. IN THE MIDNIGHT HOUR - G 2019
key - G - vocal range - F to D
Wonderful 2019 arrangement of the Wilson Pickett classic, covered by all the great soul singers, sticking more to the original tempo and original form but in a much lower key and suitable for lower male ranges.

Price:
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IN THE MIDNIGHT HOUR key G to Ab 2:51
Same form as the Wilson Pickett version except I've included a KEY CHANGE after the Brass solo, continue, ad lib ending and finish with the INTRO.

MP3 DEMO:
GM81. IN THE MIDNIGHT HOUR - G to Ab
key - G - vocal range - F to D (optional ad libs) suit lower male ranges
Fresh and groovy arrangement of the huge Wilson Pickett hit , and covered by everybody.

Price:
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IN THIS LIFE key A 3:56
cover of the RONAN KEATING version. Includes the bridge section.

MP3 DEMO:
GM33. IN THIS LIFE
key - A - vocal range - E to F#
Lovely country ballad. Singers include Vince Gill and Ronan Keating.

Price:
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IN YOUR EYES key C to D 3:15
opening chord ; intro ; vocal through - basically the same as the George Benson version with a slightly different feel.

MP3 DEMO:
SM25. IN YOUR EYES
key - C to D - vocal range - G to F
Nice arrangement of the George Benson ballad a full tone lower than the original version.

Price:
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IN YOUR EYES key Bb to C 3:44
4 bar intro and vocal in at 16 seconds, vocal through as per the original form.

MP3 DEMO:
GM810. IN YOUR EYES - Bb to C Electric Piano
key - Bb to C - vocal range - F to Eb
Gorgeous and very 80's sounding electric piano arrangement of the wonderful George Benson ballad. Same arrangement as GM808 except 2 full tones lower.

Price:
£3.00
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IN YOUR EYES key C to D 3:44
4 bar intro and vocal in at 16 seconds, vocal through as per the original form.

MP3 DEMO:
GM809. IN YOUR EYES - C to D Electric Piano
key - C to D - vocal range - G to F
Gorgeous and very 80's sounding electric piano arrangement of the wonderful George Benson ballad. Same arrangement as GM808 except a full tone lower.

Price:
£3.00
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IN YOUR EYES key D to E 3:44
4 bar intro and vocal in at 16 seconds, vocal through as per the original form, in the original key.

MP3 DEMO:
GM808. IN YOUR EYES - D to E Electric Piano
key - D to E - vocal range - A to G
Gorgeous and very 80's sounding electric piano arrangement of the wonderful George Benson ballad, in the opriginal key.

Price:
£3.00
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IN YOUR EYES key C to D 3:48
Same form as the George Benson version..

MP3 DEMO:
GM308. IN YOUR EYES Pianotrak
key - C to D - vocal range - G to F
Great song that scored a worldwide hit for George Benson. This is a full tone lower and in a lovely piano only arrangement.

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