AN AFFAIR TO REMEMBER key C 3:24
9 bar 3/4 intro and vocal in at 20 seconds, into 3/4 tempo from 1:01, continue through, piano and strings solo from 1:45, vocal back in at 2:08 with "our love affair, may it always be....." , continue through, at 2:35 the time signature changes to 4/4 from "that we may live... and we may share.... our love affair to remember...." (back to 3/4 for the band ending and finish).

MP3 DEMO:
F2748. AN AFFAIR TO REMEMBER - C orchestral
key - C - vocal range - G to A
A gorgeous arrangement of this wonderful old standard, covered by all the great singers. the arrangement is basically in 3/4 throughout with a gorgeous wee change to 4/4 for the very end, it works a treat, you'll feel it naturally and listeners will notice!

COME RAIN OR COME SHINE key Ab 2:43
8 bar intro and vocal in at 9 seconds, vocal through, short piano solo from 1:16, vocal back in at 1:34 with "I guess when you met me....", continue through, from 2:20 sing "rain or shine" 3 times and finish (or ad lib yourself!)

MP3 DEMO:
F2750. COME RAIN OR COME SHINE - Ab Pianotrak
key - Ab - vocal range - Ab to G
Fabulous piano only arrangement of the classic Harold Arlen and Johnny Mercer monster standard, in 3/4! A nice bright jazz waltz that fits in fine, quirky and different for outside of the box musos and singers!
Same arrangement as M3443 except 3 semitones higher.

HERE'S THAT RAINY DAY key C 2:42
8 bar intro and vocal in at 16 seconds, vocal through, short guitar solo from 1:20, vocal back in at 1:36 with "here's that rainy day they told me about.....", vocal through and at 2:24 sing again the last line "funny....that rainy day is here..." and finish.

MP3 DEMO:
F2751. HERE'S THAT RAINY DAY - C Jazz Guitar
key - C - vocal range - G to A
Here's a very lovely solo Ginson guitar arrangement, with a light 8's feel, of the classic standard that's been covered by every musician and singer since it was written by Jimmy Van Heusen and Johnny Burke and published in 1953. Undoubtedly one of the most popular jazz standards.

HERE'S THAT RAINY DAY key C 4:18
4 bar intro and vocal in at 14 seconds, vocal through, strings solo from 1:57, vocal back in at 2:25 with "here's that rainy day they told me about....", continue through the song and repeat the last line from 3:46 and finish.

MP3 DEMO:
F2753. HERE'S THAT RAINY DAY - C orchestral
key - C - vocal range - G to A
A gorgeous orchestral ballad arrangement of the classic american jazz standard.

HERE'S THAT RAINY DAY key C 2:54
4 bar intro and vocal in at 10 seconds, vocal through, piano solo from 1:26, vocal back in at 1:45 with "here's that rainy day they told ne about...", continue through and finish.

MP3 DEMO:
F2755. HERE'S THAT RAINY DAY - C Trio
key - C - vocal range - G to A
A superb Trio arrangement, lightly swinging, of this most classic of American jazz standards. A wonderful tune that's been covered by every jazz musician and quality singer on the planet!

I'M CONFESSIN' key C 3:10
4 bar intro and vocal in at 12 seconds, vocal through, guitar solo from 1:37, vocal back in at 1:58 with "in your eyes I read such strange things....", continue through and finish.

MP3 DEMO:
F2757. I'M CONFESSIN' - C Acoustic Guitar
key - C - vocal range - G to G
Wonderful earthy acoustic guitar arrangement of this grand old classic, covered by artist including Peggy Lee, Doris Day, Samara Joy, Liz Wright and many more musicians and singers.

MEDITATION key G to Ab 3:36
8 bar intro and vocal in at 18 seconds, vocal through - no solo - at 2:17 the vocal goes back to "yes........ I love you so... and that for me is all I need to know..." subtle key change at 2:33 but easy to catch, continue through, and at 3:08 repeat the last line "meditating how sweet life would be when you come back to me..." and finish.

MP3 DEMO:
F2759. MEDITATION - G to Ab
key - G to Ab - vocal range - G to A
Wonderfully fresh arrangement of the Antonio Carlos Jobim classic with a tasty key change that's easy to catch.

MY FOOLISH HEART key F 2:20
4 bar intro and vocal in at 7 seconds, vocal through once only - no solo - from 1:49 the tempo slows gradually with chord change prompts for "love my foolish heart" and finish.

MP3 DEMO:
F2761. MY FOOLISH HEART - F orchestral
key - F - vocal range - F to A (optional Bb top note)
A gorgeous Bossa arrangement of this wonderful classic standard written by Victor Young and Ned Washington. 

THE MAN THAT GOT AWAY key Ab 4:11
4 bar intro and vocal in at 12 seconds, vocal through the song - no solo - at 2:50 the vocal goes back to "good riddance, goodbye......" , continue through and finish, no tag.

MP3 DEMO:
F2763. THE MAN THAT GOT AWAY - Ab Piano
key - Ab - vocal range - Eb to G
The superb Harold Arlen and Ira Gershwin torch song, forever synonymous with Judy Garland. Of course it's been covered by many singers, both male and female.

YOUNG AND FOOLISH key F 3:26
piano intro and vocal in at 17 seconds, Rubato but easy to latch onto, into tempo from 1:14 with "we.. were foolish...", continue through, piano solo from 2:08 (over the second A section) and the vocal comes back in at 2:40 with "smiling in the sunshine.... laughing in the rain........", continue and slow the last line and finish. 

MP3 DEMO:
F2764. YOUNG AND FOOLISH - F orchestral
key - F - vocal range - F to A
A stunning arrangement of a really wonderful song, one of my many favourites. Here's a gorgeous orchestral ballad fit for any superb classy vocalist.

HE AIN'T HEAVY HE'S MY BROTHER key G 5:50
4 bar intro and vocal in at 12 seconds, vocal through the song then at 3:25 go back to "If I'm laden at all.... If I'm laden... with sadness.....,", continue through again back to the verse at 4:02, continue through to the end section from 4:54 ("he ain't heavy......he's my brother........"), build and a definite finish with "he's .....my........ brother......." and finish.

MP3 DEMO:
GF661. HE AIN'T HEAVY HE'S MY BROTHER - G
key - G - vocal range - D to A (optional B top note)
The smash hit for The Hollies back in 1969, in the original key, so it's more suited to a typical female range. Here's a great new arrangement and I've reprised the bridge section again so it's a lot longer than the original.

IN THIS LIFE key Eb 4:02
2 bar intro and vocal in at 9 seconds, vocal through verse / chorus / verse / chorus and into the bridge at 2:26, short 4 bar piano solo from 2:44 and vocal back in at 3:00 with "let the world stop turning.....", continue through, and at 3:39 repeat the last line "in this life... I was loved by you...." and finish.

MP3 DEMO:
GF662. IN THIS LIFE - Eb version 2
key - Eb - vocal range - Eb to C
A gorgeous fresh arrangement of the very lovely Colin Raye song. 

NIGHTS IN WHITE SATIN key F#m 3:50
2 12/8 bars intro and vocal in at 10 seconds, continue through the song - there is no instrumental section included, so it's vocal all the way, at 2:06 the vocal repeats the 1st verse, into the chorus, repeat the chorus again from 3:07, continue through to the end.

MP3 DEMO:
GF664. NIGHTS IN WHITE SATIN - F#m
key - F#m - vocal range - F# to A
Superb new orchestral arrangement of the classic Moody Blues hit from the late 60's, without the extended instrumental section. Same arrangement as GM1123 except a full tone higher.