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No Solos Backing Track Downloads

IMPORTANT, PLEASE READ:
Tracks available with my own solos and soloing instrument removed but the soloing section is still included for either extended vocals or a live instrument to solo over. Also look for versions with certain instruments removed. Use the Search box to look for a song title in this category. If a No Solo version of a song is available it will show up in the Search results along with the song in question. The No Solo version will have (NS) at the end of the song title and "no solo" after the song reference number.

No Solos Backing Track Downloads
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YOU HIT THE SPOT key Eb 2:28 GUITAR SOLO REMOVED!
8 bar intro ; vocal thru twice ; guitar solo ; vocal back in at " you hit the spot..." ; continue and tag the last two lines and finish with a dead stop and push.

MP3 DEMO:
F406. YOU HIT THE SPOT
key - Eb - vocal range - G to Bb
Great old swinger in a cool Realtrak quartet arrangement. Singers include Ella Fitzgerald ; Nancy Wilson ; Sarah Vaughan and all the other greats!

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£5.00
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YOU KEEP COMING BACK LIKE A SONG key Bb 4:03 VIBES SOLO REMOVED!
4 bar intro ; vocal thru TWICE ; vibes solo ; vocal back in at " the sweet 'used to be's'..... "; continue ; tag the last line and finish.

MP3 DEMO:
F577. YOU KEEP COMING BACK LIKE A SONG - Bb
key - Bb - vocal range - F to Bb
Lovely Irving Berlin classic - typically Berlin! - instantly singable and a lovely melody. Livetrak arrangement.

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YOU LEAVE ME BREATHLESS key F 2:37 PIANO SOLO REMOVED!
4 bar intro ; vocal thru ; short piano solo ; vocal in at " you leave me speechless...........I'm just like the birds" ; continue ; no tag and finish.

MP3 DEMO:
M466. YOU LEAVE ME BREATHLESS
key - F - vocal range - B to D
Classy song in a classy trio setting! Checkout the Nat King Cole live version and Nancy Wilson's fab version.

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YOU MAKE ME FEEL SO YOUNG key Eb 3:22 PIANO SOLO REMOVED
4 bar intro; vocal thru; short piano solo; vocal back in at "the moment that you speak..."; continue; tag the ending as per Sinatra and co versions and finish.

MP3 DEMO:
F631. YOU MAKE ME FEEL SO YOUNG - Eb
key - Eb - VOCAL range - F# to Bb
Cool Trio arrangement of this great old standard.

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YOU MAKE ME FEEL SO YOUNG key Bb 3:15 HARMONICA & SOLO REMOVED!
piano pickup into 8 bar intro ; vocal thru ; harmonica solo ; vocal back in at " you and I.... are just like..." ; continue ; tag the last line and finish.

MP3 DEMO:
M432. YOU MAKE ME FEEL SO YOUNG
key Bb - vocal range - Db to F
Gorgeous new Realtrak trio + harmonica solo arrangement of this cool classic! The most popular version must be Mr Sinatra's , but for me the best version goes to Mel Torme ; on his "Live At Michael's Pub" on Telarc!

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YOU MIGHT NEED SOMEBODY key Cm 3:24 TRUMPET SOLO REMOVED!
24 bar intro, vocal in at 28 seconds and vocal through, - trumpet solo at 1:32, vocal back in at 1:52 with "if there's fire...stirring in your heart..", continue into the chorus at 2:14, chorus again at 2:34, at 2:52 sing "need somebody" 4 times (and ad lib between) and finish.

MP3 DEMO:
F1967. YOU MIGHT NEED SOMEBODY - Cm Big Band
key - Cm - vocal range - F to Ab (optional Bb)
Swinging Big Band take on the classic 1981 Randy Crawford hit. Same arrangement as F1966 except a full tone lower.

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YOU MIGHT NEED SOMEBODY key Cm 3:46 TRUMPET SOLO REMOVED!
24 bar intro and vocal in at 32 seconds, vocal through, - trumpet solo at 1:43, vocal back in at 2:06 with "if there's fire...stirring in your heart..", continue into the chorus at 2:30, chorus again at 2:51, at 3:13 sing "need somebody" 4 times (and ad lib between) and finish.

MP3 DEMO:
F1969. YOU MIGHT NEED SOMEBODY - Cm Latin
key - Cm - vocal range - F to Ab (optional Bb)
Superb Big Band Bossa arrangement of the classic Randy Crawford hit from 1981. Same arrangement as F1968 except a full tone lower.

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YOU MIGHT NEED SOMEBODY key Dm 3:24 TRUMPET SOLO REMOVED!
24 bar intro, vocal in at 28 seconds and vocal through, - trumpet solo at 1:32, vocal back in at 1:52 with "if there's fire...stirring in your heart..", continue into the chorus at 2:14, chorus again at 2:34, at 2:52 sing "need somebody" 4 times (and ad lib between) and finish.

MP3 DEMO:
F1966. YOU MIGHT NEED SOMEBODY - Dm Big Band
key - Dm - vocal range - G to Bb (optional C)
Swinging Big Band take on the classic 1981 Randy Crawford hit.

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YOU MIGHT NEED SOMEBODY key Dm 3:46 TRUMPET SOLO REMOVED!
24 bar intro and vocal in at 32 seconds, vocal through, - trumpet solo at 1:43, vocal back in at 2:06 with "if there's fire...stirring in your heart..", continue into the chorus at 2:30, chorus again at 2:51, at 3:13 sing "need somebody" 4 times (and ad lib between) and finish.

MP3 DEMO:
F1968. YOU MIGHT NEED SOMEBODY - Dm Latin
key - Dm - vocal range - G to Bb (optional C)
Superb Big Band Bossa arrangement of the classic Randy Crawford hit from 1981.

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£2.50
Save:
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YOU MIGHT NEED SOMEBODY key Em 3:34 SAX REMOVED!
4 bar intro (shorter than original) ; vocal thru as per original; ad lib ending then finish with " you might need somebody too!" ( phrase with the Brass section).

NO SOLO MP3 DEMO:
GF38 no solo. YOU MIGHT NEED SOMEBODY
key - Em - vocal range - A to C. Would also suit low range male.
An Original Livetrak arrangement of this wonderful Randy Crawford gem.

 

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YOU MUST HAVE BEEN A BEAUTIFUL BABY key Db 2:59 CLARINET SOLO REMOVED!
4 bar intro and vocal in at 9 seconds, vocal through twice, clarinet solo at 1:44, vocal back in at 2:04 with "and when it came to winning blue ribbons...", continue through and tag the last line, at 2:33 extend the last line to finish - "baby..................... take............ a look at you now.........." and finish.

MP3 DEMO:
M2395. YOU MUST HAVE BEEN A BEAUTIFUL BABY - Db
key - Db - vocal range - Bb to Db
Lightly swinging Big Band arrangement of this great old standard.
Same arrangement as M2394 except a full tone lower.

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YOU MUST HAVE BEEN A BEAUTIFUL BABY key Eb 2:59 CLARINET SOLO REMOVED!
4 bar intro and vocal in at 9 seconds, vocal through twice, clarinet solo at 1:44, vocal back in at 2:04 with "and when it came to winning blue ribbons...", continue through and tag the last line, at 2:33 extend the last line to finish - "baby..................... take............ a look at you now.........." and finish.

MP3 DEMO:
M2394. YOU MUST HAVE BEEN A BEAUTIFUL BABY - Eb
key - Eb - vocal range - C to Eb
Lightly swinging Big Band arrangement of this great old standard.

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YOU NEED HANDS key Ab 3:41 PIANO SOLO REMOVED!
4 bar intro and vocal in at 10 seconds, vocal through, piano solo at 1:47, vocal back in at 2:35 with "when you hold a brand new baby....", continue through and pause at 3:10 and then sing the last line and finish.

MP3 DEMO:
M1474. YOU NEED HANDS - Ab
key  Ab - vocal range - Bb to C
The corniest of songs make such lovely classy ballads! This one scored a big hit for Max Bygraves, and poor Eydie Gorme, a great singer, did a near duplicate version of his.. complete with audience participation at the end!
Here's a gorgeous Trio arrangement and a ballad tempo works perfectly.
Same arrangement as M1473 except a full tone lower.

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YOU NEED HANDS key Bb 3:41 PIANO SOLO REMOVED!
4 bar intro and vocal in at 10 seconds, vocal through, piano solo at 1:47, vocal back in at 2:35 with "when you hold a brand new baby....", continue through and pause at 3:10 and then sing the last line and finish.

MP3 DEMO:
M1473. YOU NEED HANDS - Bb
key  Bb - vocal range - C to D
The corniest of songs make such lovely classy ballads! This one scored a big hit for Max Bygraves, and poor Eydie Gorme, a great singer, did a near duplicate version of his.. complete with audience participation at the end!
Here's a gorgeous Trio arrangement and a ballad tempo works perfectly.

Price:
£5.00
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YOU REALLY GOT ME key Ab 2:55 GUITAR SOLO REMOVED!
4 bar intro and vocal in at 8 seconds, continue through as per the Kinks original form, at 1:17 8 bar guitar solo and then 2 bar break and vocal back in at 1:34 with "see, don't ever set me free", continue and then at 2:09 repeat the 1st verse and finish.

MP3 DEMO:
GM840. YOU REALLY GOT ME - Ab
key - Ab - vocal range - Gb to Gb
A smash hit for the Kinks back in 1964 but it's very short so I've repeated the 1st verse as a reprise to length the track. Original key.

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YOU REALLY GOT ME key Gb 2:55 GUITAR SOLO REMOVED!
4 bar intro and vocal in at 8 seconds, continue through as per the Kinks original form, at 1:17 8 bar guitar solo and then 2 bar break and vocal back in at 1:34 with "see, don't ever set me free", continue and then at 2:09 repeat the 1st verse and finish.

MP3 DEMO:
GM841. YOU REALLY GOT ME - Gb
key - Gb - vocal range - E to E
A smash hit for the Kinks back in 1964 but it's very short so I've repeated the 1st verse as a reprise to length the track. Same arrangement as GM840 except a full tone lower.

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YOU SEND ME key Eb 3:01 SAXES SOLO REMOVED!
2 bar intro ; vocal thru as per Sam Cooke version; includes saxes solo; vocal back in; continue and finish.

MP3 DEMO:
GM99. YOU SEND ME
key - Eb - vocal range - C to Eb
Great old Sam Cooke gem in a nice fresh arrangement.

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YOU STEPPED OUT OF A DREAM version 3 key G 2:26 TENOR SAX SOLO REMOVED!
8 bar intro; vocal thru; short tenor sax solo; vocal back in at "could there be eyes like yours.." ; continue; tag the last line and finish.

MP3 DEMO:
F607. YOU STEPPED OUT OF A DREAM  - G version 3
key - G - vocal range - G to A
Cool swing Livetrak arrangement  - cool intro and cool feel!

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YOU TAKE WHAT COMES ALONG key F to Gb 3:18 TRUMPET SOLO REMOVED!
piano intro and vocal starts at 12 secs, into tempo with "why sit and wait....." at 38 secs, continue thru, key change and Trumpet solo at 2:01, vocal back in at with "since that lonely day...", continue, rall the last line and finish.

MP3 DEMO:
M1125. YOU TAKE WHAT COMES ALONG - F to Gb
key - F to Gb - vocal range - A to Eb
Beautiful Robin Wilson ballad, from her late 60's A&M debut album. Same arrangement as F1083, in a typical male key.

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YOU TAKE WHAT COMES ALONG key D to Eb 3:18 TRUMPET SOLO REMOVED!
piano intro and vocal starts at 12 secs, into tempo with "why sit and wait....." at 38 secs, continue thru, key change and Trumpet solo at 2:01, vocal back in at with "since that lonely day...", continue, rall the last line and finish.

MP3 DEMO:
F1083. YOU TAKE WHAT COMES ALONG
key - D to Eb - vocal range - F# to C (big range!)
Wonderfully obscure ballad from Robin Wilson's (female) debut album for A & M, late 60's. Here's a lush orchestral arrangement, in the original key.

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YOU TOOK ADVANTAGE OF ME key Bb 2:39 PIANO SOLO REMOVED!
4 bar intro and vocal in at 9 secs, continue thru, short piano solo at 1:15, vocal back in at 1:49 with "I'm so hot and bothered.......", continue thru, repeat the last line 3 times and finish.

MP3 DEMO:
F939. YOU TOOK ADVANTAGE OF ME - Bb
key - Bb - vocal range - Ab to C (suit higher female range)
Great Quartet arrangement of this wonderful Rodgers and Hart gem.

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YOU TURNED THE TABLES ON ME key D 3:43 PIANO SOLO REMOVED!
4 bar intro and vocal in at 6 seconds, continue through twice, piano solo at 2:17, vocal back in at 2:47 with "you used to call me the top......you put me up on a throne...", continue through and unison with the piano at 3:14, 3:18 and again at 3:22 and finish.

MP3 DEMO:
F1469.
YOU TURNED THE TABLES ON ME - D
key - D - vocal range - A to A
Swinging Quartet arrangement of this classic standard.
Same arrangement as F1468 except a full tone higher.

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YOU TURNED THE TABLES ON ME key C 3:43 PIANO SOLO REMOVED!
4 bar intro and vocal in at 6 seconds, continue through twice, piano solo at 2:17, vocal back in at 2:47 with "you used to call me the top......you put me up on a throne...", continue through and unison with the piano at 3:14, 3:18 and again at 3:22 and finish.

MP3 DEMO:
F1468.
YOU TURNED THE TABLES ON ME - C
key - C - vocal range - G to G
Swinging Quartet arrangement of this classic standard.

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YOU WAS RIGHT BABY key Ab 3:24 GUITAR SOLO REMOVED!
4 bar intro and vocal in at 9 secs, vocal thru, full guitar solo at 1:17, vocal back in at 2:25 with "I gave you a story, you gave me the gate...", continue thru as per the Peggy Lee version and finish.

MP3 DEMO:
F888. YOU WAS RIGHT BABY
key - Ab - vocal range - original Peggy Lee key and form
Seldom heard gem from Peggy Lee, and she co-wrote it as well!

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YOU'D BE SO NICE TO COME HOME TO key C 1:51 FLUTE SOLO REMOVED!
4 bar intro ; vocal thru ; flute solo ; vocal back in at "under stars chilled by the winter..." ; continue ; no tag - phrase with the "band" and finish.

MP3 DEMO:
M543. YOU'D BE SO NICE TO COME HOME TO - C
key - C - vocal range - C to E
Great Cole Porter gem in a Livetrak arrangement.

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YOU'D BE SO NICE TO COME TO key Am (C) 3:27 SOLO REMOVED!
Same arrangement, form as the Steve Tyrell version with the full solo included.

MP3 DEMO:
M2287. YOU'D BE SO NICE TO COME TO - Am Steve Tyrell
key - Am (C) - vocal range - C to E
Wonderful cover arrangement of the Steve Tyrell version of this classic standard.
Same arrangement as M2286 except a full tone higher.

Price:
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YOU'D BE SO NICE TO COME TO key Gm (Bb) 3:27 SOLO REMOVED!
Same arrangement, form and original key as the Steve Tyrell version with the full solo included.

MP3 DEMO:
M2286. YOU'D BE SO NICE TO COME TO - Gm Steve Tyrell
key - Gm (Bb) - vocal range - Bb to D
Wonderful cover arrangement of the Steve Tyrell version of this classic standard.

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YOU'D BETTER GO NOW key Ab 3:54 PIANO SOLO REMOVED!
4 bar intro and vocal in at 16 secs, continue thru, piano solo at 1:52, vocal back in at 2:25 with "there's the moon above...", continue thru, rall at 3:12 for the last line and finish.

MP3 DEMO:
F1109. YOU'D BETTER GO NOW - Ab
key - Ab - vocal range - Eb to Ab
Wonderful ballad, covered by Billie Holiday, Jeri Southern, Carmen McRae and all the greats. Here's a beautiful TRIO arrangement.

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YOU'D BETTER GO NOW key Eb 3:57 PIANO SOLO REMOVED!
4 bar intro and vocal in at 16 secs, continue thru, piano solo at 1:49, vocal back in at 2:24 with "there's the moon above...", continue thru, rall the last line at 3:11 and finish.

MP3 DEMO:
M1150. YOU'D BETTER GO NOW - Eb
key - Eb - vocal range - Bb to Eb
Gorgeous ballad, covered by all the great singers. My favourite version has to be the Mark Murphy version...
This is a really lovely TRIO arrangement.

Price:
£5.00
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YOU'D BETTER LOVE ME key F 2:26 ACOUSTIC GUITAR AND SOLO REMOVED!
4 bar intro ; vocal thru ; solo ; vocal repeat of whole song ; tag the last line and finish.

MP3 NO SOLO DEMO:
F167 no solo. YOU'D BETTER LOVE ME
key - F - vocal range - F to A
Great swinging REALTRAK arrangement of this great show tune. Sung by Shirley Bassey ; Buddy Greco ; Ella ; et al.
Price:
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YOU'RE BREAKING MY HEART key Bb 3:24 STRINGS, ACCORDION and ACCORDION SOLO REMOVED!
4 bar intro and vocal in at 12 secs, vocal thru, accordion solo at 1:39, vocal back in at 2:03 with "it's breaking my heart to remember...", continue, rall the last line and finish.

MP3 DEMO:
M1126. YOU'RE BREAKING MY HEART - Bb
key - Bb - vocal range - A to Eb
Lovely version of this old gem that's been covered by Jerry Vale, Vic Damone, Dean Martin to name a few.
Note that there is no tempo break and rall - the track stays in tempo throughout.

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YOU'RE BREAKING MY HEART key C 3:24 STRINGS, ACCORDION and ACCORDION SOLO REMOVED!
4 bar intro and vocal in at 12 secs, vocal thru, accordion solo at 1:39, vocal back in at 2:03 with "it's breaking my heart to remember...", continue, rall the last line and finish.

MP3 DEMO:
M1127. YOU'RE BREAKING MY HEART - C
key - C - vocal range - B to F
Same track as M1126 except this is the original key the track was recorded in..
Note - there are no ralls or tempo breaks - stays in tempo all the way!

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YOU'RE DRIVING ME CRAZY key Bb 2:21
4 bar intro ; vocal thru ; vibes solo ; vocal in at " how true.... were the friends...." ; continue ; tag the last line and finish.

MP3 DEMO:
F419. YOU'RE DRIVING ME CRAZY - Bb
key - Bb - vocal range - G to A
Great Livetrak version of this old swing thing! Another great live version from Ella is worth checking out, as is the totally sublime Mel Torme studio and live versions.

Price:
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YOU'RE DRIVING ME CRAZY key C 2:38 MUTE TRUMPET AND SOLO REMOVED!
4 bar intro and vocal in at 6 secs with the verse, into the main theme at 33 secs, continue thru, mute trumpet at 1:25, vocal back in at 1:51 with "how true.... were the friends that were near me..", continue and tag the last line and finish.

MP3 DEMO:
M1020. YOU'RE DRIVING ME CRAZY - C
key - C - vocal range - A to B - note - the verse is included with this arrangement
Lovely mid tempo Quintet arrangement of this Walter Donaldson song from the 30's. The verse is included and you can check this out on The Temperance Seven hit version here on YouTube.

Price:
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YOU'RE MY EVERYTHING key F 3:27 TENOR SAX SOLO REMOVED!
4 bar intro; vocal thru; short tenor sax solo; vocal back in at "you're my only dream..... my only real reality.."; continue; rall the last line and finish.

MP3 DEMO:
F623. YOU'RE MY EVERYTHING - F
key - F - vocal range - F to A
Wonderful old standard in a wonderful Livetrak arrangement. Nat King Cole's version is gorgeous....

Price:
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YOU'RE NOBODY TIL SOMEBODY LOVES YOU key Eb to F 3:31 VIBES SOLO REMOVED!
6 bar intro ; vocal thru ; short vibes solo ; vocal back in at " you may be rich / king ... you may possess....." continue ; key change at "when you're growing OLD>>>" - continue in new key F ; tag the last line as per ( so find yourself somebody ; go out and get yourself somebody ; etc) and finish - hold note !

MP3 DEMO:
M521. YOU'RE NOBODY TIL SOMEBODY LOVES YOU
key - Eb to F - vocal range - Bb to D ( optional top F)
Fabulous new Realtrak Quintet arrangement of the old classic.

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YOU'RE NOBODY TIL SOMEBODY LOVES YOU key F 3:18 PIANO SOLO REMOVED!
12 bar intro and vocal in at 19 secs, continue thru,  full piano solo from 1:12, vocal in at the start again at 2:04, continue thru, from 2:51 sing "so find yourself somebody.......get yourself somebody......find yourself somebody... to love" and let the band finish!

MP3 DEMO:
M1318. YOU'RE NOBODY TIL SOMEBODY LOVES YOU - F
key - F - vocal range - C to D
This TRIO version is very loosely based on the Jamie Cullum version - https://www.youtube.com/watch?v=v3ABrgwxRu4
It's in the same key, with a similar feel and tempo, except I've condensed the intro to 12 bars.
It has a full form piano solo but there is also the no solo version with the solo removed.

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YOU'RE SO VAIN key C 4:30 PIANO SOLO REMOVED!
4 bar intro and vocal in at 10 seconds, vocal through 2 verses and chorus, piano solo at 1:54, vocal back in at 2:21 with "I had some dreams there were clouds in my coffee...", continue through the last verse and chorus and then at 3:38 finish with 4 times repeat of "you're so vain.....you probably think the song is about you" and end with "you're so vain..."

MP3 DEMO:
F1836. YOU'RE SO VAIN - C Trio
key - C - vocal range - G to A
Superbly punchy Trio and percussion arrangement of the massive Carly Simon hit, original key.

Price:
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YOU'RE SO VAIN key D 4:30 PIANO SOLO REMOVED!
4 bar intro and vocal in at 10 seconds, vocal through 2 verses and chorus, piano solo at 1:54, vocal back in at 2:21 with "I had some dreams there were clouds in my coffee...", continue through the last verse and chorus and then at 3:38 finish with 4 times repeat of "you're so vain.....you probably think the song is about you" and end with "you're so vain..."

MP3 DEMO:
F1837. YOU'RE SO VAIN - D Trio
key - D - vocal range - A to B
Superbly punchy Trio and percussion arrangement of the massive Carly Simon hit.
Same arrangement as F1836 except a full tone higher.

Price:
£5.00
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YOU'VE CHANGED key Bb 4:44 PIANO SOLO REMOVED!
4 bar intro ; vocal thru ; piano solo ; vocal back in at " you've forgotten the words...." ; continue ; rall the last two lines and finish.

MP3 DEMO:
F181. YOU'VE CHANGED - Bb
key - Bb - vocal range - F to A (optional Bb top note)
Lovely REALTRAK arrangement of this wonderful ballad. Check out Nancy Wilson's version!

Price:
£5.00
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YOUR CHEATIN' HEART key C 3:14 SOLO REMOVED!
4 bar intro ; vocal thru two verses ; solo; vocal in at " when tears come down..." ; continue ; no tag and finish.

MP3 DEMO:
M261. YOUR CHEATIN HEART
key - C - vocal range - B to D
How to turn a terrible old country classic into a smooth and groovy blues - based Hammond Trio in 3 easy steps! - great taste ; great playing and great Realtrak sounds!
 

Price:
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YOUR MEMORY, ME AND THE BLUES key G 4:08 PIANO SOLO REMOVED!
Same form as the original version by Delbert McClinton. Includes a piano solo... but also available as a No Solo version..

MP3 DEMO:
M1128. YOUR MEMORY, ME AND THE BLUES
key - G - vocal range - D to A
Lovely blues based ballad from Delbert McClinton, from his 2005 album "Cost Of Living". Original key, so suitable for higher range male vocal.

Price:
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ZING WENT THE STRINGS OF MY HEART key Ab 2:39 VIOLIN and SOLO REMOVED
4 bar intro; vocal thru; violin solo over the 2nd time "A" section; vocal back in at "Your eyes made skies seem blue again"...; continue; no tag and finish.

MP3 DEMO:
F627. ZING WENT THE STRINGS OF MY HEART - Ab
key - Ab - vocal range - Ab to Bb
Really cool Livetrak arrangement of this old gem. Scored a big hit for Judy Garland way back..
 

Price:
£5.00
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DAY IN DAY OUT key C 3:28 PIANO SOLO REMOVED!
8 bar intro and vocal in at 14 seconds, vocal through, piano solo at 1:44, vocal back in at 2:09 with "day out... day in... I needn't tell you how my day begins....", continue through, tag the last line and finish.

MP3 DEMO:
M2523. DAY IN DAY OUT - C Trio
key - C - vocal range - D to F
Trio arrangement of this classic from the American Songbook, covered by all the very best singers and musicians of the day.

Price:
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DAY IN DAY OUT key Bb 3:28 PIANO SOLO REMOVED!
8 bar intro and vocal in at 14 seconds, vocal through, piano solo at 1:44, vocal back in at 2:09 with "day out... day in... I needn't tell you how my day begins....", continue through, tag the last line and finish.

MP3 DEMO:
M2524. DAY IN DAY OUT - Bb Trio
key - Bb - vocal range - C to Eb
Trio arrangement of this classic from the American Songbook, covered by all the very best singers and musicians of the day.

Price:
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I'LL GET BY (as long as I have you) key C 2:31 PIANO SOLO REMOVED!
4 bar intro and vocal in at 10 seconds, vocal through, piano solo at 1:11, vocal back in at 1:41 with "poverty....may come to me.. that's true...". continue through, tag the last line and finish.

MP3 DEMO:
M2525. I'LL GET BY - C Trio
key - C - vocal range - C to E
Lovely Trio arrangement of this great old standard that's been covered by everyone from Frank Sinatra, Billie Holiday, Connie Francis, Jack Jones, Shirley Bassey and many more. Brighter in tempo and lightly swinging with subtle comping and piano fills.

Price:
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I'LL GET BY (as long as I have you) key Bb 2:31 PIANO SOLO REMOVED!
4 bar intro and vocal in at 10 seconds, vocal through, piano solo at 1:11, vocal back in at 1:41 with "poverty....may come to me.. that's true...". continue through, tag the last line and finish.

MP3 DEMO:
M2526. I'LL GET BY - Bb Trio
key - Bb - vocal range - Bb to D
Lovely Trio arrangement of this great old standard that's been covered by everyone from Frank Sinatra, Billie Holiday, Connie Francis, Jack Jones, Shirley Bassey and many more. Brighter in tempo and lightly swinging with subtle comping and piano fills.
Same arrangement as M2525 except a full tone lower.

Price:
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I'M CONFESSIN' key F 3:15 PIANO SOLO REMOVED!
4 bar intro and vocal in at 11 seconds, vocal through, piano solo at 1:37, vocal back in at 1:57 with "in your eyes I read such strange things....", continue through and finish.

MP3 DEMO:
M2527. I'M CONFESSIN' - F Trio
key - F - vocal range - C to D
Lovely Trio arrangement of this classic standard. The tempo is perfect, with lovely light piano fills and intuitive comping.

Price:
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I'M CONFESSIN' key G 3:15 PIANO SOLO REMOVED!
4 bar intro and vocal in at 11 seconds, vocal through, piano solo at 1:37, vocal back in at 1:57 with "in your eyes I read such strange things....", continue through and finish.

MP3 DEMO:
M2528. I'M CONFESSIN' - G Trio
key - G - vocal range - D to E
Lovely Trio arrangement of this classic standard. The tempo is perfect, with lovely light piano fills and intuitive comping. Same arrangement as M2527 except a full tone higher.

Price:
£5.00
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IT'S A SIN TO TELL A LIE key C 2:19 PIANO SOLO REMOVED!
4 bar intro and vocal in at 6 seconds, vocal through, piano solo from 1:05, vocal back in at 1:35 with "I love you... yes I do....", continue through, tag the last line and finish.

MP3 DEMO:
M2529. IT'S A SIN TO TELL A LIE - C Trio
key - C - vocal range - D to E
Swinging Trio arrangement of this old standard, with superb playing and a great tempo.

Price:
£5.00
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IT'S A SIN TO TELL A LIE key Bb 2:19 PIANO SOLO REMOVED!
4 bar intro and vocal in at 6 seconds, vocal through, piano solo from 1:05, vocal back in at 1:35 with "I love you... yes I do....", continue through, tag the last line and finish.

MP3 DEMO:
M2530. IT'S A SIN TO TELL A LIE - Bb Trio
key - Bb - vocal range - C to D
Swinging Trio arrangement of this old standard, with superb playing and a great tempo. Same arrangement as M2529 except a full tone lower.

Price:
£5.00
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LOVE IS THE SWEETEST THING key C 3:15 PIANO SOLO REMOVED!
4 bar intro and vocal in at 12 seconds, piano solo at 1:35, vocal back in at 1:59 with "love is the strangest thing..... no song of birds upon the wing....", continue through and finish.

MP3 DEMO:
M2531. LOVE IS THE SWEETEST THING - C Trio
key - C - vocal range - C to D
Wonderful old standard, in a superb Trio arrangement. Written by the English band leader and songwriter Ray Noble, who also wrote The Very Thought Of You, I Hadn't Anyone til You, the stunning The Touch Of Your Lips and many others.

Price:
£5.00
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LOVE IS THE SWEETEST THING key Bb 3:15 PIANO SOLO REMOVED!
4 bar intro and vocal in at 12 seconds, piano solo at 1:35, vocal back in at 1:59 with "love is the strangest thing..... no song of birds upon the wing....", continue through and finish.

MP3 DEMO:
M2532. LOVE IS THE SWEETEST THING - Bb Trio
key - Bb - vocal range - Bb to C
Wonderful old standard, in a superb Trio arrangement. Written by the English band leader and songwriter Ray Noble, who also wrote The Very Thought Of You, I Hadn't Anyone til You, the stunning The Touch Of Your Lips and many others.
Same arrangement as M2531 except a full tone lower.

Price:
£5.00
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OUR DAY WILL COME key G 2:45 PIANO SOLO REMOVED!
piano pickup and 8 bar intro and vocal in at 19 seconds, vocal through, piano solo at 1:22, vocal back in at 1:55, continue through, at 2:18 sing "our day....will......" , again at 2:23 and at 2:27 sing "our day.... will come..." and finish.

MP3 DEMO:
M2535. OUR DAY WILL COME - G Trio
key - G - vocal range - D to D
Superb Trio arrangement of this wonderful tune, in a lightly swinging tempo and with a stonkingly good piano solo (also available with solo removed!).

Price:
£5.00
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OUR DAY WILL COME key F 2:45 PIANO SOLO REMOVED!
piano pickup and 8 bar intro and vocal in at 19 seconds, vocal through, piano solo at 1:22, vocal back in at 1:55, continue through, at 2:18 sing "our day....will......" , again at 2:23 and at 2:27 sing "our day.... will come..." and finish.

MP3 DEMO:
M2536. OUR DAY WILL COME - F Trio
key - F - vocal range - C to C
Superb Trio arrangement of this wonderful tune, in a lightly swinging tempo and with a stonkingly good piano solo (also available with solo removed). Same arrangement as M2535 except a full tone lower.

Price:
£5.00
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POOR BUTTERFLY key Ab 3:46 PIANO SOLO REMOVED!
4 bar intro and vocal in at 10 seconds, vocal through main theme only, piano solo at 1:46, vocal back in at 2:10 with "the moments pass into hours....", continue through, tag the last 2 lines and finish.

MP3 DEMO:
M2537. POOR BUTTERFLY - Ab Trio
key - Ab - vocal range - B to Eb
Gorgeous Trio arrangement of this wonderful standard. It's been covered by every quality vocalist and musician and perhaps the definitive version has to be the Sarah Vaughan "Live In Japan" version from 1973.

Price:
£5.00
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POOR BUTTERFLY key Gb 3:46 PIANO SOLO REMOVED!
4 bar intro and vocal in at 10 seconds, vocal through main theme only, piano solo at 1:46, vocal back in at 2:10 with "the moments pass into hours....", continue through, tag the last 2 lines and finish.

MP3 DEMO:
M2538. POOR BUTTERFLY - Gb Trio
key - Gb - vocal range - A to Db
Gorgeous Trio arrangement of this wonderful standard. It's been covered by every quality vocalist and musician and perhaps the definitive version has to be the Sarah Vaughan "Live In Japan" version from 1973. Same arrangement as M2537 except a full tone lower.

Price:
£5.00
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WHAT A DIFFERENCE A DAY MADE key F 5:09 PIANO SOLO REMOVED!
8 bar intro and vocal in at 27 seconds, vocal through as per the Jamie Cullum form, piano solo at 2:26, vocal back in at 2:53 with "my yesterdays were blue dear...", continue through - note the long break for the vocal only and then back into tempo for finish.

MP3 DEMO:
M2549. WHAT A DIFFERENCE A DAY MADE - F Trio
key - F - vocal range - C to D
Based on the form, similar tempo, feel and same key of the very lovely Jamie Cullum live version, with a longer intro.

Price:
£5.00
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WHAT A DIFFERENCE A DAY MADE key Eb 5:09 PIANO SOLO REMOVED!
8 bar intro and vocal in at 27 seconds, vocal through as per the Jamie Cullum form, piano solo at 2:26, vocal back in at 2:53 with "my yesterdays were blue dear...", continue through - note the long break for the vocal only and then back into tempo for finish.

MP3 DEMO:
M2550. WHAT A DIFFERENCE A DAY MADE - Eb Trio
key - Eb - vocal range - Bb to C
Based on the form, similar tempo, feel and same key of the very lovely Jamie Cullum live version, with a longer intro.
Same arrangement as M2549 except a full tone lower.

Price:
£5.00
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WHO'S TAKING YOU HOME TONIGHT key Eb 2:47 PIANO SOLO REMOVED!
4 bar intro and vocal in at 9 seconds, vocal through, piano solo at 1:21, vocal back in at 1:52 with "who's the lucky boy that's going your way.....", continue through and finish.

MP3 DEMO:
M2551. WHO'S TAKING YOU HOME TONIGHT - Eb Trio
key - Eb - vocal range - C to D (optional Eb)
Very lovely Trio arrangement of this classic waltz and perfect as a ballroom modern waltz.

Price:
£5.00
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WHO'S TAKING YOU HOME TONIGHT key Db 2:47 PIANO SOLO REMOVED!
4 bar intro and vocal in at 9 seconds, vocal through, piano solo at 1:21, vocal back in at 1:52 with "who's the lucky boy that's going your way.....", continue through and finish.

MP3 DEMO:
M2552. WHO'S TAKING YOU HOME TONIGHT - Db Trio
key - Db - vocal range - Bb to C (optional Db)
Very lovely Trio arrangement of this classic waltz and perfect as a ballroom modern waltz. Same arrangement as M2551 except a full tone lower.

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