THAT'S WHAT FRIENDS ARE FOR key C 3:41
Same form as the original version but with a definite ending and lower key.
Finish with "that's......what.......friends........are.........for".

MP3 DEMO:
GF115. THAT'S WHAT FRIENDS ARE FOR - C
key - C - vocal range - E to A
Lovely Livetrak arrangement of this classy 80's hit; in a lower key and with a definite ending.

THAT'S WHAT FRIENDS ARE FOR key Eb 3:55
4 bar intro ; continue thru as per original ; slight ralls throughout and end with double chorus and last line repeat with the piano and finish.

MP3 DEMO:
GF71. THAT'S WHAT FRIENDS ARE FOR - Pianotrak
key - Eb - vocal range - G to C
Intimate take on the fab song. If you want to lay the sentiment on thick or just want to sing from the heart then this is a lovely way to do it! Nice arrangement with ralls that are easy to catch.

THE AIR THAT I BREATHE key C 5:01
4 bar intro and the vocal in at 14 seconds, continue through as per the Hollies form, chorus at 1:56, at 2:40 the short break between the chorus and the next verse included - vocal back in at 2:53, chorus at 3:20, and again at 4:04, and finish.

MP3 DEMO:
GF281. THE AIR THAT I BREATHE - C orchestral
key - C - range - G to G
Gorgeously EPIC arrangement of the classic Hollies hit. Slower tempo, BIG Orchestra, big drums, choir included! Would suit a big female voice with a not so big range.

FUNKY DUDE MEDLEY -
8 bar intro ;
Dance Yourself Dizzy(verse/chorus) ;
1 bar intro to Disco Inferno(verse/chorus) ;
8 bar intro to Somebody Else's Guy (verse/chorus)
8 bar intro to Car Wash (verse/chorus) ;
after the bass break straight into Lost In Music - (chorus)
1 bar change into We Are Family (chorus/verse/chorus) ;
straight into I Will Survive (same key) ;
8 bar intro to Gonna Get Along without You Now
- (chorus/verse/chorus) ;
6 bar intro to I Love The Nightlife (verse/chorus)
playing time is 8:17.

MP3 DEMO:
GF15. THE FUNKY DUDE MEDLEY
Medley :- Dance Yourself Dizzy; Disco Inferno; Somebody Else's Guy; Car Wash; Lost In Music; We Are Family; I Will Survive; Gonna Get Along without You Now; I Love The Nightlife - total playing time is 8:17.
(No backing vocals).

The full vocal range is generally for a mid range female voice - G(bottom note) - A (top note).
Note - the track is very old and very heavily compressed, hence the reduced price.

THE GREATEST LOVE OF ALL key G 5:15
piano pickup with 2 bar intro, vocal thru as per the original form. Slow the  last line and finish.

MP3 DEMO:
GF30. THE GREATEST LOVE OF ALL
key - G - range - G to C
An Original Livetrak arrangement of the George Benson & Whitney Houston hit.

THE GREATEST LOVE OF ALL key G 5:14
2 bar intro, vocal in at 11 seconds, vocal through all the way, slow the last line down and finish.

MP3 DEMO:
GF222. THE GREATEST LOVE OF ALL - G Pianotrak
key - G - vocal range - G to D
Very lovely piano only arrangement of this hugely popular song that scored massive hits for George Benson and Whitney Houston.

THE HUNGRY YEARS key A 4:29
2 bar intro and vocal in at 8 seconds, vocal through as per the original Neil Sedaka form, original key.

MP3 DEMO:
GF453. THE HUNGRY YEARS - A
key - A (& C) - vocal range - C# to A
Gorgeous arrangement of the wonderful Neil Sedaka song from 1974. This is the original key so it's very much suited to lower female ranges.

THE JOURNEY key Ab 4:30
4 bar intro and vocal in at 20 secs, continue thru as per the original version - a full tone down from the original key.

MP3 DEMO:
GF172. THE JOURNEY - Ab
key - Ab - vocal range - Eb to C
Very lovely song, from the 3rd album by Lea Salonga, who won huge acclaim and various awards playing Kim in "Miss Saigon". She also provided the singing voice of two official Disney Princesses: Jasmine in Aladdin (1992), and Fa Mulan in Mulan (1998).
This arrangement is based on the original version, but one full tone down.

THE JOURNEY key Bb 4:30
4 bar intro and vocal in at 20 secs, continue thru as per the original version.

MP3 DEMO:
GF171. THE JOURNEY - Bb
key - Bb - vocal range - F to D
Very lovely song, from the 3rd album by Lea Salonga, who won huge acclaim and various awards playing Kim in "Miss Saigon". She also provided the singing voice of two official Disney Princesses: Jasmine in Aladdin (1992), and Fa Mulan in Mulan (1998).
Arrangement in the original key and based on the original version.

THE LOOK OF LOVE key Am 3:46
4 bar intro; vocal thru; short solo; vocal back in at " the look of love... is saying so much more than........."; rall the last line and finish.

MP3 DEMO:
GF19. THE LOOK OF LOVE - Am
key - Am - vocal range - E to G
low female key or high male key.
Superbly funky groove based arrangement of this wonderful Bacharah and David gem.

THE LOOK OF LOVE key Am 2:41
4 bar intro and vocal in at 9 seconds, vocal through once - follow the song form and finish.

MP3 DEMO:
GF476. THE LOOK OF LOVE - Am Piano
key - Am - vocal range - E to A
Superb piano only arrangement of the classic song by Burt Bacharach and Hal David and covered by zillions of great singers and musicians.

THE MORE I SEE YOU keys - A to Bb 3:32
9 bar intro, vocal in at 17 secs, continue thru, key change at 1:19 and Trumpet solo, vocal back in at 1:48 with "can you imagine...", continue, back to the full song again at 2:21 - basically the same form as the Peter Allen version and with a definite finish.

MP3 DEMO:
GF170. THE MORE I SEE YOU - A to Bb
key  A to Bb - vocal range - E to Bb
Same arrangement as GM329, based on a Peter Allen 1976 version, but in a female key.

THE OLD SONGS key B to C 4:23
Same form as the original Barry Manilow version, with a definite ending.

MP3 DEMO:
GF125. THE OLD SONGS
key - B to C - vocal range - E to C
Wonderful Barry Manilow song in a lovely fresh arrangement.

THE ROSE key C 3:16
2 bar intro and the vocal in at 6 seconds, continue through 3 verses, slow the last line down and finish.

MP3 DEMOS: 2 demos below of the same track, Demo 1 is the intro 1st verse and Demo 2 is how the track builds for the rest of the track.
GF273. THE ROSE - C demo 1

GF273 THE ROSE - C demo 2

key - C - range - G to G (A optional top note)

Epic, Cinematic, choir included and Huge! A fresh take on the huge Bette Midler hit, something very different to help you stand out from the crowd!

THE ROSE key C to Db to D 3:53
4 bar intro; vocal thru all the way with key changes for each verse; ral lthe last line and finish.

MP3 DEMO:
GF91. THE ROSE - CtoDbtoD Pianotrak
key - C to Db to D - vocal range - G to A
Huge hit for Bette Midler; in an intimate and classy piano only arrangement.

THE ROSE key D 3:16
2 bar intro and the vocal in at 6 seconds, continue through 3 verses, slow the last line down and finish.

MP3 DEMOS: 2 demos below of the same track, Demo 1 is the intro 1st verse and Demo 2 is how the track builds for the rest of the track.
GF274. THE ROSE - D demo 1

GF274 THE ROSE - D demo 2

key - D - range - A to A (B optional top note)

Epic, Cinematic, choir included and Huge! A fresh take on the huge Bette Midler hit, something very different to help you stand out from the crowd! Same arrangement as GF273 except a full tone higher.

THE ROSE key F 3:27
2 bar piano intro, piano only first verse, drums kick in, 2 bars between verses, no solo, slow down for the last line and finish.

MP3 DEMOS: 2 demos below of the same track, Demo 1 is the intro and piano only and Demo 2 is how the track builds for the last verse.
GF29. THE ROSE - F demo 1

GF29. THE ROSE - F demo 2
key - F - range - C to C
An Original Livetrak arrangement of the Bette Midler hit. Suitable for high female range and lower Male ranges.

THE WAY WE WERE key F 4:36
4 bar intro and vocal in at 14 seconds, vocal through the song - no solo - at 2:42 the vocal goes back to "could it be that it was all so simple then...", continue through, build, repeat the last line twice and finish.

GF444. THE WAY WE WERE - F orchestral
key - F - vocal range - F to Bb
Stunning song by Alan and Marilyn Bergman, and Marvin Hamlisch from the movie of the same name and it scored a massive hit for Barbra Streisand, although I love the Gladys Knight version. Wonderful orchestral arrangement with that special 70's vibe.

THE WINNER TAKES IT ALL key Db 4:04
Same form as the original Abba version.

MP3 DEMO:
GF117. THE WINNER TAKES IT ALL - Db Pianotrak
key - Db - vocal range - Eb to Ab
Lovely piano only arrangement of the ABBA hit; in a lower key.

THERE YOU'LL BE key Ab 3:36
4 bar intro and vocal in at 14 seconds, vocal through as per the original Faith Hill form, in the original key.

MP3 DEMO:
GF488. THERE YOU'LL BE - Ab
key - Ab - vocal range - Ab to Eb
Stunning 2nd version of this wonderful song from the movie "Pearl Harbor". Written by Diane Warren, this scored a huge hit for Faith Hill. Here's a bigger arrangement, drums added, nice bass lines, superb string lines and epic choir. So, if you've got the vocal chops then here's a great track for a great vocal!

THERE YOU'LL BE key Ab 3:41
4 bar intro and vocal in at 15 seconds, continue through as per the original Faith Hill form and in the original key.

MP3 DEMO:
GF338. THERE YOU'LL BE - Ab orchestral
key - Ab - range - Ab to Eb
Gorgeous orchestral arrangement of the Faith Hill hit song from the movie "Pearl Harbor", in the original key.

THESE BOOTS WERE MADE FOR WALKING key E 2:42
8 bar intro, vocal in at 11 seconds, continue through as per the original Nancy Sinatra version, same form with a definite ending and in the original key.

MP3 DEMO:
GF264. THESE BOOTS WERE MADE FOR WALKING - E
key - E - range - E to E (original key)
Very similar arrangement to the original Nancy Sinatra version, with full brass lines included (not on the intro and verse demo).

THINK key Ab to A 2:26
4 bar intro and vocal in at 10 secs, continue thru as per the Aretha version, key change at 58 secs, continue, ad lib the ending and at 2:15 sing "you had better stop and think about it  (pause) THINK!

MP3 DEMO:
GF134. THINK
key - Ab to A - vocal range - Ab to E (a full tone lower than the Aretha original version)
A cool fresh arrangement of the iconic Aretha song - brighter in tempo but keeping to the same form and adding the cool ending used in the "Blues Brothers" movie version - best of both worlds!

THINK TWICE key D 4:51
4 bar intro and vocal in at 17 seconds, continue through as per the original Celine Dion form (you can leave out the "no no no no" part because that 2nd stop is not included), and finish with a definite finish on the Bm.

MP3 DEMO:
GF407. THINK TWICE - D
key - D - vocal range - G to B (optional D)
A fresh take on the massive Celine Dion hit, in a much more manageable female key, 3 semitones lower than the original key.

THIS IS THE MOMENT key Bb to B 4:34
3 bar intro and vocal in at 11 seconds, vocal through the full song, key change included for the last verse.

MP3 DEMO:
GF431. THIS IS THE MOMENT - Bb to B
key - Bb to B - vocal range - F to C# (optional D)
Superb orchestral arrangement of this gem from the musical "Jekyll and Hyde".

THROUGH THE FIRE key G (Em) 4:34
4 bar intro, vocal thru as per original form, ad lib ending and dead stop - "through the fire!"

MP3 DEMO:
GF74. THROUGH THE FIRE
key - G (Em) vocal range - G to D (huge range)
Great song which proved a big hit for Chaka Khan. Cool arrangement!

TO EACH HIS OWN key Gb 3:08
Same form as the original Faith Hope and Charity version but with a definite ending.

MP3 DEMO:
GF241. TO EACH HIS OWN (Faith Hope and Charity)
key - Gb - range - original key
An early US disco favourite by group Faith Hope and Charity back in 1975.

TO MAKE YOU FEEL MY LOVE key Bb 3:52
8 bar intro; vocal thru - same key and form as the Adele version - short piano solo and vocal back in at the bridge section; continue; repeat the last line and finish.

MP3 DEMO:
GF101. TO MAKE YOU FEEL MY LOVE - Bb Pianotrak
key - Bb - vocal range - A to Bb
Another version of this lovely Bob Dylan song, in the same key as the Adele version. Lovely Pianotrak intimacy!

TO MAKE YOU FEEL MY LOVE key C 3:48
8 bar intro, vocal through, short piano solo, vocal back in at "the storms are raging on the rolling sea..", continue and finish.

MP3 DEMO:
GF116. TO MAKE YOU FEEL MY LOVE - C
key - C - vocal range - B to C
Livetrak arrangement of this hugely popular Bob Dylan song; slower in tempo.

TO MAKE YOU FEEL MY LOVE key C 3:48
8 bar intro, vocal in at 26 secs, continue thru as per the Adele version form.

MP3 DEMO:
GF166. TO MAKE YOU FEEL MY LOVE - C Pianotrak
key - C - vocal range - B to C
Very lovely piano only arrangement, a full tone up from the Adele key.

TO MAKE YOU FEEL MY LOVE key G 3:57
8 bar intro; vocal thru - same form as the Adele version - short piano solo and vocal back in at the bridge section; continue; repeat the last line and finish.

MP3 DEMO:
GF99. TO MAKE YOU FEEL MY LOVE - G Pianotrak
key - G - vocal range - F# to G (suit lower range female)
Lovely ballad, written by Bob Dylan, and covered by Adele and Garth Brooks...
Intimate Pianotrak arrangement.

TO MAKE YOU FEEL MY LOVE key G 3:46
8 bar intro; vocal thru - same form as the Adele version - short piano solo and vocal back in at the bridge section; continue; repeat the last line and finish.

MP3 DEMO:
GF100. TO MAKE YOU FEEL MY LOVE version 2 - G Pianotrak
key -  G - vocal range - key - G - range - F# to G (suit lower range female)
Great Bob Dylan ballad.
Version 2, this time recorded live direct to audio, with a brighter tempo and more rubato than version 1.

TO SIR WITH LOVE key F 3:26
4 bar intro and vocal in at 12 secs, continue thru  - no solo - double chorus, outro and finish.

MP3 DEMO:
GF141. TO SIR WITH LOVE (Livetrak) - F
key - F - vocal range - E to F
Cool Livetrak "band" arrangement, more in keeping with the original style of the Lulu hit, but in a lower key.

TORN key F 4:04
4 bar intro and vocal in 12 seconds, continue through as per the original Natalie Imbruglia version form, with a definite ending. Original key.

MP3 DEMO:
GF204. TORN - F
key - F - vocal range - F to Bb
Fabulously fresh arrangement of the massive Natalie Imbruglia hit. The breakdown bridge section has some great band hits and fills!

TWO OUT OF THREE AIN'T BAD key A 5:29
4 bar intro and vocal in at 12 seconds, continue through as per the Meatloaf form and same key.

MP3 DEMO:
GF346. TWO OUT OF THREE AIN'T BAD - A
key - A - vocal range - A to B
Fantastic and fresh full band arrangement of the Meatloaf classic hit.

TWO OUT OF THREE AIN'T BAD key A 5:29
4 bar intro and vocal in at 12 seconds, continue through as per the Meatloaf form and same key.

MP3 DEMO:
GF344. TWO OUT OF THREE AIN'T BAD - A Piano
key - A - vocal range - A to B
The Meatloaf classic hit in a piano only arrangement.

UNCHAINED MELODY key Eb 3:37
2 bar intro, vocal thru as per original form.

MP3 DEMO:
GF43. UNCHAINED MELODY - Eb
Key - Eb - vocal range - G to Bb
Classic Righteous Brothers hit. This Original Livetrak arrangement keeps to the 12/8 feel.

UNTIL YOU COME BACK TO ME  key G 4:08
4 bar intro and vocal in at 9 secs, continue thru the song - no solo - vocal back to the bridge section ("living for you my dear..") at 2:35, continue, repeat the last line 3 times - "'til you come back to me.....that's what I'm gonna do.." and finish.

MP3 DEMO:
GF128. UNTIL YOU COME BACK TO ME - G
key - G - vocal range - G to A (optional Bb)
Great song, co written and sung by Stevie Wonder, that gave a massive top 10 hit for Aretha Franklin in the early 70's.
Here's my arrangement of it, in a more manageable female key.

VINCENT key C 5:02
4 bar intro and vocal in at 11 seconds, continue through the original form - stays in tempo all the way.

MP3 DEMO:
GF423. VINCENT - C Acoustic Guitar
key - C - vocal range - G to A
Wonderful song from Don McLean in a superb Acoustic Guitar arrangement. Stays in tempo all the way and lots of movement in the picking and strums. The guitar plugin used is Orangetree's Steel Strings.

VINCENT key C 4:43
4 bar intro then thru as per the same form as the original.

MP3 DEMO:
GF78. VINCENT - C Pianotrak
key - C - vocal range - G to A
2015 Pianotrak arrangement of this really lovely song by Don Maclean.
Very much "tell the story" as opposed to just singing it. Lots of rubato and slight tempo changes but it's easy to catch if you think about how you'd say it, rather than sing it... You'll see what I mean once you hear the demo....

WALK ON BY key C (first chord and implied key is Em) 3:13
8 bar intro; vocal thru as per ; string instr break ; vocal back in with "walk on by......walk on by...." ;etc. Same form as the hit version jsut a different feel.

MP3 DEMO:
GF107. WALK ON BY - Em
key - C - vocal range - E to A
Cool Livetrak contemporary arrangement of this Bacharach and David song.

WALK ON BY key Db (first chord and implied key is Fm) 2:50
4 bar intro, vocal thru as per original form - ad lib ending and finish.

MP3 DEMO:
GF18. WALK ON BY
key - Db - vocal range - F to Bb
Fantastic new version of the Hal David and Burt Bacharach gem.

WALKING ON SUNSHINE key Bb 3:13
8 bar intro and vocal in at 12 seconds, vocal through as per the original Katrina and the Waves form, in the original key.
At 3:05 finish with "and don't it feel good!".

MP3 DEMO:
GF455. WALKING ON SUNSHINE - Bb
key - Bb - vocal range - G to C (optional D)
A huge hit for Katrina and the Waves back in 1985 and such a popular feel good song for every generation. Here's a fresh arrangement, in the original key, bright and super punchy.

WASN'T IT GOOD key D 4:36
5 bar intro and vocal in at 20 seconds, continue through as per the original Tina Arena album version, at the very end (3:36) the track goes through the 4 bar groove section 3 times and finishes on Bm.

MP3 DEMO:
GF306. WASN'T IT GOOD - D Pianotrak
key - D - range - A to D
Wonderful ballad from Tina Arena's wonderful 1994 Don't Ask album, really gorgeous song and it works so well as a piano only arrangement. Original key.

WATERS OF MARCH key B 3:57
Cover version of the classic Sergio Mendes hit.

MP3 DEMO:
GF98. WATERS OF MARCH
key - B - vocal range - B to B
Cover arrangement of the classic Sergio Mendes tune. This version is from the "Brasil '88" album.

WE CAN BE KIND key A to Bb 4:42
8 bar intro and vocal in at 19 seconds, continue through as per the Nancy LaMott form and keys.

MP3 DEMO:
GF374. WE CAN BE KIND - A to Bb Piano
key - A to Bb - vocal range - F# to C
Gorgeous song from David Friedman, with a superb version by Nancy LaMott.
Here's a wonderful piano only arrangement in the LaMott keys, key change included.

WE'RE ALL ALONE key A 3:30
2 bar intro and vocal in at 9 seconds, continue through, chorus at 1:08, "once a story's told" at 1:40, continue through, chorus from 2:08 with the tag section ("all's forgotten now... my love..."), repeat the chorus at 2:42, at 3:02 finish with "learn how to pretend.....".

GF236. WE'RE ALL ALONE - A
key - A - vocal range - (optional E) A to C#
Gorgeous orchestral arrangement of the classic Boz Scaggs song, big hit for him and for Rita Coolidge.
Same arrangement as GF235 except a full tone higher.

WE'RE ALL ALONE key A 3:30
2 bar intro and vocal in at 8 seconds, continue through, chorus at 1:08, "once a story's told" at 1:40, continue through, chorus with the tag section ("all's forgotten now... my love...") from 2:08, repeat the chorus at 2:42, at 3:02 finish with "learn how to pretend.....".

MP3 DEMO:
GF234. WE'RE ALL ALONE - A Pianotrak
key - A - vocal range - (optional E) A to C#
Superlative song from Boz Scaggs, big hit for him and for Rita Coolidge. Here's a wonderful piano only arrangement.
Same arrangement as GF232 except a full tone higher.

WE'RE ALL ALONE key F 3:30
2 bar intro and vocal in at 8 seconds, continue through, chorus at 1:08, "once a story's told" at 1:40, continue through, chorus with the tag section ("all's forgotten now... my love...") from 2:08, repeat the chorus at 2:42, at 3:02 finish with "learn how to pretend.....".

MP3 DEMO:
GF233. WE'RE ALL ALONE - F Pianotrak
key - F - vocal range - (optional C) F to A
Superlative song from Boz Scaggs, big hit for him and for Rita Coolidge. Here's a wonderful piano only arrangement.
Same arrangement as GF232 except a full tone lower.

WE'RE ALL ALONE key G 3:30
2 bar intro and vocal in at 9 seconds, continue through, chorus at 1:08, "once a story's told" at 1:40, continue through, chorus from 2:08 with the tag section ("all's forgotten now... my love..."), repeat the chorus at 2:42, at 3:02 finish with "learn how to pretend.....".

GF235. WE'RE ALL ALONE - G
key - G - vocal range - (optional D) G to B
Gorgeous orchestral arrangement of the classic Boz Scaggs song, big hit for him and for Rita Coolidge.
 

WE'RE ALL ALONE key G 3:30
2 bar intro and vocal in at 8 seconds, continue through, chorus at 1:08, "once a story's told" at 1:40, continue through, chorus with the tag section ("all's forgotten now... my love...") from 2:08, repeat the chorus at 2:42, at 3:02 finish with "learn how to pretend.....".

MP3 DEMO:
GF232. WE'RE ALL ALONE - G Pianotrak
key - G - vocal range - (optiona D) G to B
Superlative song from Boz Scaggs, big hit for him and for Rita Coolidge. Here's a wonderful piano only arrangement in the original Rita Coolidge key.

WE'VE GOT TONIGHT key C 4:33
Same form as the original Bob Seger version, in a female key.

MP3 DEMO:
GF103. WE'VE GOT TONIGHT - C
key - C - vocal range - G to Bb
Great song that scored a massive hit for Bob Seger,  Kenny Rodgers and Sheena Easton and a few others.
This cool LIVETRAK arrangement demo starts as the whole "band" kicks in....

WE'VE GOT TONIGHT key C 4:59
4 bar intro, vocal in at 15 seconds, continue through as per the original Bob Seger form.

MP3 DEMO:
GF425. WE'VE GOT TONIGHT - C
key - C - vocal range - G to Bb
Superb 2022 arrangement with the "band" right in with the vocal. Sticks to the original Seger form.

WHAT I'VE GOT IN MIND key F 2:52
Based on the original Billie Jo Spears version form and same key.

MP3 DEMO:
GF356. WHAT I'VE GOT IN MIND - F
key - F - vocal range - F to Bb
Classic country hit for Billie Jo Spears in 1976. Based on the original version.

WHAT'S GOING ON key G 3:58
8 bar intro and vocal in at 21 secs, continue thru, synth solo at 1:51, vocal back in at 2:34 with "mother mother, everybody thinks we're wrong....", continue thru - at 3:22 4 times "what's going on" and finish.

MP3 DEMO:
GF178. WHAT'S GOING ON - G
key - G - vocal range - G to B
Exceptional 80's swing funk feel to this new uber-cool arrangement of the classic Marvin Gaye song!

WHEN YOUR LIFE WAS LOW key A 5:38
Same form, feel and tempo as the LaLa Hathaway and Joe Sample version.

MP3 DEMO:
GF136. WHEN YOUR LIFE WAS LOW
key - A (original key) - vocal range - F# to B
Wonderful ballad, this version is based on the wonderful LaLa Hathaway and Joe Sample version, from their album "The Song Lives On". A very favourite song of mine!

WHENEVER YOU COME AROUND key B 4:12
Same form as the Vince Gill version, in a female key.

MP3 DEMO:
GF104. WHENEVER YOU COME AROUND - B
key - B - range - F# to G#
Great song from Vince Gill, in a fresh arrangement plus light strings.

WHERE DO BROKEN HEARTS GO key D to Eb 4:49
3 bar intro and vocal in at 12 seconds, vocal through as per the Whitney Houston original keys (key change after the bridge section) and form.

MP3 DEMO:
GF329. WHERE DO BROKEN HEARTS GO - D Pianotrak
key - D to Eb - range - A to D
Gorgeous piano only arrangement of the Whitney Houston ballad from her second album, in the original keys.

WHERE DO BROKEN HEARTS GO? key D to Eb 4:25
format same as per original except it's all uptempo!!!

MP3 DEMO:
GF58. WHERE DO BROKEN HEARTS GO?
key - D to Eb ( cover key) - vocal range - A to D (option Eb)
Fabulous and fresh uptempo arrangement of the classic Whitney Houston song with some tasty chord changes thrown in!

WHO'S CRYING NOW key Bm 4:31
8 bar intro, vocal thru as per the form (verse/chorus twice), bridge section, guitar solo, vocal back in for double chorus and finish.

MP3 DEMO:
GF81. WHO'S CRYING NOW
key - Bm - vocal range - B to D (suit higher female range)
Great song! Big hit for Journey but this cool version is based on Randy Crawford's.

WILL YOU STILL LOVE ME TOMORROW key C to Db 4:20
4 bar intro ; vocal thru ; no solo - back to " tonight with words..." ; key change and last verse ; repeat last line and finish.

MP3 DEMO:
GF42. WILL YOU STILL LOVE ME TOMORROW
key - C to Db - vocal range - A to Bb
This popular 60's classic is given a reworked, classy and slower Realtrak arrangement with a cool key change for the very last verse.

WILL YOU STILL LOVE ME TOMORROW key Bb 4:21
4 bar intro, vocal in at 9 secs, vocal thru - no solo - at 2:32 go back to "tonight with words unspoken...", continue thru, repeat the last line 3 times and finish.

MP3 DEMO:
GF157. WILL YOU STILL LOVE ME TOMORROW - Bb
key - Bb - vocal range - G to G 
Another lovely Livetrak arrangement of this popular Carole King song. Here's a more laidback take on it....

WITHOUT YOU key F 3:37
2 bar intro and vocal in at 7 seconds, continue through, 2/4 bar at 1:44 and vocal back in at 1:45 with "no I can't forget..", continue and build the vocal, chorus from 2:18, continue, repeat the chorus again from 2:49, continue and finish.

MP3 DEMO:
GF348. WITHOUT YOU - F orchestral
key - F - vocal range - D to Bb (huge vocal range)
Wonderful orchestral arrangement of the Harry Nilsson hit.

WITHOUT YOU key F 3:38
2 bar intro and vocal in at 7 seconds, continue through as per the Nillson form, repeat the chorus again at 2:47 and finish.

MP3 DEMO:
GF350. WITHOUT YOU - F Piano
key - F - vocal range - D to Bb
Wonderful piano only arrangement of the superb Nilsson hit that also scored a massive hit for Mariah Carey. The track builds in intensity as the song builds.

WORKING MAN key Db to D 4:49
4 bar intro and thru as per the original form with a key change for the last chorus, repeat the last line and finish.

MP3 DEMO:
GF123. WORKING MAN - Db to D
key - Db to D - vocal range - Ab to A
Lovely arrangement of the Rita McNeil hit, in a lower key. Key change for the very last time chorus.

YES (Merry Clayton) key Bb (chorus in C) 2:56
8 bar intro and vocal in at 12 seconds, continue as per the original Merry Clayton form, original key.

MP3 DEMO:
GF457.  YES - Bb Merry Clayton
key - Bb (chorus in C) - vocal range - Bb to C (optional Db ad libs)
Superb song from the movie "Dirty Dancing". Here's a fresh arrangement in the original key.

YESTERDAY ONCE MORE key - E to F 4:26
4 bar intro and vocal in at 9 seconds, vocal through as per the Carpenters version except at 3:13 there is a key change for a full  chorus reprise, so at 3:39 continue singing "all my best memories....." to the end of the chorus, from 3:55 repeat the last line "it's yesterday once more" 3 times and finish.

MP3 DEMO:
GF218. YESTERDAY ONCE MORE
key - E to F - vocal range - E to A
Wonderful Carpenters hit in a gorgeous orchestral arrangement. Original key.

YOU AND I key Bb 4:11
4 bar intro ; then as per the Stevie version - 4 bar break between verses - the ending is based on the ending of "Overjoyed".It's just a matter of phrasing with the 'band" and finishing on the same last note.

MP3 DEMO:
GF31. YOU AND I - Bb
key - Bb - vocal range - F to D
Stevie Wonder at his ballad best! An incredible song for any incredible singer with the range to sing it. Checkout the demo. I've given it a nice groove and a cool Realtrak arrangement.

YOU AND ME AGAINST THE WORLD key A 3:10
Based on the Helen Reddy version, same key.

MP3 DEMO:
GF409. YOU AND ME AGAINST THE WORLD - A
key - A - vocal range - F# to A
Arrangement based on the Helen Reddy version of this Paul Williams song.

YOU ARE THE SUNSHINE OF MY LIFE key C to Db 3:08
8 bar intro, vocal in at 15 seconds, continue through the full song - no solo, at 2:38 repeat "forever you'll stay in my heart..", and again at 2:46 and let the outro finish.

MP3 DEMO:
GF283. YOU ARE THE SUNSHINE OF MY LIFE - C to Db smooth
key - C to Db - range - E to A (optional Bb)
Cool groove and smooth arrangement of the iconic Stevie Wonder gem, timeless 80's inspired electric piano, kicking funky bass and a solid driving kit!

YOU CAN'T HURRY LOVE key G 3:30
Check out the Acoustic version that the track is based on : https://www.youtube.com/watch?v=G5eu7G6DvD0
4 bar intro and vocal in at 15 seconds with "I need love love .....to ease my mind..", continue and 1 bar guitar hit count in at 31 seconds to get you into tempo, continue through in tempo, slows down again after "causes my heart to break..." for a REPEAT of the 1st verse again at 1:41 and 1 bar guitar hit count in at 1:55, into tempo again ("you can't hurry love....... ") and continue through again and slow down after "cause my heart to break..." and back to 1st verse again at 3:04 and finish with "my mama said.......".

MP3 DEMO:
GF439. YOU CAN'T HURRY LOVE - G
key - G - vocal range - E to G
The classic Motown hit in an arrangement based on an Acoustic version by Sara Ciancetta on YouTube, where the form is a bit mixed up and repetitive but if you follow my notes it works perfectly and the overall vibe and feel is great.
I have extended the form to lengthen the track - basically twice through the Sara Ciancetta version and finish with the 1st verse again and slow the last line down.

YOU DON'T BRING ME FLOWERS key C 3:54
intro and vocal in at 12 secs, continue thru as per the original form.

MP3 DEMO:
GF165. YOU DON'T BRING ME FLOWERS - C
key - C - vocal range - G to C
Lovely song that scored a massive hit for Barbra Streisand and Neil Diamond. Here's a gorgeous piano only arrangement, loosely based on a version by Sissel on youtube.

YOU MIGHT NEED SOMEBODY key Em 3:34
4 bar intro (shorter than original), vocal thru as per original, ad lib ending then finish with "you might need somebody too!" ( phrase with the Brass section).

MP3 DEMO:
GF38. YOU MIGHT NEED SOMEBODY
key - Em - vocal range - A to C. Would also suit low range male.
An Original Livetrak arrangement of this wonderful Randy Crawford gem.

YOU NEVER CAN TELL (C'EST LA VIE) key G 2:44
2 bar intro and vocal in at 3 secs, vocal thru, piano solo at 1:17, vocal back in at 1:42, repeat the first verse at 2:07 and finish.

MP3 DEMO:
GF158. YOU NEVER CAN TELL (C'est La Vie) - G
key - G - vocal range - A to G (optional B)
Chuck Berry song that was a surprise hit in the movie "Pulp Fiction".

YOU REALLY GOT A HOLD ON ME key C 3:34
Same form, key and feel as the Sheryl Crow and Smokey Robinson live version.

MP3 DEMO:
GF138. YOU REALLY GOT A HOLD ON ME - C
key - C - vocal range - G to A (optional C)
Really cool duet version of the classic Motown tune.
Based on the Sheryl Crow and Smokey Robinson live version, same key and form.

YOU'RE THE BEST THING THAT EVER HAPPENED TO ME key A to B 4:27
4 bar intro; vocal thru all the way as per the original.

MP3 DEMO:
GF110. YOU'RE THE BEST THING THAT EVER HAPPENED TO ME
key - A to B - vocal range - A to C#
Gladys Knight and her Pips scored a massive hit with this great song.
Fresh arrangement to boot!

YOU'RE THE BEST THING THAT EVER HAPPENED TO ME key G to A 4:28
4 bar intro and vocal in at 11 seconds, vocal through as per the Gladys Knight version, key change included.

GF268. YOU'RE THE BEST THING THAT EVER HAPPENED TO ME - G to A
key - G to A - vocal range - G to B
The wonderful Gladys Knight and the Pips hit song in a 2018 updated arrangement.
Same arrangement as GF110 except a full tone lower.
 

YOU'VE GOT A FRIEND key G 4:01
4 bar intro; vocal thru as per the original form; no solo; ad lib ending and finish.

MP3 DEMO:
GF5. YOU'VE GOT A FRIEND
key - Em (G) - vocal range - G to B
Groovy and funky arrangement of this classic tune, sung by James Taylor, Carol King; the Brand New Heavies to name just a few.

YOU'VE GOT TO GIVE ME ROOM key C 4:27
Form as per Oleta Adams version.

MP3 DEMO:
GF7. YOU'VE GOT TO GIVE ME ROOM
key - C - original key
From Oleta Adams' first album. A wonderful ballad great lyrics - a great womans' song.

YOUNG HEARTS RUN FREE key Eb 4:15
4 bar intro ; vocal thru as per original format - double full chorus at the end and finish.

MP3 DEMO:
GF63. YOUNG HEARTS RUN FREE
key - Eb - vocal range - Bb to C
Great new arrangement of this classic disco tune by Candi Staton, in a more manageable key, (the original is in F).