TORN key F 4:04
4 bar intro and vocal in 12 seconds, continue through as per the original Natalie Imbruglia version form, with a definite ending. Original key.

MP3 DEMO:
GF204. TORN - F
key - F - vocal range - F to Bb
Fabulously fresh arrangement of the massive Natalie Imbruglia hit. The breakdown bridge section has some great band hits and fills!

TWO OUT OF THREE AIN'T BAD key A 5:29
4 bar intro and vocal in at 12 seconds, continue through as per the Meatloaf form and same key.

MP3 DEMO:
GF346. TWO OUT OF THREE AIN'T BAD - A
key - A - vocal range - A to B
Fantastic and fresh full band arrangement of the Meatloaf classic hit.

TWO OUT OF THREE AIN'T BAD key A 5:29
4 bar intro and vocal in at 12 seconds, continue through as per the Meatloaf form and same key.

MP3 DEMO:
GF344. TWO OUT OF THREE AIN'T BAD - A Piano
key - A - vocal range - A to B
The Meatloaf classic hit in a piano only arrangement.

UNCHAINED MELODY key Eb 3:37
2 bar intro, vocal through as per original form.

MP3 DEMO:
GF43. UNCHAINED MELODY - Eb
Key - Eb - vocal range - G to Bb
Classic Righteous Brothers hit. This Original Livetrak arrangement keeps to the 12/8 feel.

UNDER THE BOARDWALK key A 3:05
4 bar intro and vocal in at 8 seconds, vocal through the verse and chorus twice, mellow synth solo at 2:01, vocal back in at 2:19 with "under the boardwalk.....", continue through into the chorus and finish with "boardwalk...... boardwalk....".

GF572. UNDER THE BOARDWALK - A
key - A - vocal range - E to A (optional B & C#)
A superbly fresh arrangement of the Ben E King classic, slower in tempo and some great sounds going on..

UNTIL YOU COME BACK TO ME  key G 4:08
4 bar intro and vocal in at 9 secs, continue thru the song - no solo - vocal back to the bridge section ("living for you my dear..") at 2:35, continue, repeat the last line 3 times - "'til you come back to me.....that's what I'm gonna do.." and finish.

MP3 DEMO:
GF128. UNTIL YOU COME BACK TO ME - G
key - G - vocal range - G to A (optional Bb)
Great song, co written and sung by Stevie Wonder, that gave a massive top 10 hit for Aretha Franklin in the early 70's.
Here's my arrangement of it, in a more manageable female key.

VENUS key Em 3:12
12 bar intro and vocal in at 19 seconds, continue through as per the original Shocking Blue version, in the original key and a definite ending.

MP3 DEMO:
GF600. VENUS - Em Shocking Blue
key - Em - vocal range - D to B
Superb version of the Shocking Blue hit from 1969, original key.

VINCENT key C 5:02
4 bar intro and vocal in at 11 seconds, continue through the original form - stays in tempo all the way.

MP3 DEMO:
GF423. VINCENT - C Acoustic Guitar
key - C - vocal range - G to A
Wonderful song from Don McLean in a superb Acoustic Guitar arrangement. Stays in tempo all the way and lots of movement in the picking and strums. The guitar plugin used is Orangetree's Steel Strings.

VINCENT key C 4:43
4 bar intro then thru as per the same form as the original.

MP3 DEMO:
GF78. VINCENT - C Pianotrak
key - C - vocal range - G to A
2015 Pianotrak arrangement of this really lovely song by Don Maclean.
Very much "tell the story" as opposed to just singing it. Lots of rubato and slight tempo changes but it's easy to catch if you think about how you'd say it, rather than sing it... You'll see what I mean once you hear the demo....

WALK ON BY key C (first chord and implied key is Em) 3:13
8 bar intro, vocal through as per the original form, string instrumental break, vocal back in with "walk on by......walk on by...." ;etc. Same form as the hit version just a different feel.

MP3 DEMO:
GF107. WALK ON BY - Em
key - C - vocal range - E to A
Cool Livetrak contemporary arrangement of this Bacharach and David song. An Original Livetrak arrangement.

WALK ON BY key Db (first chord and implied key is Fm) 2:50
4 bar intro, vocal thru as per original form - ad lib ending and finish.

MP3 DEMO:
GF18. WALK ON BY
key - Db - vocal range - F to Bb
Fantastic new version of the Hal David and Burt Bacharach gem.

WALKING ON SUNSHINE key Bb 3:13
8 bar intro and vocal in at 12 seconds, vocal through as per the original Katrina and the Waves form, in the original key.
At 3:05 finish with "and don't it feel good!".

MP3 DEMO:
GF455. WALKING ON SUNSHINE - Bb
key - Bb - vocal range - G to C (optional D)
A huge hit for Katrina and the Waves back in 1985 and such a popular feel good song for every generation. Here's a fresh arrangement, in the original key, bright and super punchy.

WASN'T IT GOOD key D 4:36
5 bar intro and vocal in at 20 seconds, continue through as per the original Tina Arena album version, at the very end (3:36) the track goes through the 4 bar groove section 3 times and finishes on Bm.

MP3 DEMO:
GF306. WASN'T IT GOOD - D Pianotrak
key - D - range - A to D
Wonderful ballad from Tina Arena's wonderful 1994 Don't Ask album, really gorgeous song and it works so well as a piano only arrangement. Original key.

WATERS OF MARCH key B 3:57
Cover version of the classic Sergio Mendes hit.

MP3 DEMO:
GF98. WATERS OF MARCH
key - B - vocal range - B to B
Cover arrangement of the classic Sergio Mendes tune. This version is from the "Brasil '88" album.

WE CAN BE KIND key A to Bb 4:42
8 bar intro and vocal in at 19 seconds, continue through as per the Nancy LaMott form and keys.

MP3 DEMO:
GF374. WE CAN BE KIND - A to Bb Piano
key - A to Bb - vocal range - F# to C
Gorgeous song from David Friedman, with a superb version by Nancy LaMott.
Here's a wonderful piano only arrangement in the LaMott keys, key change included.

WE'RE ALL ALONE key A 3:30
2 bar intro and vocal in at 9 seconds, continue through, chorus at 1:08, "once a story's told" at 1:40, continue through, chorus from 2:08 with the tag section ("all's forgotten now... my love..."), repeat the chorus at 2:42, at 3:02 finish with "learn how to pretend.....".

GF236. WE'RE ALL ALONE - A
key - A - vocal range - (optional E) A to C#
Gorgeous orchestral arrangement of the classic Boz Scaggs song, big hit for him and for Rita Coolidge.
Same arrangement as GF235 except a full tone higher.

WE'RE ALL ALONE key A 3:30
2 bar intro and vocal in at 8 seconds, continue through, chorus at 1:08, "once a story's told" at 1:40, continue through, chorus with the tag section ("all's forgotten now... my love...") from 2:08, repeat the chorus at 2:42, at 3:02 finish with "learn how to pretend.....".

MP3 DEMO:
GF234. WE'RE ALL ALONE - A Pianotrak
key - A - vocal range - (optional E) A to C#
Superlative song from Boz Scaggs, big hit for him and for Rita Coolidge. Here's a wonderful piano only arrangement.
Same arrangement as GF232 except a full tone higher.

WE'RE ALL ALONE key F 3:30
2 bar intro and vocal in at 8 seconds, continue through, chorus at 1:08, "once a story's told" at 1:40, continue through, chorus with the tag section ("all's forgotten now... my love...") from 2:08, repeat the chorus at 2:42, at 3:02 finish with "learn how to pretend.....".

MP3 DEMO:
GF233. WE'RE ALL ALONE - F Pianotrak
key - F - vocal range - (optional C) F to A
Superlative song from Boz Scaggs, big hit for him and for Rita Coolidge. Here's a wonderful piano only arrangement.
Same arrangement as GF232 except a full tone lower.

WE'RE ALL ALONE key G 3:30
2 bar intro and vocal in at 9 seconds, continue through, chorus at 1:08, "once a story's told" at 1:40, continue through, chorus from 2:08 with the tag section ("all's forgotten now... my love..."), repeat the chorus at 2:42, at 3:02 finish with "learn how to pretend.....".

GF235. WE'RE ALL ALONE - G
key - G - vocal range - (optional D) G to B
Gorgeous orchestral arrangement of the classic Boz Scaggs song, big hit for him and for Rita Coolidge.
 

WE'RE ALL ALONE key G 3:30
2 bar intro and vocal in at 8 seconds, continue through, chorus at 1:08, "once a story's told" at 1:40, continue through, chorus with the tag section ("all's forgotten now... my love...") from 2:08, repeat the chorus at 2:42, at 3:02 finish with "learn how to pretend.....".

MP3 DEMO:
GF232. WE'RE ALL ALONE - G Pianotrak
key - G - vocal range - (optiona D) G to B
Superlative song from Boz Scaggs, big hit for him and for Rita Coolidge. Here's a wonderful piano only arrangement in the original Rita Coolidge key.

WE'VE GOT TONIGHT key C 4:33
Same form as the original Bob Seger version, in a female key.

MP3 DEMO:
GF103. WE'VE GOT TONIGHT - C
key - C - vocal range - G to Bb
Great song that scored a massive hit for Bob Seger,  Kenny Rodgers and Sheena Easton and a few others.
This cool LIVETRAK arrangement demo starts as the whole "band" kicks in.... An Original Livetrak arrangement.

WE'VE GOT TONIGHT key C 4:59
4 bar intro, vocal in at 15 seconds, continue through as per the original Bob Seger form.

MP3 DEMO:
GF425. WE'VE GOT TONIGHT - C
key - C - vocal range - G to Bb
Superb 2022 arrangement with the "band" right in with the vocal. Sticks to the original Seger form.

WE'VE GOT TONIGHT key C 3:56
4 bar intro and vocal in at 15 seconds, vocal through as per the Bob Seger form except repeat chorus at the end (no breakdown) and at 3:31 go to "oh ohhhhhh, ohhhhhhh, why don't you stay...." and finish.

MP3 DEMO:
GF536. WE'VE GOT TONIGHT - C Acoustic Guitar
key - C - vocal range - G to Bb
Very lovely acoustic guitar arrangement of the massive Bob Seger gem, a bit brighter in tempo and with a slight latin vibe going on..

WHAT I'VE GOT IN MIND key F 2:52
Based on the original Billie Jo Spears version form and same key.

MP3 DEMO:
GF356. WHAT I'VE GOT IN MIND - F
key - F - vocal range - F to Bb
Classic country hit for Billie Jo Spears in 1976. Based on the original version.

WHAT'S GOING ON key G 3:58
8 bar intro and vocal in at 21 secs, continue thru, synth solo at 1:51, vocal back in at 2:34 with "mother mother, everybody thinks we're wrong....", continue thru - at 3:22 4 times "what's going on" and finish.

MP3 DEMO:
GF178. WHAT'S GOING ON - G
key - G - vocal range - G to B
Exceptional 80's swing funk feel to this new uber-cool arrangement of the classic Marvin Gaye song!

WHEN YOU ARE OLD key Db 3:00
4 bar intro and vocal in at 15 seconds, same arrangement and key as the Martina McBride Live version.

MP3 DEMO:
GF633. WHEN YOU ARE OLD
key - Db - vocal range - Ab to Db (Eb falsetto)
Lovely song from a live Martina McBride concert, just piano and vocal, same arrangement and key.

WHEN YOU TELL ME THAT YOU LOVE ME key Eb to Gb 4:15
5 bar intro (no 2/4 bar) and vocal in at 16 seconds, coninue through as per the song form, bridge from 2:36, solo section from 2:49, vocal back in at 3:13 and the key change to Gb for the last chorus, finish as per the original form.

MP3 DEMO:
GF684. WHEN YOU TELL ME THAT YOU LOVE ME - Eb Livetrak
key - Eb to Gb - vocal range - Eb to B
90's sounding Livetrak keyboards arrangement of the massive Diana Ross hit from 1991.

WHEN YOU TELL ME THAT YOU LOVE ME key F to Ab 4:16
5 bar intro (no 2/4 bar) and vocal in at 15 seconds, vocal thorugh as per the original form, solo section from 2:49 and vocal back in at 3:14 with "and baby....." (key change to Ab) and continue with the chorus, finish as per the original form version.

MP3 DEMO:
GF685. WHEN YOU TELL ME THAT YOU LOVE ME - F Livetrak
key - F - vocal range - F to Db
A different Livetrak keyboards version, and in a higher key, of the massive Diana Ross hit from 1991. 

WHEN YOU TELL ME THAT YOU LOVE ME key F to Ab 4:10
5 bar intro (watch the 2/4 bar leading the vocal in) and vocal in at 13 seconds, continue throguh as per the Diana Ross version form.

MP3 DEMO:
GF659. WHEN YOU TELL ME THAT YOU LOVE ME - F to Ab
key - F to Ab - vocal range - F to Db
The massive hit for Diana Ross back in 1991, in a fresh orchestral arrangement and a much lower key. The original Diana Ross key is Ab to B.

WHEN YOUR LIFE WAS LOW key A 5:38
Same form, feel and tempo as the LaLa Hathaway and Joe Sample version.

MP3 DEMO:
GF136. WHEN YOUR LIFE WAS LOW
key - A (original key) - vocal range - F# to B
Wonderful ballad, this version is based on the wonderful LaLa Hathaway and Joe Sample version, from their album "The Song Lives On". A very favourite song of mine!

WHENEVER YOU COME AROUND key B 4:12
Same form as the Vince Gill version, in a female key.

MP3 DEMO:
GF104. WHENEVER YOU COME AROUND - B
key - B - range - F# to G#
Great song from Vince Gill, in a fresh arrangement plus light strings.

WHERE DO BROKEN HEARTS GO key D to Eb 4:49
3 bar intro and vocal in at 12 seconds, vocal through as per the Whitney Houston original keys (key change after the bridge section) and form.

MP3 DEMO:
GF329. WHERE DO BROKEN HEARTS GO - D Pianotrak
key - D to Eb - range - A to D
Gorgeous piano only arrangement of the Whitney Houston ballad from her second album, in the original keys.

WHERE DO BROKEN HEARTS GO? key D to Eb 4:25
format same as per original except it's all uptempo!!!

MP3 DEMO:
GF58. WHERE DO BROKEN HEARTS GO?
key - D to Eb ( cover key) - vocal range - A to D (option Eb)
Fabulous and fresh uptempo arrangement of the classic Whitney Houston song with some tasty chord changes thrown in!

WHO'S CRYING NOW key Bm 4:31
8 bar intro, vocal thru as per the form (verse/chorus twice), bridge section, guitar solo, vocal back in for double chorus and finish.

MP3 DEMO:
GF81. WHO'S CRYING NOW
key - Bm - vocal range - B to D (suit higher female range)
Great song! Big hit for Journey but this cool version is based on Randy Crawford's.

WILL YOU STILL LOVE ME TOMORROW key C to Db 4:20
4 bar intro ; vocal thru ; no solo - back to " tonight with words..." ; key change and last verse ; repeat last line and finish.

MP3 DEMO:
GF42. WILL YOU STILL LOVE ME TOMORROW
key - C to Db - vocal range - A to Bb
This popular 60's classic is given a reworked, classy and slower Realtrak arrangement with a cool key change for the very last verse.

WILL YOU STILL LOVE ME TOMORROW key Bb 4:21
4 bar intro, vocal in at 9 secs, vocal thru - no solo - at 2:32 go back to "tonight with words unspoken...", continue thru, repeat the last line 3 times and finish.

MP3 DEMO:
GF157. WILL YOU STILL LOVE ME TOMORROW - Bb
key - Bb - vocal range - G to G 
Another lovely Livetrak arrangement of this popular Carole King song. Here's a more laidback take on it....

WITHOUT YOU key F 3:37
2 bar intro and vocal in at 7 seconds, continue through, 2/4 bar at 1:44 and vocal back in at 1:45 with "no I can't forget..", continue and build the vocal, chorus from 2:18, continue, repeat the chorus again from 2:49, continue and finish.

MP3 DEMO:
GF348. WITHOUT YOU - F orchestral
key - F - vocal range - D to Bb (huge vocal range)
Wonderful orchestral arrangement of the Harry Nilsson hit.

WITHOUT YOU key F 3:38
2 bar intro and vocal in at 7 seconds, continue through as per the Nillson form, repeat the chorus again at 2:47 and finish.

MP3 DEMO:
GF350. WITHOUT YOU - F Piano
key - F - vocal range - D to Bb
Wonderful piano only arrangement of the superb Nilsson hit that also scored a massive hit for Mariah Carey. The track builds in intensity as the song builds.

WORKING MAN key Db to D 4:49
4 bar intro and thru as per the original form with a key change for the last chorus, repeat the last line and finish.

MP3 DEMO:
GF123. WORKING MAN - Db to D
key - Db to D - vocal range - Ab to A
Lovely arrangement of the Rita McNeil hit, in a lower key. Key change for the very last time chorus.

YES (Merry Clayton) key Bb (chorus in C) 2:56
8 bar intro and vocal in at 12 seconds, continue as per the original Merry Clayton form, original key.

MP3 DEMO:
GF457.  YES - Bb Merry Clayton
key - Bb (chorus in C) - vocal range - Bb to C (optional Db ad libs)
Superb song from the movie "Dirty Dancing". Here's a fresh arrangement in the original key.

YESTERDAY key G 2:47
2 bar intro and vocal in at 6 seconds, vocal through - no solo - at 1:36 the vocal goes back to "why......he....... had to go I don't know.......", continue through and finish.

MP3 DEMO:
GF611. YESTERDAY - G Acoustic Guitar
key - G - vocal range - G to G
Very lovely acoustic guitar arrangement of the wonderful Beatles song that keeps to the original feel but still individual enough to be fresh and different.

YESTERDAY ONCE MORE key - E to F 4:26
4 bar intro and vocal in at 9 seconds, vocal through as per the Carpenters version except at 3:13 there is a key change for a full  chorus reprise, so at 3:39 continue singing "all my best memories....." to the end of the chorus, from 3:55 repeat the last line "it's yesterday once more" 3 times and finish.

MP3 DEMO:
GF218. YESTERDAY ONCE MORE
key - E to F - vocal range - E to A
Wonderful Carpenters hit in a gorgeous orchestral arrangement. Original key.

YOU AND I key Bb 4:11
4 bar intro ; then as per the Stevie version - 4 bar break between verses - the ending is based on the ending of "Overjoyed".It's just a matter of phrasing with the 'band" and finishing on the same last note.

MP3 DEMO:
GF31. YOU AND I - Bb
key - Bb - vocal range - F to D
Stevie Wonder at his ballad best! An incredible song for any incredible singer with the range to sing it. Checkout the demo. I've given it a nice groove and a cool Realtrak arrangement.

YOU AND ME AGAINST THE WORLD key A 3:10
Based on the Helen Reddy version, same key.

MP3 DEMO:
GF409. YOU AND ME AGAINST THE WORLD - A
key - A - vocal range - F# to A
Arrangement based on the Helen Reddy version of this Paul Williams song.

YOU ARE THE SUNSHINE OF MY LIFE key C to Db 3:08
8 bar intro, vocal in at 15 seconds, continue through the full song - no solo, at 2:38 repeat "forever you'll stay in my heart..", and again at 2:46 and let the outro finish.

MP3 DEMO:
GF283. YOU ARE THE SUNSHINE OF MY LIFE - C to Db smooth
key - C to Db - range - E to A (optional Bb)
Cool groove and smooth arrangement of the iconic Stevie Wonder gem, timeless 80's inspired electric piano, kicking funky bass and a solid driving kit!

YOU CAN'T HURRY LOVE key G 3:30
Check out the Acoustic version that the track is based on : https://www.youtube.com/watch?v=G5eu7G6DvD0
4 bar intro and vocal in at 15 seconds with "I need love love .....to ease my mind..", continue and 1 bar guitar hit count in at 31 seconds to get you into tempo, continue through in tempo, slows down again after "causes my heart to break..." for a REPEAT of the 1st verse again at 1:41 and 1 bar guitar hit count in at 1:55, into tempo again ("you can't hurry love....... ") and continue through again and slow down after "cause my heart to break..." and back to 1st verse again at 3:04 and finish with "my mama said.......".

MP3 DEMO:
GF439. YOU CAN'T HURRY LOVE - G
key - G - vocal range - E to G
The classic Motown hit in an arrangement based on an Acoustic version by Sara Ciancetta on YouTube, where the form is a bit mixed up and repetitive but if you follow my notes it works perfectly and the overall vibe and feel is great.
I have extended the form to lengthen the track - basically twice through the Sara Ciancetta version and finish with the 1st verse again and slow the last line down.

YOU DON'T BRING ME FLOWERS key Bb 3:54
intro and vocal in at 12 secs, continue through as per the original form.

MP3 DEMO:
GF518. YOU DON'T BRING ME FLOWERS - Bb
key - Bb - vocal range - F to Bb
Lovely song that scored a massive hit for Barbra Streisand and Neil Diamond. Here's a gorgeous piano only arrangement, loosely based on a version by Sissel on youtube. Same arrangement as GF165 except a full tone lower.

YOU DON'T BRING ME FLOWERS key C 3:54
intro and vocal in at 12 secs, continue thru as per the original form.

MP3 DEMO:
GF165. YOU DON'T BRING ME FLOWERS - C
key - C - vocal range - G to C
Lovely song that scored a massive hit for Barbra Streisand and Neil Diamond. Here's a gorgeous piano only arrangement, loosely based on a version by Sissel on youtube.

YOU MIGHT NEED SOMEBODY key Em 3:34
4 bar intro (shorter than original), vocal thru as per original, ad lib ending then finish with "you might need somebody too!" ( phrase with the Brass section).

MP3 DEMO:
GF38. YOU MIGHT NEED SOMEBODY
key - Em - vocal range - A to C. Would also suit low range male.
An Original Livetrak arrangement of this wonderful Randy Crawford gem.

YOU NEVER CAN TELL (C'EST LA VIE) key G 2:44
2 bar intro and vocal in at 3 secs, vocal thru, piano solo at 1:17, vocal back in at 1:42, repeat the first verse at 2:07 and finish.

MP3 DEMO:
GF158. YOU NEVER CAN TELL (C'est La Vie) - G
key - G - vocal range - A to G (optional B)
Chuck Berry song that was a surprise hit in the movie "Pulp Fiction".

YOU REALLY GOT A HOLD ON ME key C 3:34
Same form, key and feel as the Sheryl Crow and Smokey Robinson live version.

MP3 DEMO:
GF138. YOU REALLY GOT A HOLD ON ME - C
key - C - vocal range - G to A (optional C)
Really cool duet version of the classic Motown tune.
Based on the Sheryl Crow and Smokey Robinson live version, same key and form.

YOU'RE MY WORLD key F#m & F# 2:57
2 bar 12/8 intro and vocal in at 7 seconds, vocal through, chorus from 1:06, short instrumental from 1:32, vocal back in at 1:47 with "with your hand..... resting in mine...", continue through and into the chorus again from 2:02, add the repeat tag "then it's the end of my world......end of my world...... end.. of my world... for.... me" and finish.

MP3 DEMO:
GF686. YOU'RE MY WORLD - F#m & F# Livetrak
key - F#m & F# (chorus) - vocal range - E to B
A Livetrak keyboards arrangement of the Cilla Black hit from 1964.

YOU'RE THE BEST THING THAT EVER HAPPENED TO ME key A to B 4:27
4 bar intro; vocal thru all the way as per the original.

MP3 DEMO:
GF110. YOU'RE THE BEST THING THAT EVER HAPPENED TO ME
key - A to B - vocal range - A to C#
Gladys Knight and her Pips scored a massive hit with this great song.
Fresh arrangement to boot!

YOU'RE THE BEST THING THAT EVER HAPPENED TO ME key G to A 4:28
4 bar intro and vocal in at 11 seconds, vocal through as per the Gladys Knight version, key change included.

GF268. YOU'RE THE BEST THING THAT EVER HAPPENED TO ME - G to A
key - G to A - vocal range - G to B
The wonderful Gladys Knight and the Pips hit song in a 2018 updated arrangement.
Same arrangement as GF110 except a full tone lower.
 

YOU'RE THE BEST THING THAT'S EVER HAPPENED TO ME key A to B 4:36
6 bar intro and vocal in at 14 seconds, vocal through as per the original form, including the key change from 2:13, continue through and finish.

MP3 DEMO:
GF687. YOU'RE THE BEST THING THAT'S EVER HAPPENED TO ME - A to B Livetrak
key - A to B - vocal range - A to C#
The wonderful hit for Gladys Knight & the Pips in 1974 in a Livetrak keyboards arrangement.

YOU'VE GOT A FRIEND key G 4:01
4 bar intro; vocal thru as per the original form; no solo; ad lib ending and finish.

MP3 DEMO:
GF5. YOU'VE GOT A FRIEND
key - Em (G) - vocal range - G to B
Groovy and funky arrangement of this classic tune, sung by James Taylor, Carol King; the Brand New Heavies to name just a few.

YOU'VE GOT A FRIEND key Ab 4:54
4 bar intro and vocal in at 10 seconds, vocal through as per the Carole King form, in her original key.

MP3 DEMO:
GF561. YOU'VE GOT A FRIEND - Ab Piano
key - Ab - vocal range - Ab to C
Lovely piano only arrangement of the wonderful and hugely popular Carole King gem from her classic album "Tapestry".

YOU'VE GOT TO GIVE ME ROOM key C 4:27
Form as per Oleta Adams version.

MP3 DEMO:
GF7. YOU'VE GOT TO GIVE ME ROOM
key - C - original key
From Oleta Adams' first album. A wonderful ballad great lyrics - a great womans' song.

YOUNG HEARTS RUN FREE key Eb 4:15
4 bar intro ; vocal thru as per original format - double full chorus at the end and finish.

MP3 DEMO:
GF63. YOUNG HEARTS RUN FREE
key - Eb - vocal range - Bb to C
Great new arrangement of this classic disco tune by Candi Staton, in a more manageable key, (the original is in F).

YOUR SONG key Ab 4:05
2 bar intro and vocal in at 8 seconds, continue through as per the original Elton John form.

MP3 DEMO:
GF508. YOUR SONG - Ab
key - Ab - vocal range - F to Ab (optional B)
Trio arrangement of the Elton John classic, in a female key.

I'M ALIVE key Eb to F 3:40
intro and vocal in at 32 seconds with the main song, continue through as per the Celine Dion form, in the original key, key change included.

MP3 DEMO:
GF688. I'M ALIVE - Eb to F
key - Eb to F - vocal range - Bb to C (optional D top note)
Superb and fresh arrangement of the massive worldwide hit for Celine Dion and always a dance floor filler with the ladies!

DANCE WITH MY FATHER key C to D 3:45
5 bar intro and vocal in at 14 seconds, vocal through as per the Luther Vandross form, key change included.

MP3 DEMO:
GF690. DANCE WITH MY FATHER - C to D
key - C to D - vocal range - G to A
A superb and fresh arrangement of the massive Luther Vandross hit from his very last album in 2003.