I FEEL FINE key Eb 2:17
Based on the same form as the Beatles version. Not original key.

MP3 DEMO:
GM98. I FEEL FINE - Eb
key - Eb - vocal range - D to Db
Cool version of the Beatles tune, in a more maneagable male key.

I FEEL GOOD key C 2:29
intro riff and vocal through - verse twice ; break / bridge / verse / break / bridge / verse - repeat " so good --- so good ----- I got you" three times and finish.

MP3 DEMO:
SM18. I FEEL GOOD - C
key - C - vocal range - high male key / easy female key
James Brown classic reworked, a tone lower than the original key.

I GOT A NAME key Eb 3:30
Intro and vocal in at 7 secs, contine thru as per the Jim Croce version, acoustic guitar solo at 1:37 and vocal back in at 2:00, continue thru as per and finish.

MP3 DEMO:
GM350. I GOT A NAME
key - Eb - vocal range - Bb to Eb
Based on the original version of the Jim Croce hit, but with a latin feel to the arrangement. A semitone lower than the original.

I GUESS THAT'S WHY THEY CALL IT THE BLUES key C 4:58
4 bar intro and vocal in at 12 seconds, same form as the original, in the original key, except a definite professional ending.

MP3 DEMO:
GM925. I GUESS THAT'S WHY THEY CALL IT THE BLUES - C
key - C - vocal range - D to F
Wonderful Elton John song in a fesh new arrangement that sticks to the original feel, with a harmonica solo also included (not a copy of the original Harmonica solo).

I HEAR YOU KNOCKING key E 3:09
4 bar intro and vocal in at 10 seconds, continue through 2 verses/chorus, guitar solo at 1:04, back in at 1:32 with "you better get back to your......used to be...", continue, at 1:59 verse is " I told you way back in '52.." and then REPRISE the 1st verse again at 2:26 and finish.

MP3 DEMO:
GM764. I HEAR YOU KNOCKING - E
key - E - vocal range - E to G
Superb arrangement of this hugely popular song, the original version was in 1955 by Smiley Lewis, but the Dave Edmunds was the crowd pleasing version, with this version in the Edmunds original key. Here's my take with a punchy groove and great sounds - all plugins and great playing!

I HONESTLY LOVE YOU key D to Eb 3:45
4 bar intro and vocal in at 16 seconds, vocal through as per the original form, staying in tempo all the way and key change included for the very last verse.

MP3 DEMO:
GM834. I HONESTLY LOVE YOU - D to Eb
key - D to Eb - vocal range - D to E
This song scored a huge hit for Olivia Newton John but it's been covered by great male artists like Peter Allen, Glen Campbell, and many more. Here's a superb arrangement that keeps to the original song form, once through, key change included.

I JUST CAN'T HELP BELIEVING key F 3:26
4 bar intro, vocal in at 8 secs, continue thru the song, band solo at 2:17, vocal back in at 2:45 with "for more than just a day..", continue thru as per the B J Thomas live version :
https://www.youtube.com/watch?v=_gRZOvSVSps

MP3 DEMO:
GM412. I JUST CAN'T HELP BELIEVING - F
key - F - vocal range - C to F
Based on the B J Thomas live version - same key,  form and ending. Check out the youtube link above.

I JUST DON'T WANT TO BE LONELY key F 2:57
8 bar intro and vocal in at 26 seconds, vocal through - there is no break section so from 1:58 repeat " I'd rather be loved... needed... depended on....." section twice and then finish.

MP3 DEMO:
GM781. I JUST DON'T WANT TO BE LONELY - F
key - F - vocal range - F to G
Wonderful hit for Ronnie Dyson back in 1973 and a bigger hit for The Main Ingredient in 1974. Here's a superb arrangement that keeps to the Dyson version intro but with a great groove and feel. Original key.

I LOVE YOU MORE THAN YOU'LL EVER KNOW key Bb 4:19
4 bars plus 2/4 bar and vocal in at 17 seconds, vocal through as per this Michael Ruff song version form.

MP3 DEMO:
GM683. I LOVE YOU MORE THAN YOU'LL EVER KNOW - Bb
key - Bb - vocal range - Eb to G
I've loved this song since i heard Natalie Cole cover it but any of the original songwriter Michael Ruff's versions are simply wonderful. This is a gorgeous piano and orchestral arrangement in the original Michael Ruff key.

I MADE IT THRU (THROUGH) THE RAIN key Bb to C 3:56
piano intro ; vocal pickup and into tempo ; continue as per Barry Manilow version. No reprise on the ending.

MP3 DEMO:
GM49. I MADE IT THRU THE RAIN
key - Bb to C - vocal range - Eb to F
Great Gerard Kenny song which scored a massive hit for Barry Manilow. Original Livetrak arrangement.

I MADE IT THRU (THROUGH) THE RAIN key G to A 4:08
Same form as the Manilow version but with a definite ending.

MP3 DEMO:
GM190. I MADE IT THRU THE RAIN - G to A
key - G to A - vocal range - C to D
Lovely arrangement of this great song, in a lower key. Written by Gerard Kenny, the massive worldwide hit went to Barry Manilow.
 

I NEVER DREAMED YOU'D LEAVE IN SUMMER key Ab to Bb 3:56
2 bar intro, (half time feel), vocal thru, solo over the first verse, vocal back in "you said there would be one love in springtime...." ; continue through and finish.

MP3 DEMO:
SM19. I NEVER DREAMED YOU'D LEAVE IN SUMMER
key - Ab to Bb - vocal range - Eb to G
Stevie Wonder ballad with a cool groove twist. Not original key.

I NEVER DREAMED YOU'D LEAVE IN SUMMER key Ab to Bb 3:02
4 bar intro and vocal in at 12 seconds, continue through as per the Stevie Wonder form, including the key change. Not original key.

MP3 DEMO:
GM560. I NEVER DREAMED YOU'D LEAVE IN SUMMER - Ab to Bb Pianotrak
key - Ab to Bb - vocal range - Eb to G
Classy piano only arrangement of the Stevie Wonder classic, in a higher male key. (The original Stevie key is C to D!)

I RECALL A GYPSY WOMAN key Bb to C 2:59
8 bar intro and vocal in at 10 seconds, continue through 2 verses and chorus, at 1:13 there's a 4 bar break and vocal back in at 1:19 with "soft breezes blow...", continue and at 1:39 there's a key change to C for the last verse and into the chorus at 2:02, repeat the chorus again at 2:22, continue through, at 2:44 sing.. "and the taste........ of life's sweet wine" and finish.

MP3 DEMO:
GM800. I RECALL A GYPSY WOMAN - Bb to C
keys - Bb to C - vocal range - Bb to C (optional D)
Fresh and punchy arrangement of the Don Williams country classic.

I SWEAR key Db 4:25
8 bar intro and vocal in at 25 seconds, continue through 2 verses and 2 choruses, synth solo from 3:05, chorus again from 3:27 and finish.

MP3 DEMO:
GM783. I SWEAR - Db
key - Db - vocal range - Db to Gb
Superb and fresh arrangement of the massive country hit for John Michael Montgomery, and also covered 90's RnB boyband All-4-One.

I TOLD YOU SO key A 4:17
4 bar intro and the vocal in at 13 seconds, continue through as per the same form as the original Randy Travis version, in the original key, slower in tempo.

MP3 DEMO:
GM731. I TOLD YOU SO - A
key - A - vocal range - A to D
A fresh arrangement of the Randy Travis country hit. More easy listening than country with lovely string lines, electric and acoustic piano fills but the same form as the Randy Travis version and an intro included.

I WALK THE LINE keys F, Bb and Eb - original keys 2:24
14 bar intro and vocal in at 16 secs, continue thru - 4 bars between verses/key changes (listen for the fills leading you in..)..thru as per the Johnny Cash form.

MP3 DEMO:
GM367. I WALK THE LINE
keys - F, Bb and Eb (back and forth!) - vocal range - F to D
Fresh, more structured arrangement in the original Johnny Cash keys, with a definite finish.

I WISH - key Am 4:13
4 bar pickup/ 4 bar big intro ; vocal in ; thru as per Stevie Wonder version - remember to add the break between full song format - " I love em so ..--da do da do....... " ; (2 times full song format); break / solo / vocal back in at " try the best to bring the water.....etc ? ;chorus twice ; break ; TIP -- vocally end on "I love em so".

MP3 DEMO:
SM24. I WISH
key - Am - vocal range - G to E
The genius of Stevie Wonder in a much more general key but with a different, more "live" feel.
Original Livetrak arrangement.

I WISH & ISN'T SHE LOVELY Medley key C#m & D 5:00
8 bar intro, vocal in 18 secs, continue thru the song, breakdown at 2:56 and then the tempo and feel changes at 3:05 for Isn't She Lovely - 4 bar intro and vocal in at 3:13, short Harmonica solo at 3:44 and vocal back in at 4:18 with the main theme again and finish.

MP3 DEMOS:
GM252. I WISH & ISN'T SHE LOVELY medley
keys - C#m and D - vocal range - A to A (down a full tone from Stevie's keys)
Two great Stevie Wonder classics in a superb medley. It's based on a live version so there's a few different pushes and fills there!

I WISH I WAS EIGHTEEN AGAIN key Bb 3:38
4 bar intro and vocal in at 8 secs, continue thru, same form as the Ray Price version, repeat the last line and finish. 

MP3 DEMO:
GM321. I WISH I WAS EIGHTEEN AGAIN
key - Bb - vocal range - Bb to G
Based on the Ray Price version from his final album.

I WON'T LET GO key Gb to Ab 3.57
2 bar intro, vocal in at 8 secs and continue thru as per the live radio version:
Check YouTube: Rascal Flatts - "I Won't Let Go" - 95.5 WPLJ

MP3 DEMO:
GM197. I WON'T LET GO
key - Gb to Ab - vocal range - Db to F (optional Ab top)
Rascal Flatts song and the arrangement is based on a live radio version, in a lower key.
Check YouTube: Rascal Flatts - "I Won't Let Go" - 95.5 WPLJ
 

I WONDER WHY key Bb 4:20
14 bar intro then as per the original form. Definite ending.

MP3 DEMO:
GM79. I WONDER WHY
key - Bb to C - vocal range - D to F (optional G)
Curtis Stigers' breakthrough hit. Awesome song in a great fresh arrangement but sticking to the form of the original and a definite ending.

I WRITE THE SONGS key F to A to Bb 4:15
4 bar intro and vocal in at 15 seconds, continue through as per the Barry Manilow original version form. Original key.

MP3 DEMO:
GM710. I WRITE THE SONGS - F
keys - F to A to Bb - vocal range - D to F (optional F#)
Wonderful song that scored a massive hit for Barry Manilow. Here's a wonderful BIG arrangement complete with vocal ooo's and aah's and a superb build for the final two key changed choruses. Original keys.

I'D RATHER LEAVE WHILE I'M IN LOVE key C 3:44
4 bar intro ; vocal thru ; solo ; vocal back in at " too many times I've seen the rose die..." ; continue ; tag the last line and finish.

MP3 DEMO:
GM50. I'D RATHER LEAVE WHILE I'M IN LOVE - C
key - C - vocal range - C to D
Really lovely song - a big hit for Rita Coolidge and suitable also for high female range. Lovely Original Livetrak arrangement.

I'LL BE THERE key G 3:40
4 bar intro ; as per original ; just a different groove. Double chorus at the end and rall for the last line. Nice stop on the 2nd verse!

MP3 DEMO:
GM48. I'LL BE THERE
key - G - vocal range - (G optional low note) to G
Really cool version of the Jackson's hit. Also suitable as a male/female duet.

I'LL HAVE TO SAY I LOVE YOU IN A SONG key Eb 2:41
8 bar intro; vocal thru; short guitar solo; vocal back in at " 'cause every time I tried to tell you".......; continue; intro to finish.

MP3 DEMO:
GM112. I'LL HAVE TO SAY I LOVE YOU IN A SONG - Eb
key - Eb - vocal range - Eb to D (suit lower range male)
Nice version of the Jim Croce song.

I'M A BELIEVER key E 2:58
Loosely based on the Neil Diamond 1967 version, same key but with a definite ending.

MP3 DEMO:
GM399. I'M A BELIEVER
key - E - vocal range - C# to C# (optional E)
Great track that's loosely based on the original Neil Diamond version.

I'M GONNA MAKE YOU LOVE ME key Bb 3:36
4 bar intro and vocal in at 11 seconds, vocal through, 8 bar synth solo at 2:05, vocal back in at 2:27 with "every night every day....", continue through and repeat the chorus at 3:01 and finish.

MP3 DEMO:
GM594. I'M GONNA MAKE YOU LOVE ME  - Bb
key - Bb - range - Bb to Gb
Fabulous arrangement of this wonderful soul classic. Big range and a big chorus but what a song! Classic 80's vibe, wonderful synth sounds and a cool groove.

I'M GONNA MAKE YOU LOVE ME key Bb 3:36
4 bar intro and vocal in at 11 seconds, vocal through, 8 bar piano solo at 2:04, vocal back in at 2:26 with "every night every day...", continue through, repeat the chorus at 3:01 and finish.

MP3 DEMO:
GM592. I'M GONNA MAKE YOU LOVE ME - Bb Pianotrak
key - Bb - range - Bb to Gb
Wonderful soul classic in a classy piano only arrangement. Big vocal range but perfectly manageable for a typical gigging male range.

I'M NOT ANYONE key G 4:49
4 bar intro and vocal in at 13 seconds, same form and key as the Sammy Davis Jnr live version, except with a definite ending.

MP3 DEMO:
GM689. I'M NOT ANYONE - G
key - G - vocal range - E to E (optional A top note)
A live version of the Paul Anka song by the wonderful Sammy Davis Jnr, very similar arrangement and the same key.

I'M STILL STANDING key A & Am 3:03
8 bar intro and vocal in at 12 seconds, continue through as per the Elton John version and includes the guitar solo,  no fade - definite ending ends on "I'm still standing".

MP3 DEMO:
GM909. I'M STILL STANDING - A (& Am)
key - A & Am (chorus goes to Am) - vocal range - E to G
The Elton John classic in a superb new arrangement, and a semitone down from the original Elton John key.

I'M TALKING TO YOU BABY key Dm 4:16
Same form and key as the Jeff Cascaro version.

MP3 DEMO:
GM297. I'M TALKING TO YOU BABY
key - Dm - vocal range - D to A  (optional D top note)
Great smooth groove and cool song from Jeff Cascaro. Cover key.

I'VE DONE ENOUGH DYING TODAY key D 4:12
8 bar intro and vocal in at 18 seconds, vocal through all the way - same form and similar arrangement as the original Larry Gatlin & The Gatlin Brothers version except in a much lower key.

MP3 DEMO:
GM457. I'VE DONE ENOUGH DYING TODAY - D
key - D - vocal range - G to D (suit lower male ranges)
Wonderful song from Larry Gatlin, the original version is wonderful, later versions not so (huge vibrato). Here's an arrangement that is loosely based on the original album version. Note - The 2nd verse has strings added, like the original version.
The original key was A, with an A top note falsetto.

I'VE DONE ENOUGH DYING TODAY key E 4:12
8 bar intro and vocal in at 18 seconds, vocal through all the way - same form and similar arrangement as the original Larry Gatlin & The Gatlin Brothers version except in a much lower key.

MP3 DEMO:
GM458. I'VE DONE ENOUGH DYING TODAY - E
key - E - vocal range - A to E
Wonderful song from Larry Gatlin, the original version is wonderful, later versions not so (huge vibrato). Here's an arrangement that is loosely based on the original album version. Note - The 2nd verse has strings added, like the original version.
The original key was A, with an A top note falsetto.
Same arrangement as GM457 except a full tone higher.

IDOL key G 4:22
The form is as per the live George Michael version from his Symphonica album.

MP3 DEMO:
GM310. IDOL
key - G original key
Elton John song that George Michael recently covered on his Symphonica tour, and album. an exceptional track, Loosely based on the live Geroge Michael version.

IF key Eb 5:10
4 bar intro ; vocal thru ; short piano solo - vocal back in at "you come...... and pour ....." ; continue through the song and finish.

MP3 DEMO:
GM57. IF - Eb
key - Eb - vocal range - Bb to Eb
Wonderful song by the marvellous David Gates and given a totally fresh and original REALTRAK groove arrangement that really updates the song.

IF key F 3:15
4 bar intro; vocal thru all the way - no solo - and really rall the last line and finish.

MP3 DEMO:
GM154. IF - F
key - F - vocal range - C to F
Wonderful David Gates song in a Livetrak arrangement.
 

IF TOMORROW NEVER COMES key G 3:52
2 bar intro and vocal in at 5 seconds, vocal through - no solo, at 3:26 slow the last few lines and finish.

MP3 DEMO:
GM618. IF TOMORROW NEVER COMES - G
key - G - range - D to D
Great fresh arrangement of the Garth Brooks worldwide hit, and covered by all the major artists.

IF YOU COULD READ MY MIND key C 3:32
This version is a cover of the dance version that was out a couple of years back. No fade out - dead stop ending.

MP3 DEMO:
GM32. IF YOU COULD READ MY MIND
key - C - vocal range - E to E
Dance based version of the Gordon Lightfoot hit that was released a few years back.

IF YOU EVER BELIEVED key B to C 3:48
8 bar intro and vocal in at 18 secs, continue thru as per the Andy Williams version.

MP3 DEMO:
GM420. IF YOU EVER BELIEVED
key - B to C - vocal range - original key
Andy Williams song from his 1976 album "Andy".
 

IF YOU REALLY LOVE ME key C to Db 2:59
4 bar intro ;whole chorus - then same format as Stevie Wonder ; includes key change after 2nd time verses ; repeat chorus/ad lib and nice fresh ending - easy to catch once you've heard it. Stays uptempo all the way!

MP3 DEMO:
GM67. IF YOU REALLY LOVE ME
key - C to Db - vocal range - C to F(optional G) suit higher male ranges.
Absolutely wonderful Stevie Wonder gem in a fab fresh arrangement - stays in tempo all the way and works so well!

IF YOU WERE HERE TONIGHT key Fm 4:52
8 bar intro ; vocal thru as per original Alexander O'Neal version.

MP3 DEMO:
SM9. IF YOU WERE HERE TONIGHT
KEY - Fm - vocal range - Ab to Ab (optional)
Alexander O'Neil gem and a favourite of mine, original key but also suitable for low female range.

IMAGINE key C 3:58
4 bar intro and vocal in at 15 secs, continue thru, 4 bar break at 2:06, vocal back in at 2:21 with "imagine no possessions...", continue thru and finish.

MP3 DEMO:
GM424. IMAGINE - C
key - C - vocal range - G to E (optional G - "ah ha..")
Beautiful and tasteful orchestral arrangement of the John Lennon classic.

IN DREAMS key Bb 4:05
2 bar intro in tempo - the verse stays in tempo - vocal in at 6 seconds, vocal through as per the original form, not original key.

MP3 DEMO:
GM758. IN DREAMS - Bb orchestral
key - Bb - vocal range - G to Bb falsetto (huge range!)
Gorgeous orchestral arrangement of the Roy Orbison hit song. Slower in tempo and much more subtle, it's also suitable for a higher female range, it just means changing octaves at the verse, chorus, etc - it works fine this way if you can hit a Bb in chest voice.

IN MY LIFE key A 2:51
4 bar intro and vocal in at 10 seconds, continue through as per the Beatles form, original key.

MP3 DEMO:
GM788. IN MY LIFE - A Piano
key - A - vocal range - E to E
Lovely piano only arrangement of the Beatles tune, slower and more melancholy in style but includes the rather pompous classical based solo that seems so out of place.

IN THE COLD LIGHT OF DAY key Bb 2:59
4 bar intro; vocal through as per the Gene Pitney version but with a definite ending.

MP3 DEMO:
GM182. IN THE COLD LIGHT OF DAY
key - Bb - vocal range - C to Eb
A hit for Gene Pitney back in 1966. This arrangement is a full tone lower than the original key.
 

IN  THE GHETTO key D 3:38
2 bar intro and vocal in at 6 secs; continue thru as per the Ronan Keating version.

MP3 DEMO:
GM184. IN THE GHETTO
key - D - vocal range - D to D (optional F)
Massive hit for Elvis but this version is based on the Ronan Keating version. Includes backing vocals. Optional No BVs version as well..
 

IN THE MIDNIGHT HOUR key G 2:36
6 bar intro, vocal in at and continue through as per the original form (brass section solo included), with a definite ending.

MP3 DEMO:
GM603. IN THE MIDNIGHT HOUR - G 2019
key - G - vocal range - F to D
Wonderful 2019 arrangement of the Wilson Pickett classic, covered by all the great soul singers, sticking more to the original tempo and original form but in a much lower key and suitable for lower male ranges.

IN THE MIDNIGHT HOUR key G to Ab 2:51
Same form as the Wilson Pickett version except I've included a KEY CHANGE after the Brass solo, continue, ad lib ending and finish with the INTRO.

MP3 DEMO:
GM81. IN THE MIDNIGHT HOUR - G to Ab
key - G - vocal range - F to D (optional ad libs) suit lower male ranges
Fresh and groovy arrangement of the huge Wilson Pickett hit , and covered by everybody.

IN THIS LIFE key A 3:56
cover of the RONAN KEATING version. Includes the bridge section.

MP3 DEMO:
GM33. IN THIS LIFE
key - A - vocal range - E to F#
Lovely country ballad. Singers include Vince Gill and Ronan Keating.

IN YOUR EYES key C to D 3:15
opening chord ; intro ; vocal through - basically the same as the George Benson version with a slightly different feel.

MP3 DEMO:
SM25. IN YOUR EYES
key - C to D - vocal range - G to F
Nice arrangement of the George Benson ballad a full tone lower than the original version.

IN YOUR EYES key D to E 3:44
4 bar intro and vocal in at 16 seconds, vocal through as per the original form, in the original key.

MP3 DEMO:
GM808. IN YOUR EYES - D to E Electric Piano
key - D to E - vocal range - A to G
Gorgeous and very 80's sounding electric piano arrangement of the wonderful George Benson ballad, in the opriginal key.

IN YOUR EYES key C to D 3:48
Same form as the George Benson version..

MP3 DEMO:
GM308. IN YOUR EYES Pianotrak
key - C to D - vocal range - G to F
Great song that scored a worldwide hit for George Benson. This is a full tone lower and in a lovely piano only arrangement.

INDIAN SUMMER key C to D 3:48
4 bar intro and vocal in at 10 seconds, continue through as per the Roy Orbison and Gatlin Brothers version.

MP3 DEMO:
GM740. INDIAN SUMMER - C to D
key - C to D - vocal range - C to B (huge range, lots of falsetto)
Roy Orbison with the Gatlin Brothers and Barry Gibb, also suitable for female ranges.
Same arrangement as GM739 except a full tone lower.

INDIAN SUMMER key D to E 3:48
4 bar intro and vocal in at 10 seconds, continue through as per the Roy Orbison and Gatlin Brothers version, original keys.

MP3 DEMO:
GM739. INDIAN SUMMER - D to E
key - D to E - vocal range - D to C# (huge range, lots of falsetto)
Roy Orbison with the Gatlin Brothers and Barry Gibb, original keys, also suitable for female ranges.
 

IS THIS THE WAY TO AMARILLO key F to F# 2:56
6 bar intro, vocal in at 11 secs, continue thru as per the original version, key change at 2:28 for the very last "sha la la", and sing the last line 3 times then dead stop.

MP3 DEMO:
GM222. IS THIS THE WAY TO AMARILLO
key - F to F# - vocal range - Bb to D
Great arrangement of the Tony Christie wordlwide hit, written by the wonderful Neil Sedaka, super talented guy - his royalty cheque must be huge based on this one song only! Suits lower male ranges.

GM231. ISLANDS IN THE STREAM key Bb 3:36
4 bar intro and vocal in at 10 secs, continue thru - no solo - same form as the Bee Gees version.

MP3 DEMO:
GM231. ISLANDS IN THE STREAM
key Bb - vocal range - Bb to Eb
Cool arrangement of the huge Kenny Rogers and Dolly Parton hit, loosely based on the Bee Gees version, so no key change, and they actually wrote it, in a lower key.

ISN'T SHE LOVELY key Gb 2:37
8 bar intro; vocal thru; short harmonica solo; vocal back in at "I can't believe what God has done"; continue with the last verse and a definite finish on the riff!

MP3 DEMO:
GM160. ISN'T SHE LOVELY - Gb
key - Gb - vocal range - Db to Db
Cool new arrangement of the Stevie Wonder song; in a much lower key for lower male ranges.
 

IT DOESN'T MATTER ANYMORE key G to Ab 4:28
Based on a  live Paul Anka version, same keys, soprano sax solo included.

MP3 DEMO:
GM727. IT DOESN'T MATTER ANYMORE - G to Ab
keys - G to Ab - vocal range - D to D
Arrangement is based on a live Paul Anka version (he wrote the song) of the huge Buddy Holly hit, same keys.

IT MIGHT BE YOU key - Eb 3:56
6 bar intro ; then as per Roberta Flack version ; short piano solo ;vocal back in @ " and there's so much more..." ; repeat last line 3 times and finish.

MP3 DEMO:
SM17. IT MIGHT BE YOU
key - Eb - range - Bb to F
The wonderful Stephen Bishop theme song from the film "Tootsie". The arrangement is based on a version by Roberta Flack, but in a male key.

IT NEVER RAINS IN SOUTHERN CALIFORNIA key A to Bb 4:02
8 bar intro and vocal in at 16 seconds, vocal through as per the Albert Hammond form, 8 bar instrumental break at 1:57, continue, at 3:19 there is a key change and simply repeat the chorus and finish.

MP3 DEMO:
GM661. IT NEVER RAINS IN SOUTHERN CALIFORNIA - A to Bb
key - A to Bb - vocal range - E to F
Great arrangement of the wonderful Albert Hammond 70's hit, with a key change for a chorus reprise.

IT'S ALL GOING TO POT key G 3:04
Same form and key as the original version.

MP3 DEMO:
GM349. IT'S ALL GOING TO POT
key - G - vocal range - G to A (suitable lower range male) - Original key.
Based on the album track from the collaborative album, Django and Jimmie by Willie Nelson and Merle Haggard.

IT'S ALL IN THE GAME key Eb 2:52
2 bar intro and vocal pick up in at 5 secs, continue thru as per the same form as the original Tommy Edwards version, in the original key.

MP3 DEMO:
GM407. IT'S ALL IN THE GAME - Eb
key - Eb - vocal range - Bb to D
Lovely track, very much based on the original 1958 Tommy Edwards version but with a 2 bar and vocal pickup.

ALL IN THE GAME key F 3:38
4 bar intro ; vocal thru twice ; ad lib the ending and finish.

MP3 DEMO:
GM12. IT'S ALL IN THE GAME
key - F - vocal range - C to E
Fresh and groove based version of the Tomy Edwards 1958 hit, but it's been covered by artists like Nat King Cole, Van Morrison, The Four Tops and many many more.

IT'S ALL IN THE GAME key F to Gb 3:14
4 bar intro - vocal in on the 4th bar at 13 secs, continue thru as per the Jerry Vale version.

MP3 DEMO:
GM355. IT'S ALL IN THE GAME - F to Gb
key - F to Gb - vocal range - C to F
Classic old standard, loosely based on the Jerry Vale 12/8 arrangement.

IT'S ALL OVER NOW key E 3:48
8 bar intro and vocal in at 9 secs, vocal thru, guitar solo at 1:25 and vocal back in at 2:02 with the last verse and then repeat the first verse again at 2:40, sing the last line 4 times and finish.

MP3 DEMO:
GM268. IT'S ALL OVER NOW - E
key - E - vocal range - E to D# (F#)
Massive hit for The Rolling Stones back in 1964. Here's a cool version, in a lower key.

IT'S ALRIGHT key Bb 2:27
4 bar intro and vocal in at 10 seconds, continue through the song - no solo, finish and slow the last two lines down with a gospel feel!

MP3 DEMO:
GM443. IT'S ALRIGHT Pianotrak
key - Bb - vocal range - F to G (A optional top note)
Fabulous and happy Curtis Mayfield gem, in a very gospel tinged piano only arrangement. Based on the Phil Collins live version form, but slower in tempo.

IT'S NOT UNUSUAL key Eb 2:04
8 bar intro ; thru as per the original with a definite ending.

MP3 DEMO:
GM102. IT'S NOT UNUSUAL - Eb
key - Eb - vocal range - Bb to Eb
The Tom Jones smash hit in a much lower key. Suitable for lower range male or high female range.

IT'S TOO LATE key F 3:21
4 bar intro; vocal through, basically the same form as the original Carole King version with a definite ending.

MP3 DEMO:
GM146. IT'S TOO LATE - F
key - F - vocal range - D to D
Wonderful Carole King song, in a cool arrangement. The same form as the original version, in a male key.

 

IT'S TOO LATE key F 3:39
4 bar intro and vocal in at 11 seconds, continue through as per the Carole King version form, solo included.

MP3 DEMO:
GM438. IT'S TOO LATE - F Pianotrak
key - F - vocal range - D to D
Piano only arrangement of the Carole King classic, in a more manageable male key.
 

IT'S YOUR LOVE key F 3:53
4 bar intro and vocal in at 13 seconds, continue through as per the original version form.

MP3 DEMO:
GM621. IT'S YOUR LOVE - F
key - F - range - Bb to D
Great country hit for Tim McGraw and Faith Hills (on backing vocals). Fresh arrangement, superb slide guitar lines, rich strings and a great overall vibe. Same arrangement as GM620 except a full tone lower.

IT'S YOUR LOVE key G 3:53
4 bar intro and vocal in at 13 seconds, continue through as per the original version form, orginal key.

MP3 DEMO:
GM620. IT'S YOUR LOVE - G
key - G - range - C to E
Great country hit for Tim McGraw and Faith Hills (on backing vocals). Fresh arrangement, superb slide guitar lines, rich strings and a great overall vibe.

JAILHOUSE ROCK key C 2:38
4 bar intro and vocal in at 6 secs, continue thru as per the Elvis Presley form.

MP3 DEMO:
GM426. JAILHOUSE ROCK - C
key - C - vocal range - A to Eb
Fresh arrangement of the Elvis Presley hit, in a lower key. The original key is Eb.