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Male Backing Track Downloads

MALE swing, jazz, standards, latin based, Big Band, Trio backing tracks, even Pop based songs but in a jazz or swing arrangement, in Alphabetical order or use the Search box.

Male Backing Track Downloads
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AUTUMN LEAVES key Em 3:42
8 bar intro ; vocal thru TWICE ; trombone solo ; vocal back in at "since you went away.... the days grow long.." ; continue ; repeat last line 3 times and finish.

MP3 DEMO:
M405. AUTUMN LEAVES - Em
key - Em - vocal range - B to D
New Realtrak Bossa arrangement of this popular classic ; in a general male key.

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AUTUMN LEAVES key F#m 2:56
4 bar intro and vocalin at 9 secs, continue thru, very short orchestra break at 1:45 from the bridge, vocal back in at "and soon I'll hear......old winter's song......", continue thru, rall the last line and finish.

MP3 DEMO:
M1032. AUTUMN LEAVES - F#m
key - F#m (Gbm) - vocal range - C# to E
Very lovely arrangement, loosely based on a version by Dorothy Squires, but in a male key.

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AUTUMN LEAVES key Gm 4:13
Orchestra and piano intro with vocal in at 20 seconds, through the song slowly, at 1:56 there is a 4 bar intro and the vocal comes in at 2:01,  through the song again, short piano solo at 2:56, vocal back in at 3:24 with “since you went away….”, continue, 2 time tag; rall and finish. There are 2 short demos you can listen to, one is the intro and slower start and the other is going into the mid tempo swing.
Note - it is not 2 separate tracks.

MP3 DEMOS:
M721. AUTUMN LEAVES - Gm
key - Gm - vocal range - D to F 
Really nice arrangement for higher male ranges - intro and then through the first time very slow and moody - easy to catch:
DEMO 1
then into a mid tempo swing:
DEMO 2

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AVE MARIA key Eb 3:34
4 bar 12/8 intro and vocal in at 18 seconds, vocal through all the way.

MP3 DEMO:
M1604. AVE MARIA - Eb
key - Eb - vocal range - Bb to Bb
Loosely based on the Michael Buble version from his 'Christmas' album, but stays pretty much in tempo all the way.
Same arrangement as M1603 except a full tone lower.

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AVE MARIA key F 3:34
4 bar 12/8 intro and vocal in at 18 seconds, vocal through all the way.

MP3 DEMO:
M1603. AVE MARIA - F
key - F - vocal range - C to C
Loosely based on the Michael Buble version from his 'Christmas' album, in the same key but stays pretty much in tempo all the way.

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BABY O key A to Bb to B 3:02
4 bar intro, vocal in at 6 secs, continue thru the same form as the Dean Martin version and similar ending.

MP3 DEMO:
M901. BABY O
key - A to Bb to B - vocal range - A to D#
Corny Dean Martin hit - same form, keys and tempo and nice QUINTET instrumentation.

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BABY WON'T YOU PLEASE COME HOME key Ab 3:02
4 bar intro and vocal in at 12 seconds, vocal thru TWICE, short piano solo at 1:55, vocal back in at  2:20 with "when you left you broke my heart.....", continue, tag the last line and finish.

MP3 DEMO:
M508. BABY WON'T YOU PLEASE COME HOME Ab Pianotrak 2017
key - Ab - vocal range - F to C 
Great blues based song that works so well in this intimate 2017 Piano only arrangement. Singers include Sinatra,  Cab Calloway, Ella, Bessie Smith and loads of others.

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BABY WON'T YOU PLEASE COME HOME key Bb 3:06
4 bar intro and vocal in at 12 seconds, vocal thru TWICE, short piano solo at 1:55, vocal back in at  2:20 with "when you left you broke my heart.....", continue, tag the last line and finish.

MP3 DEMO:
M1426. BABY WON'T YOU PLEASE COME HOME Bb Pianotrak
key - Bb - vocal range - G to D
Great blues based song that works so well in this intimate 2017 Piano only arrangement. Singers include Sinatra,  Cab Calloway, Ella, Bessie Smith and loads of others.
Same arrangement as M508 2017 except a full tone higher.

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BABYFACE key C 2:23
8 bar intro; vocal thru twice; piano solo; vocal back in at "babyface....... I'm up in heaven when I'm in your.."; continue and repeat "I didn't need a shove 'cos I just fell in love with your pretty baby face..." and finish.

MP3 DEMO:
M814. BABYFACE
key - C - vocal range - D to D 
Swinging Trio arrangement of the great Al Jolson hit. I love the Bobby Darin version!

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BAD BAD BOY key G 3:48
4 bar intro and vocal in at 8 secs, thru the 12 bar sequence - suitable for any 12 bar.. Available with the solo removed.

MP3 DEMO:
M1176. BAD BAD BOY (12 bar blues)
key - G - vocal range - G to G
Written and performed by Rod Piazza, a 12 bar blues, so it's suitable for any 12 bar, just check the key and range.
Here's the Rod Piazza live version that my version's form is based on: https://www.youtube.com/watch?v=NemdUNpyFF4

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BAD BAD LEROY BROWN key G to Ab to A 3:18
8 bar intro ; vocal thru 1st verse and chorus ; straight into 2nd verse and chorus ; instrumental break and key change ; 3rd verse and chorus ; key change and straight into last verse and DOUBLE chorus (no tag!) and finish.

MP3 DEMO:
M586. BAD BAD LEROY BROWN
keys - G to Ab to A - vocal range - D to E
The Sinatra version ( the arrangement!!!) is really cool and this track is loosely based on it with an ADDED key change for the last verse and chorus.

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BASIN STREET BLUES key Bb 4:14
4 bar intro, vocal in at 12 secs with the verse, into the main theme at 58 secs and sing twice, piano solo at 2:29, vocal back in at 2:53 with "glad to be.... yes siree..., continue, back to the verse - "won't you come along with me" at 3:14, rall the last line and finish.

MP3 DEMO:
M1036. BASIN STREET BLUES
key - Bb - vocal range - Bb to C
Great old gem covered by all the greats! This very cool Quartet arrangement includes the verse, and ends again with the verse!

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BAUBLES ,BANGLES AND BEADS Key D 2:30
Loosely based on the Sinatra version.
12 bar intro ; vocal through - no solo - vocal back to " you'll glitter and gleam...." continue ; repeat " wearing baubles, bangles and beads.." and finish.

MP3 DEMO:
M352. BAUBLES  BANGLES AND BEADS
key - D - vocal range - A to Bb ( low male range and suitable for higher range female vocal).
Great Realtrak take on the Sinatra Bossa arrangement of this quirky tune.

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BE GOOD (LION'S SONG) key Ab 4:04
4 bar intro and vocal in at 8 seconds, continue through - no solo - at 2:27 back to "be good, is her name......", continue through and finish as per the Gregory Porter album version.

MP3 DEMO:
M1918. BE GOOD (LION'S SONG) - Ab Piano
key - Ab - range - G to F
Gregory Porter song from the album "Be Good". Here's a piano only arrangement. Same arrangement as M1917 except a full tone lower.

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BE GOOD (LION'S SONG) key Bb 4:04
4 bar intro and vocal in at 8 seconds, continue through - no solo - at 2:27 back to "be good, is her name......", continue through and finish as per the Gregory Porter album version.

MP3 DEMO:
M1917. BE GOOD (LION'S SONG) - Bb Piano
key - Bb - range - A to G
Gregory Porter song from the album "Be Good". Here's a piano only arrangement in the original key.

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BE MY LOVE key G 2:52
8 bar intro ; vocal thru ; strings & piano solo ; vocal back in at " be my love... and with your kisses...." ; continue ; no rall and no tag - simply end with the last line.

MP3 DEMO:
M360. BE MY LOVE
key - G - vocal range - B to D
This wonderful song scored a huge hit for Mario Lanza. Nice Livetrak arrangement.

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BECAUSE OF YOU key Eb 3:04
piano cue - vocal pickup and into tempo ; continue ; solo ; vocal back in at " I only live ..for your love.." ; continue ; rall the last line and finish.

MP3 DEMO:
M127. BECAUSE OF YOU
key - Eb - vocal range - C to Eb
Tony Bennett had a hit with this fabulous ballad. An Original Livetrak arrangement.

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BECAUSE OF YOU key D to Eb 2:32
5 bar intro and vocal in at 10 secs with "because of you"... , continue thru as per the James Darren version , same key and form.

MP3 DEMO:
M1273. BECAUSE OF YOU swing
key - D to Eb - vocal range - B to Eb (optional Gb)
Based on the James Darren version from his album "This One's From The Heart".

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BECAUSE YOU'RE MINE key C 2:52
intro and vocal in at 12 secs, vocals thru, piano solo at 1:15, vocal back in at 1:53, continue thru, at 2:21 when you sing "applause.... hold until 2:23 and then sing "because(2:23,2:24).......... you're(2:25,2:26)........... mine" and finish.

MP3 DEMO:
M938. BECAUSE YOU'RE MINE - C
key - C - vocal range - D to E
Wonderful old 3/4 gem that is synonymous with Mario Lanza.
Here is a very cool 4/4 Bossa arrangement. Once you get your head around the tempo and the feel it works very well. It stays in tempo throughout the song - no ralls or changes in tempo

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BEGIN THE BEGUINE key Bb 3:41
8 bar intro and vocal in at 15 seconds, vocal through the full song once - no solo.

MP3 DEMO:
M1410. BEGIN THE BEGUINE - Bb
key - Bb - vocal range - Bb to Eb
The genius of Cole Porter shines again with this classic song. The Artie Shaw version is probably the best known for music fans, the Julio Iglesias version for non music fans.. Here's a lightly swinging Trio arrangement at a nice tempo, great for a vocal or instrument.
Same arrangement as M1409 except a full tone lower.

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BEGIN THE BEGUINE key C 3:41
8 bar intro and vocal in at 15 seconds, vocal through the full song once - no solo.

MP3 DEMO:
M1409. BEGIN THE BEGUINE - C
key - C - vocal range - C to F
The genius of Cole Porter shines again with this classic song. The Artie Shaw version is probably the best known for music fans, the Julio Iglesias version for non music fans.. Here's a lightly swinging Trio arrangement at a nice tempo, great for a vocal or instrument.

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BEGIN THE BEGUINE key C 5:16
8 bar intro and vocal in at 16 seconds, vocal through the full song – no solo – at 3:36 the vocal back to “so don’t let them begin…....the beguine…….let the love that was once a fire….” (bridge section) and continue, to the end – repeat “when they begin……………………the beguine” and finish.

MP3 DEMO:
M1656. BEGIN THE BEGUINE - C smooth
key - C - vocal range - Bb to F
Totally wonderful song from the pen of the incredible Cole Porter. Covered by artists old and fairly new, this arrangement is loosely based on Vic Damone's cool latin version (with a shorter intro).
Same arrangement as M587 except a full tone higher.

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BEGIN THE BEGUINE key Bb 5:15

8 bar intro; vocal through the full song – no solo – vocal back to “so don’t let them begin…..the beguine……,let the love that was once a fire….” (bridge section) and continue, to the end – repeat “when they begin……………………the beguine” and finish. To listen to a short quick demo, click on the ‘begin the beguine’ link below. Once you have listened and have a feel of this begin the beguine backing track, click add to cart. Standardstrax – your online source for quality unique backing tracks for musicians and singers.

MP3 DEMO:
M587. BEGIN THE BEGUINE Bb
key - Bb - vocal range - Ab to Eb (big range!)
Totally wonderful song from the pen of the incredible Cole Porter. Covered by artists old and fairly new, this arrangement is loosely based on Vic Damone's cool version (with a shorter intro).

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I'M BEGINNING TO SEE THE LIGHT version 1 key F 2:37
4 bar intro ; vocal thru TWICE - no solo -  repeat the last line 4 times and finish.

MP3 DEMO:
M8. I'M BEGINNING TO SEE THE LIGHT - F 2010
key - F - vocal range - B to C
nice mid tempo swinger, sung by Sinatra, Ella, Tony Bennett, Bobby Darin and many others.

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M9 I'M BEGINNING TO SEE THE LIGHT key G 2:29
4 bar intro; vocal thru TWICE - no solo - repeat the last line 4 times and finish.

MP3 DEMO:
M9. BEGINNING TO SEE THE LIGHT - G
key - G - vocal range - C# to D
A touch of blues in this Trio arrangement of this classic American standard.

 

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BELLA NOTTE version 1 key G 3:01
4 bar intro; vocal thru; piano solo; vocal back in at "so take the love..."; continue and tag the last line; rall and finish.

MP3 DEMO:
M832. BELLA NOTTE version 1
key - G - vocal range - D to D
I've always loved this wonderful gem from "The Lady and the Tramp", Written by Peggy Lee and Sonny Burke. Here's a lovely Livetrak arrangement..

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BELLA NOTTE version 2 key G 3:00
4 bar intro, vocal through, strings solo, vocal back in at "so take the love of your loved one...", continue, slow the last line and finish.

MP3 DEMO:
M833. BELLA NOTTE version 2
key - G - vocal range - D to D
A different, more contemporary, Livetrak arrangement of this gem from The Lady and the Tramp.

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BESAME MUCHO key Dm 4:21
8 bar intro, vocal thru, short acoustic guitar and string solo, vocal back in at the bridge, continue, rall and ad lib ending.

MP3 DEMO:
M372. BESAME MUCHO - Dm
key - Dm - vocal range - C# to E
Popular Bossa Nova gem in a Livetrak arrangement.

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BESAME MUCHO groove key Dm 4:14
8 bar intro; vocal thru; short piano solo; vocal back in at "Besame besame mucho.... hold me darling...." etc ; continue; repeat the last line and finish.

MP3 DEMO:
M693. BESAME MUCHO Dm smooth
key - Dm - vocal range - C# to E
Great smooth arrangement of this latin classic! 
 

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BEWITCHED BOTHERED AND BEWILDERED key Bb 5:08
chord and straight into the verse which is easy to follow ; - vocal cue on " I'm " then into tempo and thru ; solo ; vocal back in at " lost my heart...." ; continue ; rall for last line - hold last note - and finish.

MP3 DEMO:
M10. BEWITCHED BOTHERED AND BEWILDERED
key - Bb - vocal range - C to C
note - verse is included.
Superb Rodgers and Hart ballad sung by Jack Jones, Ella, Sinatra and all the best vocalists. An Original Livetrak arrangement.

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BEWITCHED BOTHERED AND BEWILDERED key Bb 3:45
4 bar intro and vocal in at 15 secs, vocal thru - no solo - at 2:24 go back to "lost my heart.. but what of it..", continue thru, rall the last line and finish.

MP3 DEMO:
M1230. BEWITCHED BOTHERED AND BEWILDERED - Bb Trio
key - Bb - vocal range - C to C (optional D)
Gorgeously dreamy TRIO arrangement of this Rodgers and Hart gem, without the verse.

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BEWITCHED BOTHERED AND BEWILDERED  key C 4:52
piano intro then vocal in with the verse - pretty straightforward and easy to follow and drum pickup and into tempo for the main song; continue thru - no solo - and back to "lost my heart... but what of it..."; continue; rall the last line and finish.

MP3 DEMO:
M670. BEWITCHED BOTHERED AND BEWILDERED - C
key - C - vocal range - D to D 
Wonderful song from the pen of Rodgers and Hart and covered by all the greats!
Lovely Trio arrangement starting with the verse. 
NOTE - The demo plays from about half way through the verse and then the tempo cue and into tempo.
 

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BEWITCHED BOTHERED AND BEWILDERED key C 2:58
4 bar intro and vocal in at 12 seconds, vocal through - no solo - at 1:45 go back to the bridge - "lost my heart.... but what of it..."; tag the last line and finish.

MP3 DEMO:
M1657. BEWITCHED BOTHERED AND BEWILDERED - C smooth
key - C - vocal range - C to D
Awesome 2018 SMOOTH re-working of this classic standard (no verse, main theme only).

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BEWITCHED BOTHERED AND BEWILDERED key C 3:45
4 bar intro and vocal in at 15 secs, vocal thru - no solo - at 2:24 go back to "lost my heart.. but what of it..", continue thru, rall the last line and finish.

MP3 DEMO:
M1231. BEWITCHED BOTHERED AND BEWILDERED - C Trio
key - C - vocal range - D to D (optional E)
Gorgeously dreamy TRIO arrangement of this Rodgers and Hart gem, without the verse. Same arrangement as M1230 except a full tone higher.

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BEWITCHED Theme key Bb to B 2:10
12 bar intro and vocal in at 13 seconds, continue through as per the Steve Lawrence version, same key change and ending.

MP3 DEMO:
M1742. BEWITCHED Theme - Bb to B
key - Bb to B - range - C to D#
Based on the wonderful Steve Lawrence version of theme tune from the classic TV series "Bewitched". Always a great singer and a great swinger, Steve Lawrence was a bit overshadowed by the big names of the day. Similar arrangement, key change and the Steve Lawrence ending.
Same arrangement as M1741 except a full tone lower.

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BEWITCHED Theme key C to Db 2:10
12 bar intro and vocal in at 13 seconds, continue through as per the Steve Lawrence version, same key, key change and ending.

MP3 DEMO:
M1741. BEWITCHED Theme - C to Db
key - C to Db - range - D to F
Based on the wonderful Steve Lawrence version of theme tune from the classic TV series "Bewitched". Always a great singer and a great swinger, Steve Lawrence was a bit overshadowed by the big names of the day. Similar arrangement, same keys, key change and the Steve Lawrence ending.
 

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BEYOND THE BLUE HORIZON key Ab 3:20
8 bar intro and vocal in at 13 seconds, vocal through twice, piano solo at 2:02, vocal back in at 2:30 with "I see a new horizon...", continue through, at 2:57 sing again "beyond the blue horizon lies a rising sun".

MP3 DEMO:
M2190. BEYOND THE BLUE HORIZON - Ab
key - Ab - vocal range - B to Eb
Lovely Quartet arrangement with light guitar fills and then rhythm guitar 2nd time through. Loosely based on the same type of arrangement as Lou Christie and other popular MOR versions (the original 1930's melody is different, as is the Nat King Cole version.

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BEYOND THE BLUE HORIZON key Gb 3:20
8 bar intro and vocal in at 13 seconds, vocal through twice, piano solo at 2:02, vocal back in at 2:30 with "I see a new horizon...", continue through, at 2:57 sing again "beyond the blue horizon lies a rising sun".

MP3 DEMO:
M2191. BEYOND THE BLUE HORIZON - Gb
key - Gb - vocal range - A to Db
Lovely Quartet arrangement with light guitar fills and then rhythm guitar 2nd time through. Loosely based on the same type of arrangement as Lou Christie and other popular MOR versions (the original 1930's melody is different, as is the Nat King Cole version. Same arrangement as M2190 except a full tone lower.

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BEYOND THE SEA key F 3:21
bass riff into 4 bar intro ; vocal thru ; short band solo over the 2nd "A" section then vocal back in at "it's far.... beyond the stars.....' ; continue ; ad lib ending and finish.

MP3 DEMO:
M496. BEYOND THE SEA
key - F - vocal range - C to E
Bobby Darin scored a huge hit with this swinging tune but I love the Geroge Benson version best! Cool Realtrak arrangement.

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BEYOND THE SEA key Eb 3:41
8 bar intro and vocal in at 17 secs, continue thru the full song, sax solo at 1:57 (over the 2nd "A" section only) and vocal back in at 2:21 with "it's far....beyond the star......", continue thru, at 3:11 repeat "and never again.... I'll go sailing.....", at 3:20 repeat "and never again...... I'll go... .........sail.............sail..............ing" and finish. Once you hear it it's easy!

M1313. BEYOND THE SEA - Eb
key - Eb - vocal range - Bb to D
Great new band and orchestra arrangement of this popular standard, the most famous versions being Charles Trenet (La Mer), Bobby Darin and George Benson.

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BIDIN' MY TIME key Bb 2:06
8 bar intro and vocal in at 8 seconds, vocal through, big band solo at 1:06, vocal back in at 1:21 with "next year....next year....", continue and finish as per the Johnny Hartman version.

MP3 DEMO:
M2407. BIDIN' MY TIME - Bb
key - Bb - vocal range - Bb to B
Superb similar arrangement to the classic Johnny Hartman version, original key.

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BIDIN' MY TIME key C 2:06
8 bar intro and vocal in at 8 seconds, vocal through, big band solo at 1:06, vocal back in at 1:21 with "next year....next year....", continue and finish as per the Johnny Hartman version.

MP3 DEMO:
M2408. BIDIN' MY TIME - C
key - C - vocal range - C to C#
Superb similar arrangement to the classic Johnny Hartman version.
Same arrangement as M2407 except a full tone higher.

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BILL BAILEY key Eb 2:34
8 bar intro; vocal thru twice; harmonica solo; vocal thru again; repeat "Bill Bailey won't you please come home".... build a la Darin! and finish.

MP3 DEMO:
M648. BILL BAILEY - Eb 
key - Eb - vocal range - Bb to C (optional Eb)
Loosely based on the hip Bobby Darin version, here's a cool vibe to this old well worn tune!

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BILL BAILEY key Eb 2:12
8 bar intro and vocal in at 12 seconds, vocal through twice - no solo, at 1:48 repeat again "i know that I'm to blame, ain't that a shame, Bill Bailey won't you please come home" and band finish.

MP3 DEMO:
M1859. BILL BAILEY - Eb Big Band
key - Eb - range - Bb to C
Superb "big band" arrangement of this timeless old standard, at a slower tempo.

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BILL BAILEY key F 2:12
8 bar intro and vocal in at 12 seconds, vocal through twice - no solo, at 1:48 repeat again "i know that I'm to blame, ain't that a shame, Bill Bailey won't you please come home" and band finish.

MP3 DEMO:
M1860. BILL BAILEY - F Big Band
key - F - range - C to D
Superb "big band" arrangement of this timeless old standard, at a slower tempo.
Same arrangement as M1859 except a full tone higher.

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BILL BAILEY key G 2:34
8 bar intro; vocal thru twice; mute trumpet solo; vocal back in at "remember that rainy evening..."; continue; repeat "I know that I'm to blame........ ain't that a shame...... Bill Bailey won't you please come home......."; please note the stops on the last line - sing thru them in tempo!

MP3 DEMO:
M640. BILL BAILEY - G
key - G - range - D to E
Hugely popular standard in a swinging Livetrak arrangement!

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BIM BAM BABY key D to Eb 2:22
4 bar intro, vocal thru as per the Sinatra version.

M892. BIM BAM BABY
key - D to Eb - vocal range - (optional A) D to Eb (optional Gb)
Very much of it's time, this cheesy take on the US rock 'n' roll 50's scene was a Sinatra album track! Try and get round these lyrics when you've had a drink or two..! I'm sure Ol Blue Eyes will be turning in his grave... laugh!

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BLACK AND GOLD key Em 3:45
8 bar intro; vocal thru - remember the 8 bars between the verses/chorus (just like the original); repeat the chorus (after the 8 bar break); phrase with the band "black and gold....... black and gold...." etc then finish - "I wanna be next to you.. black and gold ... black and gold... black and gold".

MP3 DEMO:
M641. BLACK AND GOLD (swing)
key - Em (cover key) - vocal range - D to D (F# and G optional)
This is actually a pretty cool current song by Sam Sparro - the original is great but it also works equally well as a swing thing! Livetrak trio arrangement with cool stabs and stuff. Sticks to the same form as the original.

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BLACK COFFEE key F 5:08
4 bar intro and vocal in at 17 secs, vocal thru - no solo - vocal goes back to the bridge at 3:19 ("now a man is born to love a woman...."), continue thru and finish.

MP3 DEMO:
M1122. BLACK COFFEE - F
key - F - vocal range - C to Eb
Compelling and haunting orchestral arrangement of this wonderful torch song. Done more by female singers but also covered by Sinatra, Ray Charles, Bobby Darin to name a few...

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BLAME IT ON MY YOUTH key Eb 4:39
String intro and vocal pickup ; continue; short piano solo ; vocal back in at " I believed in everything...." ; continue ; rall the last two lines and finish.

MP3 DEMO:
M333. BLAME IT ON MY YOUTH - Eb
key - Eb - vocal range - Bb to Eb
This gorgeous gem is a favourite of mine! A really lovely Livetrak arrangement.
Singers include Sammy Davis Jnr.

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BLAME IT ON THE BOSSA NOVA key F to F# 2:39
4 bar intro and vocal in at 5 secs, continue thru, short trumpet solo at 1:07, and vocal back in at the key change - 1:18, continue thru as per the Eydie Gorme version.

MP3 DEMO:
M997. BLAME IT ON THE BOSSA NOVA
key - F to F# - vocal range - C to F#
An old corny tune, very much of it's time, in a cool arrangement. A hit for Eydie Gorme and covered by loads of singers, including Cliff Richard.

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BLOWIN' IN THE WIND / BLOWING IN THE WIND key Eb 3:27
8 bar intro and vocal in at 20 seconds, vocal through 2 verses and choruses and at 3:00 repeat the last line and finish.

MP3 DEMO:
M2153. BLOWIN' IN THE WIND - Eb
key - Eb - vocal range - D to C
Gorgeous Trio plus light strings arrangement of the Bob Dylan tune, 2 verses and choruses only.
Same arrangement as M2152 except a full tone lower.

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BLOWIN' IN THE WIND / BLOWING IN THE WIND key F 3:27
8 bar intro and vocal in at 20 seconds, vocal through 2 verses and choruses and at 3:00 repeat the last line and finish.

MP3 DEMO:
M2152. BLOWIN' IN THE WIND - F
key - F - vocal range - E to D
Gorgeous Trio plus light strings arrangement of the Bob Dylan tune, 2 verses and choruses only.

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BLUE EYES key Ab 3:59
2 bar intro and vocal in at 9 seconds, continue through, the same form as the original Elton John version.

MP3 DEMO:
M1637. BLUE EYES - Ab
key - Ab - range - Ab to Eb
Lovely Trio arrangement of the Elton John hit song, same form, slightly slower and moodier sounding.
Same arrangement as M1636 except a full tone lower.

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BLUE EYES key Bb 3:59
2 bar intro and vocal in at 9 seconds, continue through, the same form as the original Elton John version, in the original key.

MP3 DEMO:
M1636. BLUE EYES - Bb
key - Bb - range - Bb to F
Lovely Trio arrangement of the Elton John hit song, same form, slightly slower and moodier sounding, in the original key.
 

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BLUE MOON key Db 3:26
4 bar intro, vocal through, solo, vocal in at "and then there suddenly appeared before...", continue, 3 time tag on the last line - rall the last time and finish.

MP3 DEMO:
M268. BLUE MOON - Db
key - Db - vocal range - Bb to Bb
Nice Original Livetrak arrangement of this popular Rodgers & Hart gem. Suitable for low male and high female ranges.

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BLUE MOON key Eb 3:22
8 bar intro ands vocal in at 19 secs, vocal thru, sax solo at 1:37, vocal back in at 1:55 (over harmonica ad libs) with "blue moon.. you knew just what I was there for..", continue, repeat the last line / ad lib and finish.

MP3 DEMO:
M1058. BLUE MOON - Eb
key - Eb - vocal range - C to C
Great arrangement, based on a reworked Vic Damone version, of this classic Rodgers and Hart gem.

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BLUE MOON key F 3:21
4 bar intro ; vocal thru ; solo ; vocal back in at " and then the're suddenly appeared...." ; continue ; repeat last line 4 times and finish.

MP3 DEMO:
M162. BLUE MOON - F
key - F - vocal range - D to D
Wonderful Rodgers and Hart song in a lovely Original Livetrak arrangement.

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BLUE SKIES key Em 1:51
8 bar intro ; vocal thru ; solo ; vocal back in at " never saw the sun shining so bright...." ; continue ; tag the last line and finish.

MP3 DEMO:
M186. BLUE SKIES
key - Em(G) - vocal range - D to Eb
An Original Livetrak arrangement of this Irving Berlin gem.

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BLUE SKIES key Dm 2:37
4 bar intro, vocal thru, band solo, vocal back in at "I never saw the sun, shining so bright...", continue and tag the last line and finish.

MP3 DEMO:
M884. BLUE SKIES - Dm
key - Dm/F - vocal range - C to Db
Fresh and laidback full band arrangement of this Irving Berlin classic. 

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BLUE SKIES key Em 2:05
4 bar intro; vocal thru; short solo; vocal back in at "never saw the sun... shining so bright..."; continue; no tag and finish.

MP3 DEMO:
M671. BLUE SKIES Em Pianotrak
key - Em - vocal range - D to Eb
Lovely 2015 intimate piano arrangement of the Irving Berlin gem.

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BLUE SKIES key Em 2:49
8 bar intro (half time feel) and vocal in at 13 seconds, vocal through twice, piano solo at 1:46, vocal back in at 2:08 with "never saw the sun....", continue and repeat the last line at 2:32 and finish.

MP3 DEMO:
M1534. BLUE SKIES - Em version 2
key - Em (G) - vocal range - D to Eb
Great version that is very loosely based on the Willie Nelson version, without the key changes and the slow half time feel at the end... This version - same key and tempo all the way!
 

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BLUE VELVET key Ab 4:10
4 bar intro and vocal in at 15 seconds, vocal through - no solo - at 2:39 the vocal goes back to "ours, a love I held tightly...", continue through, slow down the last line and finish.

MP3 DEMO:
M2070. BLUE VELVET - Ab Big Band
key - Ab - vocal range - Bb to C
Very lovely Big Band arrangement of this hit for Tony Bennett back in 1951 and again by Bobby Vinton in the early 60's.
This arrangement is more in keeping with the 50's genre, slow in tempo and some lovely horn lines and builds. 
Same arrangement as M2069 except a full tone lower.

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BLUE VELVET key Ab to A 4:08
4 bar intro; vocal thru; short sax solo over the 2nd "A" section; vocal back in at the bridge; continue; KEY CHANGE and repeat the last section - she wore blue velvet... but in my heart they'll always be..."; continue ; rall the last line and finish.

MP3 DEMO:
M819. BLUE VELVET - Ab to A
key - Ab to A - vocal range - Bb to C#
An arrangement loosely based on an updated Bobby Vinton reissue..

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BLUE VELVET key Bb 4:10
4 bar intro and vocal in at 15 seconds, vocal through - no solo - at 2:39 the vocal goes back to "ours, a love I held tightly...", continue through, slow down the last line and finish.

MP3 DEMO:
M2069. BLUE VELVET - Bb Big Band
key - Bb - vocal range - C to D
Very lovely Big Band arrangement of this hit for Tony Bennett back in 1951 and again by Bobby Vinton in the early 60's.
This arrangement is more in keeping with the 50's genre, slow in tempo and some lovely horn lines and builds. 

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BLUE VELVET key Bb 3:40
4 bar intro, vocal thru song - no solo - back to "Ours a love I held tightly", continue, rall the last line and finish.

MP3 DEMO: 
M551. BLUE VELVET Pianotrak
key - Bb - vocal range - C to D
Tony Bennett recorded a really gorgeous version of this song but the Bobby Vinton version got the airplay and became a huge hit. Here's an intimate 2015 Pianotrak arrangement, perfect for dreamy nights!

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BLUEBERRY HILL key Eb 2:51
8 bar intro ; vocal thru twice - no solo - end with a tag and repeat of "for you were my thrill..... on blueberry hill!!" - big finish.

MP3 DEMO:
M608. BLUEBERRY HILL
key - Eb - vocal range - (Bb optional melody) Eb to Eb
Fresh take on the huge Fats Domino hit. I've redone as a Livetrak bluesy swing thing, and it works great!

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BLUESETTE key G 2:41
8 bar intro and vocal in at 9 secs, vocal thru once all the way.

MP3 DEMO:
M943. BLUESETTE
key - G - vocal range - (optional A) B to E
Cool TRIO arrangement of the Toots Thielemans gem, with lyrics added by Norman Gimbel. This arrangement is suitable for a male vocal version, with no soloing at all, it's vocal all the way. Check out Mel Torme's great version.

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BODY AND SOUL key Db 3:17
4 bar intro ; vocal thru ; no solo - back to you " I can't believe it ; it's hard..." ; continue ; rall the last line and finish.

MP3 DEMO:
M89. BODY AND SOUL
key - Db - vocal range - A to Eb
One of the most loved jazz standards ever, played and sung by every great musician and vocalist.
An Original Livetrak arrangement.

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BODY AND SOUL key B 3:12
4 bar intro and vocal in at 13 seconds, vocal through the song, no solo - at 2:04 go back to the bridge "I can't believe it...", continue and finish.

MP3 DEMO:
M1428. BODY AND SOUL - B Pianotrak
key - B - vocal range - G to
D
Hugely popular standard in a 2017 Piano only arrangement.
Same arrangement as M449 2017 except a full tone lower.

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BODY AND SOUL key Bb 3:54
4 bar intro and vocal in at 17 seconds, vocal through - no solo, at 2:29 the vocal goes back to "i can't believe it.. it's hard to conceive it..." (or use the alternate lyrics), continue through, verse again at 3:02, continue through and finish in tempo.

MP3 DEMO:
M1879. BODY AND SOUL - Bb orchestral
key - Bb - range - F# to C#
Stunning orchestral arrangement of this jazz classic and iconic American standard that's been covered by every major singer.
The arrangement stays in tempo all the way. Beautiful strings, woodwinds and very subtle movement with a gorgeous muted felt piano holding the tempo together. Suitable for lower male ranges.

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BODY AND SOUL key C 3:54
4 bar intro and vocal in at 17 seconds, vocal through - no solo, at 2:29 the vocal goes back to "i can't believe it.. it's hard to conceive it..." (or use the alternate lyrics), continue through, verse again at 3:02, continue through and finish in tempo.

MP3 DEMO:
M1880. BODY AND SOUL - C orchestral
key - C - range - Ab to Eb
Stunning orchestral arrangement of this jazz classic and iconic American standard that's been covered by every major singer.
The arrangement stays in tempo all the way. Beautiful strings, woodwinds and very subtle movement with a gorgeous muted felt piano holding the tempo together. Same arrangement as M1879 except a full tone higher.

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BODY AND SOUL key Db 3:12
4 bar intro and vocal in at 13 seconds, vocal through the song, no solo - at 2:04 go back to the bridge "I can't believe it...", continue and finish.

MP3 DEMO:
M449. BODY AND SOUL Db Pianotrak 2017
key - Db - vocal range - A to E
Hugely popular standard in a 2017 Piano only arrangement.

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BODY AND SOUL version 3 key Db 3:10
4 bar intro and vocal in at 14 secs, continue thru - no solo - back to the bridge section at 1:56, continue thru, rall the last line and finish.

MP3 DEMO:
M984. BODY AND SOUL version 3
key - Db - vocal range - A to E
Lovely Livetrak orchestral arrangement of the classic standard.

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BORN FREE key C 2:13
4 bar intro ; vocal thru ; no solo - back to "stay free... where no walls devide you" ; continue ; and finish.

MP3 DEMO:
M540. BORN FREE
key - C - vocal range - C to D
Huge hit for Matt Monro and the theme song for the film. Here's a nice Livetrak take with a few subtle changes thrown in.

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BORN FREE key A to Bb 2:34
8 bar intro ; vocal thru - no solo - back to "stay free... where no walls divide you..." ; continue ; KEY CHANGE for the last verse... continue ; rall the last line and finish.

MP3 DEMO:
M596. BORN FREE A to Bb
key - A to Bb - vocal range - A to Bb (suit lower range male or high female voices)
Nice Livetrak version of the huge Matt Monro hit ; with a key change on the last verse.

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BORN TO BE BLUE key Cm 3:30
4 bar intro ( half time feel) ; vocal thru ; no solo - back to " when we met... the world was.." ; continue and ad lib the end/finish.

MP3 DEMO:
M357. BORN TO BE BLUE
key - Cm - vocal range - C to Db
This seldom heard gem from Mel Torme is given a cool and groovy Livetrak arrangement. Checkout Torme's version!

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BORN TO BE BLUE key Bb 3:57
4 bar intro and vocal in at 17 seconds, vocal through - no solo, at 2:31 the vocal goes back to "when I met you the world was bright and sunny.", continue through, at 3:29 slow down the last line and finish.

MP3 DEMO:
M1701. BORN TO BE BLUE - Bb Trio
key - Bb - range - Bb to B
Moody trio arrangement of this classy torch song, written by Mel Torme.
Same arrangement as M1700 except a full tone lower.

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BORN TO BE BLUE key C 3:57
4 bar intro and vocal in at 17 seconds, vocal through - no solo, at 2:31 the vocal goes back to "when I met you the world was bright and sunny.", continue through, at 3:29 slow down the last line and finish.

MP3 DEMO:
M1700. BORN TO BE BLUE - C Trio
key - C - range - C to Db
Moody trio arrangement of this classy torch song, written by Mel Torme.

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BORN TO LOSE key C to Db 2:54
4 bar intro ; vocal thru twice (as per the song) ; short piano solo ;vocal in at "all my life...I've always been.." ; key change and vocal thru again ; tag the last 2 lines - "born to lose.....and now I'm losing you..." and finish.

MP3 DEMO:
M477. BORN TO LOSE
key - C to Db - vocal range - C to Eb
Huge Ray Charles hit in a fresh Livetrak mid tempo arrangement that works so well.

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BOTH SIDES NOW key Ab 4:30
4 bar intro and vocal in at 10 seconds, continue through, 2nd verse starts at 1:32, 3rd verse starts 2:53, continue through and finish.

MP3 DEMO:
M1616. BOTH SIDES NOW - Ab
key - Ab - range - Ab to Db
Stunning orchestral arrangement of this wonderful Joni Mitchell song.
Same arrangement as M1615 except a full tone lower.

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BOTH SIDES NOW key Bb 4:30
4 bar intro and vocal in at 10 seconds, continue through, 2nd verse starts at 1:32, 3rd verse starts 2:53, continue through and finish.

MP3 DEMO:
M1615. BOTH SIDES NOW - Bb
key - Bb - range - Bb to Eb
Stunning orchestral arrangement of this wonderful Joni Mitchell song.

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BREAKING UP IS HARD TO DO key C to Db 3:19
1 bar pickup and vocal into the verse - "they tell me that you're leaving...", into tempo at 28 secs, continue thru - no solo - as per the Sedaka ballad version with the key change and the same ending.

MP3 DEMO:
M885. BREAKING UP IS HARD TO DO - C to Db
key - C to Db - vocal range - G to Db (suit lower range male)
New take on the Neil Sedaka ballad version of his song, in a lower key and TRIO arrangement. Verse included then into the main theme.

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BREAKING UP IS HARD TO DO key C to Db 3:23
Piano intro and vocal in at 5 seconds with "they tell me that you're leaving...", continue and the main song starts at 24 seconds, continue through, key change at 2:10, continue, at the end tag section - "breaking up........ is oh so....so hard.....to do" and finish.

MP3 DEMO:
M1517. BREAKING UP IS HARD TO DO - C to Db Pianotrak
key - C to Db - vocal range - G to Db
Gorgeous Piano only arrangement of the classic Neil Sedaka hit song that he reworked and turned into a wonderful ballad.

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BREAKING UP IS HARD TO DO key D to Eb 3:23
Piano intro and vocal in at 5 seconds with "they tell me that you're leaving...", continue and the main song starts at 24 seconds, continue through, key change at 2:10, continue, at the end tag section - "breaking up........ is oh ho....so hard..... to do" and finish.

MP3 DEMO:
M1518. BREAKING UP IS HARD TO DO - D to Eb Pianotrak
key - D to Eb - vocal range - A to Eb
Gorgeous Piano only arrangement of the classic Neil Sedaka hit song that he reworked and turned into a wonderful ballad.
Same arrangement as M1517 except a full tone higher.

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BREAKING UP IS HARD TO DO - key F to Gb 3:58
intro ; vocal thru ; back to "they say that breaking up is...."; key change and finish.

MP3 DEMO:
M192. BREAKING UP IS HARD TO DO
key - F to Gb - vocal range - C to C (Gb optional top note)
Neil Sedaka song given the ballad treatment. - includes the verse. An Original Livetrak arrangement.

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BRING HIM HOME key F 3:26
Intro and vocal in at 15 secs..... "hear my prayer" starts at 21 secs, continue thru the full song and finish.

MP3 DEMO:
M1105. BRING HIM HOME - F Pianotrak
key - F - vocal range - C to F
Wonderful song from Les Miserables and I really love this song, but, not being a fan of theatrical voices, no matter how good they are, I personally think it's suited to a more intimate vocal and a better pace and this arrangement is really lovely. Big range and big last note - perfect for a quiet falsetto!

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BRING ME SUNSHINE key Bb 2:53
8 bar intro ; vocal thru twice ; guitar solo (melody) ; vocal back in at "make me happy ... thru the years.." ; continue ; tag the last couple of lines and finish.

MP3 DEMO:
M525. BRING ME SUNSHINE
key - Bb - vocal range - D to D
Cookin' Hammond quintet (recorded live!) arrangement of this old cheesy tune! Works well like this......

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BROKEN HEARTS BELONG TO YESTERDAY key F 2:52
Same form as the Jimmy Roselli version but with a definite ending.

MP3 DEMO:
M1009. BROKEN HEARTS BELONG TO YESTERDAY
key - F - vocal range - E to F
Lovely song from the Jimmy Roselli album "Come Into My Life". This arrangement is loosely based on same version, in the same key.

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BROWN GRASS key Db 4:43
4 bar intro and vocal in at 16 seconds, continue through as per the original Gregory Porter version - original key and does include a Tenor Sax vst plug in solo - available with the solo removed.

MP3 DEMO:
M1799. BROWN GRASS - Db
key - Db - range - F to Db (optional F top note)
Wonderful trio arrangement of this song from Gregory Porter's Liquid Spirit album, original key, same form and does include a Tenor Sax solo.

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BROWN GRASS key Eb 4:43
4 bar intro and vocal in at 16 seconds, continue through as per the Gregory Porter form - does include a Tenor Sax vst plug in solo - available with the solo removed.

MP3 DEMO:
M1800. BROWN GRASS - Eb
key - Eb - range - G to Eb (optional G top note)
Wonderful trio arrangement of this song from Gregory Porter's Liquid Spirit album, same form and does include a Tenor Sax solo. Same arrangement as M1799 except a full tone higher.

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BUMMING (BUMMIN') AROUND key Db 2:58
4 bar intro and vocal in at 8 seconds, vocal through - no solo, back to the start 2nd time at 1:24, continue through, from 2:37 repeat the last line ("just bumming around..") 3 times and finish.

MP3 DEMO:
M2360. BUMMING AROUND - Db
key - Db - vocal range - Ab to Eb
Lovely arrangement of the Dean Martin hit, in the Dean Martin key. It's brighter in tempo and arranged for Quartet.

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BUMMING (BUMMIN') AROUND key Eb 2:58
4 bar intro and vocal in at 8 seconds, vocal through - no solo, back to the start 2nd time at 1:24, continue through, from 2:37 repeat the last line ("just bumming around..") 3 times and finish.

MP3 DEMO:
M2361. BUMMING AROUND - Eb
key - Eb - vocal range - Bb to F
Lovely arrangement of the Dean Martin hit. It's brighter in tempo and arranged for Quartet. Same arrangement as M2360 except a full tone higher.

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BUONA SERA key C 3:03
4 bar intro and vocal in at 10 secs, continue thru as per the Prima version, including the vocal break at 1:01 and into the swing version, sax solo at 1:53, vocal back in at 2:14 and continue, back into the tango feel at 2:24, continue and finish as per the Prima version.

MP3 DEMO:
M955. BUONA SERA - C
key - C - vocal range - D to E
Loosely based on the wonderful Louis Prima version, in a lower key.
NOTE - the mp3 demo starts with the tango section going into the swing section and not from the beginning of the track.
Same arrangement as M954 except a tone and a half lower.

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BUONA SERA key Eb 3:03
4 bar intro and vocal in at 10 secs, continue thru as per the Prima version, including the vocal break at 1:01 and into the swing version, sax solo at 1:53, vocal back in at 2:14 and continue, back into the tango feel at 2:24, continue and finish as per the Prima version.

MP3 DEMO:
M954. BUONA SERA - Eb
key - Eb (original key) - vocal range - F to G
Loosely based on the wonderful Louis Prima version and in the original key.
NOTE - the mp3 demo starts with the tango section going into the swing section and not from the beginning of the track.

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BUT BEAUTIFUL key G 4:14
4 bar intro ; vocal thru ; tenor sax solo ; vocal back in at " love is tearful..." ; continue ; lovely piano and voice last section and finish.

MP3 DEMO:
M314. BUT BEAUTIFUL - G
key - G - vocal range - C# to E
Beautiful ballad written by Burke and Van Heusen. Realtrak Quartet + lovely strings and a classy arrangement.

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BUT I LOVED YOU key C 3:02
Violin and orchestra intro and vocal in at 23 seconds, vocal continue through as per the Jack Jones version's form and key, once through and finish as per the Jack Jones version.

MP3 DEMO:
M1441. BUT I LOVED YOU - C
key - C - vocal range - Ab to A
Wonderful song from Gordon Jenkins, with a gorgeous orchestral arrangement.
Same arrangement as M1440 except 3 semitones lower. Suitable for lower male ranges.

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BUT I LOVED YOU key Eb 3:02
Violin and orchestra intro and vocal in at 23 seconds, vocal continue through as per the Jack Jones version's form and key, once through and finish as per the Jack Jones version.

MP3 DEMO:
M1440. BUT I LOVED YOU - Eb
key - Eb - vocal range - B to C
Wonderful song from Gordon Jenkins, with a gorgeous orchestral arrangement.

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BUT NOT FOR ME key C 2:07
8 bar intro ; vocal thru ; solo ; vocal back in at " I was a fool ..to fall and get.." ; continue ; tag the last line and finish.

MP3 DEMO:
M128. BUT NOT FOR ME - C
key - C - vocal range - C to D
Gershwin song which became a huge hit with musicians and singers alike. Original Livetrak arrangement.

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BUT NOT FOR ME key Eb 3:35
piano intro for the verse ("old man sunshine...") and vocal in at 9 secs; continue and into tempo with 4 bar intro for the main theme and vocal thru twice (use alternate lyrics?); tag the last line and finish.

MP3 DEMO:
M815. BUT NOT FOR ME intro demo
key - Eb - vocal range - D to F
Wonderful song from the Gershwins. A cool Livetrak arrangement with the piano only verse included - colla voce and easy to catch onto and then into a mid tempo Bossa Nova feel.. check out both demos ....brief demo of the verse - piano only above.
M815. BUT NOT FOR ME into tempo - how the track sounds leading into Bossa tempo and the main song..

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BY MYSELF key F 2:12
8 bar intro ; vocal thru ; solo ; vocal back in at " I'll face the unknown..."; continue ; no tag ; just extend the last line - " I'm by.....my....self....alone...." and finish.

MP3 DEMO:
M168. BY MYSELF ( I'LL GO MY WAY..)
key - F - vocal range - E to E
Original Livetrak arrangement of this super standard.

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BY THE FIRESIDE key Eb 3:32
4 bar intro and vocal in at 11 seconds, vocal through, 8 bar piano solo at 1:44, vocal back in at 2:06 with "we'll see our hopes and dreams dear...", continue through and finish.

MP3 DEMO:
M1988. BY THE FIRESIDE - Eb Trio
key - Eb - vocal range - A to D
Wonderful 1930's standard in a very lovely Trio arrangement.
Same arrangement as M1987 except a full tone lower.

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BY THE FIRESIDE key F 3:32
4 bar intro and vocal in at 11 seconds, vocal through, 8 bar piano solo at 1:44, vocal back in at 2:06 with "we'll see our hopes and dreams dear...", continue through and finish.

MP3 DEMO:
M1987. BY THE FIRESIDE - F Trio
key - F - vocal range - B to E
Wonderful 1930's standard in a very lovely Trio arrangement.

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BY THE LIGHT OF THE SILVERY MOON key Ab 2:15
4 bar intro; vocal thru; trumpet solo; back to the beginning with the vocal and finish.

MP3 DEMO:
M655. BY THE LIGHT OF THE SILVERY MOON - Ab
key - Ab - vocal range - C to Db
Corny old timeless gem with an arrangement loosely based on the Burl Ives version.

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BY THE LIGHT OF THE SILVERY MOON key Bb 1:59
4 bar intro, vocal thru, short solo, vocal back in at "honey moon... keep a shining in June..", continue, no tag and finish.

MP3 DEMO:
M573. BY THE LIGHT OF THE SILVERY MOON Pianotrak
key - Bb - vocal range - D to Eb
Corny old gem but I've added a few fresh and tasty chord changes for this 2015 Pianotrak, and it works really well for vocal and piano.

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BY THE TIME I GET TO PHOENIX key F 4:08
4 bar intro ; vocal thru full song ; short solo and vocal back in at" she'll cry just to think "( last verse) and rall the last two lines and finish.

MP3 DEMO:
M335. BY THE TIME I GET TO PHOENIX
key - F - vocal range - E to D
Gorgeous Jim Webb gem in a really nice and laidback Livetrak arrangement.

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BY THE TIME I GET TO PHOENIX key Eb to E 3:37
4 bar intro; vocal thru whole song; key change and harmonica solo; vocal back in at "and she'll cry just to think I'd really leave her...." ; continue and finish.

MP3 DEMO:
M690. BY THE TIME I GET TO PHOENIX - Eb to E
key - Eb to E - vocal range - D to C#
Really lovely arrangement of this wonderful Jimmy Webb song.

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 BY THE TIME I GET TO PHOENIX Pianotrak key Eb to E 3:23
4 bar intro and vocal in at 13 secs, vocal thru - no solo, key change to E at 1:58 for the last verse, finish.

MP3 DEMO:
M1022. BY THE TIME I GET TO PHOENIX Pianotrak
key - Eb to E - vocal range - D to C#
Intimate piano only arrangement of the Jimmy Webb classic!

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BYE BYE BABY key Ab to A 2:43
4 bar intro and vocal in at 9 seconds, vocal through as per the Frank Sinatra form, key change included. Original keys.

MP3 DEMO:
M2238. BYE BYE BABY - Ab to A Sinatra
key - Ab to A - vocal range - B to D
Trio arrangement that is loosely based on the full band arrangement, with similar fills and licks , etc as the 1949 Sinatra version of the song used in "Gentlemen Prefer Blondes".

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BYE BYE BABY key Bb to B 2:43
4 bar intro and vocal in at 9 seconds, vocal through as per the Frank Sinatra form, key change included.

MP3 DEMO:
M2239. BYE BYE BABY - Bb to B Sinatra
key - Bb to B - vocal range - Db to E
Trio arrangement that is loosely based on the full band arrangement, with similar fills and licks , etc as the 1949 Sinatra version of the song used in "Gentlemen Prefer Blondes". Same arrangement as M2238 except a full tone higher.

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BYE BYE BACKBIRD key F 3:02
4 bar intro and vocal in at 9 seconds, vocal through twice - no solo, at 2:30 tag the last line and finish.

MP3 DEMO:
M1546. BYE BYE BACKBIRD - F orchestral
key - F - vocal range - D to C
Gorgeous reworking of the classic standard everyone knows. The tempo's chilled, the vibe is cool and laidback and the quality is fabulous!

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BYE BYE BLACKBIRD - key F 2:21
8 bar intro, vocal through twice, piano solo, vocal back in at " no one here can love ..." tag the ending and finish.

MP3 DEMO:
M122. BYE BYE BLACKBIRD
key - F - vocal range - D to C
Bright, uptempo live recorded version of this great old standard. An Original Livetrak arrangement.

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BYE BYE BLACKBIRD key Bb 4:18
Same form as the Rod Stewart version from the album "The Great American Songbook volume 5" and is his key.

MP3 DEMO:
M1033. BYE BYE BLACKBIRD - Bb
key - Bb - vocal range - A to F
This cool arrangement is based on the Rod Stewart version and includes the verse. Suitable for higher range male, lower range female.

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BYE BYE BLACKBIRD key F 3:22
8 bar intro; vocal thru twice; piano solo; vocal back in at "no one here can love or understand me.."; continue; tag the last line and finish.

MP3 DEMO:
M718. BYE BYE BLACKBIRD - F 2010
key - F - vocal range - D to C 
Cool 2010 arrangement of this old warhorse, with fresh sounds and mid tempo feel that works great!

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BYE BYE BLACKBIRD key F 3:11
4 bar intro and vocal in at 7 seconds, vocal through twice, electric piano solo at 1:54, vocal back in at 2:21 with "no one here can love or understand me....", continue, tag the last line, vocal ad libs and finish.

M1548. BYE BYE BLACKBIRD - F smooth
key - F - vocal range - D to C
Super duper funky groove on this one! Funky drums, groove bass, gritty electric piano and a cool Hammond laying chords, and a few cool substitutions to keep everyone interested!

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BYE BYE BACKBIRD key G 3:02
4 bar intro and vocal in at 9 seconds, vocal through twice - no solo, at 2:30 tag the last line and finish.

MP3 DEMO:
M1547. BYE BYE BACKBIRD - G orchestral
key - G - vocal range - E to D
Gorgeous reworking of the classic standard everyone knows. The tempo's chilled, the vibe is cool and laidback and the quality is fabulous! Same arrangement as M1546 except a full tone higher.

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BYE BYE BLACKBIRD key G 3:11
4 bar intro and vocal in at 7 seconds, vocal through twice, electric piano solo at 1:54, vocal back in at 2:21 with "no one here can love or understand me....", continue, tag the last line, vocal ad libs and finish.

M1549. BYE BYE BLACKBIRD - G smooth
key - G - vocal range - E to D
Super duper funky groove on this one! Funky drums, groove bass, gritty electric piano and a cool Hammond laying chords, and a few cool substitutions to keep everyone interested!
Same arrangement as M1548 except a full tone higher.

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BYE BYE BLUES key Ab 3:14
4 bar intro; vocal thru twice; band solo; vocal back in at "just we two.."; continue; no tag and finish.

MP3 DEMO:
M663. BYE BYE BLUES - Ab
key - Ab - vocal range - Eb to C 
Great mid tempo swing arrangement of this old warhorse.

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BYE BYE LOVE - key F 2:57
8 bar intro then into the chorus (bye bye love...) - form is loosely based on the Ray Charles version; - doesn't include the tag after the chorus - continue thru the song - both verses -; short sax solo ;vocal back in at "and here's the reason... why I'm so free"...; continue; repeat the last line or ad lib 4 times and finish.

MP3 DEMO:
M667. BYE BYE LOVE - F
key - F - vocal range - E to C - suit lower range male
Arrangement loosely based on Ray Charles wonderful version from his "Modern sounds in Country and Western music" album - an incredible album.
 

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C'EST SI BON key F 3:14
4 bar intro, vocals thru, piano solo, vocal back in at “Every word, every sigh, every kiss, dear”. Continue, repeat “my darling, c’est si bon!” four times then finish.

MP3 DEMO:
M634. C'EST SI BON - F
key - F - vocal range - Ab to C 
Trio arrangement of the huge Louis Armstrong hit and covered by many great singers of the day.

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C'EST SI BON key G 2:50
4 bar intro; vocal thru; short piano solo; vocal back in at "every word...... every sigh..."; continue and finish like the Dean Martin version.

MP3 DEMO:
M796. C'EST SI BON - G
key - G - vocal range - Bb to D 
This arrangement is loosely based on the Dean Martin version.

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C'EST SI BON key G 3:11
4 bar intro ; vocal thru ; piano solo ; vocal back in at " every word, every sigh, every kiss dear..." ; continue ; no tag and finish.

MP3 DEMO:
M575. C'EST SI BON Pianotrak
key - G - vocal range - Bb to D
Great old tune, covered by Louis Armstrong and many others, perfect for an intimate Piano only arrangement.

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CAB DRIVER key Eb 2:57
gtr pick up and 2 bar intro; vocal thru as per original form - no solo; and finish.

MP3 DEMO:
M656. CAB DRIVER
key - Eb - vocal range - Bb - Eb (optional F top note)
Old 60's RnB thing from the Mills Brothers in a cool arrangement.

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CABARET key Eb 2:31
8 bar intro ; vocal thru ; solo ; vocal back in at " come taste the wine..." ; continue ; repeat -"your life is a cabaret old chum--" 3 times ; then " so come----to---------the ca---ba----ret-----" and finish.

MP3 DEMO:
M114. CABARET
key - Eb - vocal range - Bb to F
Uptempo swing version of the title song from the film "Cabaret". Original Livetrak arrangement

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CALL ME key Bb 3:00
4 bar intro; vocal thru as per the Sinatra version - no solo. Repeat last section of " call me..maybe it's late...." and finish.

MP3 DEMO:
M439. CALL ME - Bb
key - Bb - vocal range - Db to D
This arrangement is loosely based on the Sinatra version of this 60's hit.

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CALL ME IRRESPONSIBLE key F 2:59
4 bar intro, vocal through, solo, vocal in at "do my foolish alibis bore you...", continue, rpt last 2 words -" for you" over the final brass riffs and finish.

MP3 DEMO:
M273. CALL ME IRRESPONSIBLE - F
key - F - vocal range - Bb to D
Original Livetrak "Big Band" keyboard arrangement of this great tune. Singers include Sinatra, Jack Jones, Nat King Cole, Bobby Darin. Original Livetrak arrangement.

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CAN THIS BE LOVE key F 3:13
Piano and string intro and vocal in at 21 secs, same form as the Matt Monro version.

MP3 DEMO:
M944. CAN THIS BE LOVE
key - F - vocal range - C to Eb
Beautiful song covered by Matt Monro. Lovely arrangement loosely based on the same form and the same key.

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CAN'T BUY ME LOVE 2012 key G 2:07
1 bar intro and vocal in with "can't buy me love.... love.... can't buy me love.." then into a verse at 10 secs, continue thru the song, solo at 1:06; vocal in at 1:20 with the chorus, a verse again, chorus and finish with "money can't buy me love.."

MP3 DEMO:
M217. CAN'T BUY ME LOVE - G
key - G - vocal range - D to D
Beatles hit that works great as a swinger. Ella also had a 'hit' with her version.2012 Livetrak TRIO version!
note - one bar pickup for the vocal.

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CAN'T HELP FALLING IN LOVE key Eb to E 3:52
Based on the Michael Buble album version.

MP3 DEMO:
M2241. CAN'T HELP FALLING IN LOVE - Eb to E Buble
key - Eb to E - vocal range - Bb to D
Gorgeous arrangement and it's a cover of the Michael Buble version from his album "Come Fly With Me"
Same arrangement as M2240 except a full tone lower.

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CAN'T HELP FALLING IN LOVE key F to Gb 3:52
Based on the Michael Buble album version, original keys.

MP3 DEMO:
M2240. CAN'T HELP FALLING IN LOVE - F to Gb Buble
key - F to Gb - vocal range - C to E
Gorgeous arrangement and it's a cover of the Michael Buble version from his album "Come Fly With Me"

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CAN'T HELP FALLING IN LOVE WITH YOU key D 4:13
4 bar intro and vocal in at 15 seconds, vocal through, piano solo at 1:58 over one verse, vocal back in at 2:26 with the 2nd verse "shall I stay...would it be a sin...",  continue through and repeat the last line from 3:40 - "for I can't help.....falling in love(3:47)... ..............with(3:51)............... you(3:54)............." and finish.

MP3 DEMO:
M2266. CAN'T HELP FALLING IN LOVE WITH YOU - D Trio
key - D - vocal range - A to C#
Very laidback Trio arrangement , in an 8's feel, of the very lovely Elvis Presley hit.

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CAN'T HELP FALLING IN LOVE WITH YOU key E 4:13
4 bar intro and vocal in at 15 seconds, vocal through, piano solo at 1:58 over one verse, vocal back in at 2:26 with the 2nd verse "shall I stay...would it be a sin...",  continue through and repeat the last line from 3:40 - "for I can't help.....falling in love(3:47)... ..............with(3:51)............... you(3:54)............." and finish.

MP3 DEMO:
M2267. CAN'T HELP FALLING IN LOVE WITH YOU - E Trio
key - E - vocal range - B to D#
Very laidback Trio arrangement, in an 8's feel, of the very lovely Elvis Presley hit. Same arrangement as M2266 except a full tone higher.

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CAN'T HELP FALLING IN LOVE WITH YOU (Wise Men Say...) key Eb 3:22
4 bar intro and vocal in at 14 secs, continue thru - no solo - at 1:58 the vocal goes back to "like a river flows....," continue thru, at 2:44 repeat the last line and finish.

MP3 DEMO:
M1242. CAN'T HELP FALLING IN LOVE WITH YOU - Eb
key - Eb - vocal range - Bb to D
Gorgeous Orchestral arrangement, in an 8's feel, of this classic Elvis hit. I love the Harry Connick Jnr version from his album "Your Songs".

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CAN'T HELP FALLING IN LOVE WITH YOU (Wise Men Say...) key F 3:22
4 bar intro and vocal in at 14 secs, continue thru - no solo - at 1:58 the vocal goes back to "like a river flows....," continue thru, at 2:44 repeat the last line and finish.

MP3 DEMO:
M1243. CAN'T HELP FALLING IN LOVE WITH YOU - F
key - F - vocal range - C to E
Gorgeous Orchestral arrangement, in an 8's feel, of this classic Elvis hit. I love the Harry Connick Jnr version from his album "Your Songs". Same arrangement as M1242 except a full tone higher.

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CAN'T HELP FALLING IN LOVE WITH YOU key Eb to F 2:32
8 bar intro and vocal in at 11 seconds, vocal through, brass and horns solo at 1:24, vocal back in at 1:44 with "like a river flows...", continue through and key change to F at 1:57 for the last verse, repeat the last line at 2:17 and finish.

MP3 DEMO:
M426. CAN'T HELP FALLING IN LOVE WITH YOU
key - Eb to F - vocal range - Bb to D (or optional top F last note)
Fab and cool swinging Realtrak arrangement of the hugely popular Elvis hit.

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M719. CAN'T SMILE WITHOUT YOU key F to F# 3:24
4 bar intro; vocal through; key change after the bridge ("now some people say...."); continue into the chorus; repeat "without you" 3 times and finish.

MP3 DEMO:
M719. CAN'T SMILE WITHOUT YOU - F to F#
key - F to F# - vocal range - A to C# (suit lower male ranges)
Nice version of the Barry Manilow hit, without the notoriously difficult to pitch key changes - I've heard many a singer hit bummers! This version just has one key change after the bridge, chorus and then finish.

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CAN'T TAKE MY EYES OFF YOU key C to Eb 5:08
8 bar intro ; vocal thru 2 verses and chorus ; repeat 1st verse and chorus - no solo - then key change for the 1st verse reprise last time ("you're just to good to be true....") ; repeat the last line and finish.

MP3 DEMO:
M627. CAN'T TAKE MY EYES OFF YOU - C to Eb
key - C to Eb for the last verse only - vocal range - B to E
Gorgeously fresh Livetrak ballad arrangement of the massive Andy Williams hit - please note that this version doesn't have the big brass break leading to each chorus.There's a cool key change for the very last verse as well.

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CAN'T TAKE MY EYES OFF YOU (Darin) key G (main theme) and C for the chorus 3:31
Based on the same arrangement as the Bobby Darin version from a live TV special.
YouTube: Bobby Darin Sings Can't Take My Eyes Off Of You

MP3 DEMO:
M887. CAN'T TAKE MY EYES OFF YOU - Bobby Darin
key - G (main theme) and C for the chorus
Very cool arrangement, from a Bobby Darin live TV special. Same keys, form and feel.
Check out YouTube: Bobby Darin Sings Can't Take My Eyes Off Of You

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CANADIAN SUNSET key F 3:42
8 bar intro ; vocal through - no solo - back to "a weekend in Canada...." ; continue and finish.

MP3 DEMO:
M616. CANADIAN SUNSET - F
key - F - vocal range - D to D
Lovely song in a fresh Livetrak arrangement. Covered by Andy Williams, Dean Martin, Sam Cooke et al.

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CANADIAN SUNSET key Eb 3:51
8 bar intro and vocal in at 9 seconds, continue through the song - no solo - at 2:16 the vocal goes back to "a weekend in Canada.." continue through, at 3:20 repeat "from that day, we'd never ever part.." and again at 3:28 then let the track finish.

MP3 DEMO:
M1716.
CANADIAN SUNSET - Eb swing
key - Eb - vocal range - C to C
Fantastic swinging Trio arrangement of this wonderful old standard. The secret to singing ballads (as they are normally done) as uptempo swingers is to not think of them as "swingers" but to keep lovely long vocal lines and it will sound effortless and simply let the track do the swinging!

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CANADIAN SUNSET key F 3:51
8 bar intro and vocal in at 9 seconds, continue through the song - no solo - at 2:16 the vocal goes back to "a weekend in Canada.." continue through, at 3:20 repeat "from that day, we'd never ever part.." and again at 3:28 then let the track finish.

MP3 DEMO:
M1715.
CANADIAN SUNSET - F swing
key - F - vocal range - D to D
Fantastic swinging Trio arrangement of this wonderful old standard. The secret to singing ballads (as they are normally done) as uptempo swingers is to not think of them as "swingers" but to keep lovely long vocal lines and it will sound effortless and simply let the track do the swinging!

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CANDIDA key C 2:56
4 bar intro ; vocal thru the full song (verse/chorus/verse/chorus) and repeat the chorus. Finish by extending the last line - "cos it says........so....in....my......dreams.....".

MP3 DEMO:
M606. CANDIDA
key - C - vocal range - D to F
Livetrak swing arrangement of the old 70's cheesy classic.

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CANDY key Bb 2:41
4 bar intro ; vocal thru ; short piano solo over the 2nd "A" section ; vocal in at the bridge ; continue ; and finish - no tag.

MP3 DEMO:
M462. CANDY
key - Bb - vocal range - C to E
Wonderful Nat King Cole hit and sung by loads of great singers including Buddy Greco and Dr John ; in a super Realtrak Quartet arrangement.

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CANDY KISSES key Eb 2:32
4 bar intro; vocal thru the full song - no solo - continue and finish.

MP3 DEMO:
M842. CANDY KISSES - Eb
key - Eb - vocal range - D to Eb 
This was a country song that scored a hit for George Morgan back in the early sixties and then Tony Bennet included it on his hugely successful "I left My Heart In San Francisco" album. This is a Livetrak trio arrangement.

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CARA MIA key F 2:55
intro and vocal in at 16 seconds, short drum fill and into tempo at 47 seconds, continue through as per the Jay and the Americans version form - not original key.

MP3 DEMO:
M1992. CARA MIA - F
key - F - vocal range - C to D (optional F)
Arrangement loosely based on the Jay and the Americans version but in a much lower key (the original was in C).
This version was a big hit but was very much watered down with the bridge section removed and a typical 60's beat added, to accomodate the falsetto (and vibrato) of Jay. Same arrangement as M1991 except a full tone lower.

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CARA MIA key G 2:55
intro and vocal in at 16 seconds, short drum fill and into tempo at 47 seconds, continue through as per the Jay and the Americans version form - not original key.

MP3 DEMO:
M1991. CARA MIA - G
key - G - vocal range - D to E (optional G)
Arrangement loosely based on the Jay and the Americans version but in a much lower key (the original was in C).
This version was a big hit but was very much watered down with the bridge section removed and a typical 60's beat added, to accomodate the falsetto (and vibrato) of Jay.

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CARELESS HANDS key F 2:46
4 bar intro and vocal in at 7 secs, vocal thru twice - no solo, repeat "careless hands.....that can't hold onto love" at 2:28 and finish.

MP3 DEMO:
M945. CARELESS HANDS
key - F - vocal range - C to D
Trio arrangement of this hit for Mel Torme back in 1949 (swinging version) and in the UK for Des O'Connor in 1967. Covered by lots of great singers, including Al Martino and Bing Crosby.

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CAROLINA IN THE MORNING key Bb 2:54
4 bar intro and vocal in at 11 seconds, vocal through twice, at 2:38 let the band play a tag for 2 bars and the vocal is back in at 2:42 with "in the morning" and finish.

MP3 DEMO:
M2053. CAROLINA IN THE MORNING - Bb
key - Bb - vocal range - Bb to C
Wonderful old gem that is very much associated with Al Jolson but it's been covered by Dean Martin, Judy Garland, Bing Crosby, Dinah Shore and many others. Here's a great Trio arrangement. Same arrangement as M2052 except a full tone lower.

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CAROLINA IN THE MORNING key C 2:54
4 bar intro and vocal in at 11 seconds, vocal through twice, at 2:38 let the band play a tag for 2 bars and the vocal is back in at 2:42 with "in the morning" and finish.

MP3 DEMO:
M2052. CAROLINA IN THE MORNING - C
key - C - vocal range - C to D
Wonderful old gem that is very much associated with Al Jolson but it's been covered by Dean Martin, Judy Garland, Bing Crosby, Dinah Shore and many others. Here's a great Trio arrangement.

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CARRICKFERGUS key A 4:12
4 bar intro and vocal in at 9 seconds, continue straight through 3 verses (no short instrumental breaks between verses) - no solo, repeat the last line "Come all me young men and lay me down" and finish.

MP3 DEMO:
M1395. CARRICKFERGUS - A
key - A - vocal range - G# to C#
A beautiful Irish gem in a very lovely arrangement that moves along nicely.

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CARRICKFERGUS key C 4:12
4 bar intro and vocal in at 9 seconds, continue straight through 3 verses (no short instrumental breaks between verses) - no solo, repeat the last line "Come all me young men and lay me down" and finish.

MP3 DEMO:
M1396. CARRICKFERGUS - C
key - C - vocal range - B to E
A beautiful Irish gem in a very lovely arrangement that moves along nicely.
Same arrangement as M1395 except a tone and half higher.

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CHANCES ARE key F 3:50
2 bar intro and vocal in at 7 seconds, vocal through, at 2:13 the vocal goes back to "in the magic of moonlight..", continue through and include the tag ending "awfully good... the chances are your chances are awfully good.." and finish.

MP3 DEMO:
M1595. CHANCES ARE - F
key - F - vocal range - A to D
Gorgeous 2018 Trio arrangement of this classy Johnny Mathis hit.
Same arrangement as M382 2018 except a full tone lower.

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CHANCES ARE version 2 key F 3:11
4 bar intro and vocal in at 11 seconds, continue through as per the Johnny Mathis version form, in a lower key.

MP3 DEMO:
M1703. CHANCES ARE - F version 2
key - F - vocal range - A to D
Wonderful arrangement, based on the original Johnny Mathis hit version, but in a lower key. (The original Mathis key is Bb).
Same arrangement as M1702 except a full tone lower.

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CHANCES ARE key G 3:50
2 bar intro and vocal in at 7 seconds, vocal through, at 2:13 the vocal goes back to "in the magic of moonlight..", continue through and include the tag ending "awfully good... the chances are your chances are awfully good.." and finish.

MP3 DEMO:
M382. CHANCES ARE - G 2018
key - G - vocal range - B to E
Gorgeous 2018 Trio arrangement of this classy Johnny Mathis hit.

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CHANCES ARE version 2 key G 3:11
4 bar intro and vocal in at 11 seconds, continue through as per the Johnny Mathis version form, in a lower key.

MP3 DEMO:
M1702. CHANCES ARE - G version 2
key - G - vocal range - B to E
Wonderful arrangement, based on the original Johnny Mathis hit version, but in a lower key. (The original Mathis key is Bb).

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CHANGE PARTNERS version 1 key F 3:04
8 bar intro ; vocal thru ;no solo - back to " ask him to sit this one out ..." ; continue ; tag/ad lib the ending and finish.

MP3 DEMO:
M11. CHANGE PARTNERS version 1
key - F - vocal range - C to E
Bossa feel for this great Irving Berlin song. Sung by Fred Astaire, Sinatra, a great version by Harry Connick Jnr, et al.
An Original Livetrak arrangement.

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CHANGE PARTNERS version 2 key Eb 3:15
8 bar intro ; vocal thru ; solo ; vocal in at "ask him to sit this one out and while....." ; continue ; tag the ending and ad lib/finish.

MP3 DEMO:
M12. CHANGE PARTNERS version 2
key - Eb - vocal range - Bb to D
Bossa arrangement for version 2 , but in a lower key. Original Livetrak arrangement.

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CHANSON D'AMOUR key F (Bb for the instrumental solo)  4:09
4 bar intro, vocal thru twice and then a key change for the solo and back to F with the vocals coming back in at 3:14 and continue, repeat the last line and finish.

MP3 DEMO:
M893. CHANSON D'AMOUR
key - F - vocal range - C to Eb (solo changes key to Bb then back to F)
Poor Manhattan Transfer are forever labelled with this massive hit for them and I'm sure they weren't complaining at the time!

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CHARADE key Cm 2:35
brass hits & 8 bar intro ; vocal thru ; solo ; vocal in at " fate ---seemed to pull the strings ----" ; continue ; for the last line sing half time!!!! --- best ----- on the bill--------------------cha--------rade ---------; ad lib and finish.

MP3 DEMO:
M98. CHARADE
key - Cm - vocal range - C to Eb
Very bright swinging version of the Henry Mancini classic. Sung by Bobby Darin. Original Livetrak arrangement.

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CHATTANOOGA CHOO CHOO key Bb 3:22
4 bar intro and vocal in at 9 seconds, continue through and there's a 2 bar break at 1:13 - no solo - at 1:47 go back to"you leave the Pennsylvania station..", continue through and remember the 2 bar break at 2:21, at 2:56 add "all'board.......all aboard...." over 4 bars, at 3:05 sing the last line again "chattanooga choo choo, won't you choo choo me home" and finish.

MP3 DEMO:
M1830. CHATTANOOGA CHOO CHOO - Bb
key - Bb - vocal range - A to Eb
Trio arrangement of the classic Glenn Miller hit, main theme only.
Same arrangement as M1829 except a full tone lower.

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CHATTANOOGA CHOO CHOO key C 3:22
4 bar intro and vocal in at 9 seconds, continue through and there's a 2 bar break at 1:13 - no solo - at 1:47 go back to"you leave the Pennsylvania station..", continue through and remember the 2 bar break at 2:21, at 2:56 add "all'board.......all aboard...." over 4 bars, at 3:05 sing the last line again "chattanooga choo choo, won't you choo choo me home" and finish.

MP3 DEMO:
M1829. CHATTANOOGA CHOO CHOO - C
key - C - vocal range - B to F
Trio arrangement of the classic Glenn Miller hit, main theme only.
 

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CHATTANOOGIE SHOE SHINE BOY key C 2:57
4 bar intro and vocal in at 9 secs, continue thru - no solo - back to "now it's a wonder...." at 1:43, continue and repeat the last line 3 times and finish.

MP3 DEMO:
M1016. CHATTANOOGIE SHOE SHINE BOY - C
key - C - vocal range - C to E
Great blues tinged QUARTET arrangement to this old standard that scored a hit for Red Foley, Bing Crosby and others.

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CHEEK TO CHEEK key C 3:32
The cheek to cheek backing track starts with a 8 bar intro, vocal thru, short piano solo (over the 2nd section), vocal back in at “oh I’d love to climb a mountain….”, continue, repeat “out together dancing” 3 times then finish with “out together dancing cheek to cheek”. This is a great arrangement of a classic Irving Berlin song, sung by Sinatra, Billie Holiday, Ella & Co. 

Get the cheek to cheek backing track today! Standardstrax is one of the top providers of unique backing tracks for singers.

MP3 DEMO:
M69 2012 CHEEK TO CHEEK - C
key - C - vocal range - B to E
Livetrak Quartet arrangement of this classic standard.

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CHEEK TO CHEEK, WRITE MYSELF A LETTER, ALL OF ME medley key C 3:22
8 bar intro and into Cheek to Cheek at 10 seconds, continue through once, 2 bar break at 1:37 and right into Write Myself A Letter at 1:39, continue once through, right into All Of Me at 2:19, continue through and at 2:59 sing "you took the part... that once was my heart.. so why not take all of me.." and finish.

MP3 DEMOS:
key - C - vocal range - B to E
Here is a live recorded "Big Band" keyboards Medley (the piano lines were added later) of 3 classic well known popular standards, and it works great as a ballroom quickstep! There are 3 mp3 demos below to check out exactly how the songs fall into place in the Medley:
Demo 1 - intro and overall sound, feel and tempo.

Demo 2 - coming out from Cheek to Cheek into Write Myself A Letter..

Demo 3 - coming out of Write Myself A Letter into All Of Me

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CHEGA DE SAUDADE (NO MORE BLUES) key Dm & D 3:26
8 bar intro and vocal in at 11 seconds, continue through twice (2nd time starts at 1:36) - no solo,  3 repeats from 2:57 and finish with the outro.

MP3 DEMO:
M1775. CHEGA DE SAUDADE (NO MORE BLUES) - Dm D
key - Dm and D - vocal range - A to C#
The wonderful song from Antônio Carlos Jobim, also known as "No More Blues", has been covered by all the very best singers and musicians and covered extensively by Latin artists. Here is a cool Trio arrangement that is taken from the Jazzville version in my catalogue but cut down to a vocal only performance. The key should suit lower male ranges.
Same version as F1608 except a full tone higher.

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CHEROKEE key Bb 2:45
8 bar intro ; vocal thru twice ; mute trumpet solo ; vocal back in at " dreams....of.... summertime...." ; continue - no extended ending - nice tight stop!

MP3 DEMO:
M635. CHEROKEE
key - Bb - vocal range - Bb to D#
Here's a real swinger for you - great uptempo arrangement of the old Ray Noble gem and loved by musicians and singers alike. I LOVE the Vic Damone version from the album The Lively Ones and, while he's not a swinger he always sings great!

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CHICAGO key 3:01 key C to D to Eb
4 bar intro - vocal thru first time in "C" ; key change to "D" and vocal thru again ; short band solo in "C" over first section with key change to "D" and vocal back in at " bet your bottom dollar you lose..." ; continue ; key change to Eb for " on state street ; that great street.." ; tag the last line - repeat last line and finish.

MP3 DEMO:
M519. CHICAGO
key - C to D to Eb - vocal range - C to Eb
Fabulously fresh Realtrak arrangement of this old classic ; sung by Sinatra; Tony Bennett and just about everyone else!

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CHIM CHIM CHEREE key Cm 2:44
8 bar intro, vocal in at 8 seconds with the chorus ("chim chiminey.. chim chiminey..'"), 8 bar break at 27 seconds,  verse at 36 seconds, chorus at 52 seconds, 8 bar break at 1:12, verse at 1:19, 8 bar break at 1:35, verse ("up where the smoke..") at 1:43, 8 bar break at 2:03 , last chorus at 2:10 and finish with the 8 bar outro.

MP3 DEMO:
M1839. CHIM CHIM CHEREE - Cm
key - Cm - vocal range - C to D
The classic Mary Poppins gem from the movie, in a classy Trio arrangement, a good bit slower than the film tempo but with a more jazz based vibe.

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CHINA DOLL key C 2:32
4 bar intro and vocal in at 7 seconds, vocal through twice (through the full song) - no solo - and finish.

MP3 DEMO:
M2452. CHINA DOLL - C
key - C - vocal range - B to D (optional F)
Superb Quartet arrangement of the old Slim Whitman country classic.

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CHINA DOLL key D 2:32
4 bar intro and vocal in at 7 seconds, vocal through twice (through the full song) - no solo - and finish.

MP3 DEMO:
M2453. CHINA DOLL - D
key - D - vocal range - C# to E (optional G)
Superb Quartet arrangement of the old Slim Whitman country classic. Same arrangement as M2452 except a full tone higher.

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CIAO CIAO BAMBINA key Bb to B 3:40
8 bar intro and vocal in at 15 seconds, vocal through twice, key change at 2:22 and short accordion solo, vocal back in at 2:38 with "our love was just like..", continue through and finish.

MP3 DEMO:
M1966. CIAO CIAO BAMBINA - Bb to B
key - Bb to B - vocal range - Bb to C#
Big arrangement of this Italian classic gem! Same arrangement as M1965 except a full tone lower.

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CIAO CIAO BAMBINA key C to Db 3:40
8 bar intro and vocal in at 15 seconds, vocal through twice, key change at 2:22 and short accordion solo, vocal back in at 2:38 with "our love was just like..", continue through and finish.

MP3 DEMO:
M1965. CIAO CIAO BAMBINA - C to Db
key - C to Db - vocal range - C to Eb
Big arrangement of this Italian classic gem!

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CIRCLE OF LIFE key Ab 4:16
16 bar intro and vocal in at 21 seconds, continue through as per the Elton John version form, original key.

MP3 DEMO:
M2473. CIRCLE OF LIFE - Ab Trio
key - Ab - vocal range - Bb to Eb
Superb Latin arrangement of the classic hit song from "The Lion King" movie and musical. Trio arrangement plus latin percussion. Same arrangement as M2472 except a full tone lower.

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CIRCLE OF LIFE key Bb 4:16
16 bar intro and vocal in at 21 seconds, continue through as per the Elton John version form, original key.

MP3 DEMO:
M2472. CIRCLE OF LIFE - Bb Trio
key - Bb - vocal range - C to F
Superb Latin arrangement of the classic hit song from "The Lion King" movie and musical. Trio arrangement plus latin percussion.

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CITY OF THE ANGELS key Bb 2:33
4 bar intro and vocal in at 11 secs, continue thru as per the Tony Bennett version, but in a much lower key.

MP3 DEMO:
M1288. CITY OF THE ANGELS - Bb
key - Bb - vocal range - F to Bb (optional D)
Great song from the pen of Fred Astaire and covered by Tony Bennett on his The Art of Excellence album. This version is based on Tony's version but in a much lower key.
 

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CITY OF THE ANGELS key Db 2:33
4 bar intro and vocal in at 11 secs, continue thru as per the Tony Bennett version, but a full tone lower than his key.

MP3 DEMO:
M1289. CITY OF THE ANGELS - Db
key - Db - vocal range - Ab to Db (optional F)
Great song from the pen of Fred Astaire and covered by Tony Bennett on his The Art of Excellence album.
This arrangement is based on the Tony Bennett version but a full tone lower.

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CLEMENTINE - key D to G inclusive 3:13
8 bar intro ; vocal through as per the Darin form with key changes; extend last line and finish.

MP3 DEMO:
M85. CLEMENTINE
key - D to G inclusive - vocal range - Eb to E
An Original Livetrak arrangement of this Bobby Darin swinging classic.

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CLIMB EVERY MOUNTAIN key Bb 3:56
Piano intro and vocal in at 38 secs, vocal thru - no solo - back to "a dream that will need..." at 2:33, continue thru and build, rall the last line and finish.

MP3 DEMO:
M1107. CLIMB EVERY MOUNTAIN - Bb Pianotrak
key - Bb - vocal range - Bb to Eb
Same Pianotrak arrangement as M1106, except a full tone lower.

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CLIMB EVERY MOUNTAIN key C 2:45
Acoustic guitar intro and vocal in at 17 secs with "climb every mountain.." , continue (easy to latch onto), into tempo at 1:18 with the bridge ("a dream that will need.."), continue and big finish. Once thru only.

MP3 DEMO:
M927. CLIMB EVERY MOUNTAIN - C
key - C - vocal range - C to F
Wonderful song from "The Sound Of Music". Superb structure, magical and inspirational lyrics and written by Rodgers and Hammerstein. A favourite song of minein a wonderful quartet arrangement.
The demo starts on the second verse with guitar only, then leading into the bridge with the trio.
 

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CLIMB EVERY MOUNTAIN key C 2:45
guitar intro and vocal in at 19 secs - easy to latch onto and then into tempo at 1:24 with "a dream that will need....", continue thru once only and finish.

MP3 DEMO:
M928. CLIMB EVERY MOUNTAIN - C acoustic guitar
key - C - vocal range - C to F
Beautiful acoustic guitar version of this wonderful song from "The Sound Of Music".

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CLIMB EVERY MOUNTAIN key C 3:56
Piano intro and vocal in at 38 secs, vocal thru - no solo - back to "a dream that will need..." at 2:33, continue thru and build, rall the last line and finish.

MP3 DEMO:
M1106. CLIMB EVERY MOUNTAIN - C Pianotrak
key - C - vocal range - C to F
A favourite song of mine - perfect in every way! Here's a very beautfiul piano only arrangement, no tempo in mind, yet easy to follow.

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CLIMB EVERY MOUNTAIN version 2 key Bb 3:42
intro and vocal in at 26 secs, continue thru - big builds so perfect for a big expressive vocal!, go back to "a dream that will need all the love you can give..." at 2:21, continue thru building and big expressive and powerful finish.

MP3 DEMO:
M1262. CLIMB EVERY MOUNTAIN version 2 - Bb Pianotrak
key - Bb - vocal range - Bb to Eb
Really expressive arrangement of this beautiful song from The Sound Of Music - perfect for an emotional and powerful voice with builds and lovely expressive verses.
 

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CLIMB EVERY MOUNTAIN version 2 key C 3:42
intro and vocal in at 26 secs, continue thru - big builds so perfect for a big expressive vocal!, go back to "a dream that will need all the love you can give..." at 2:21, continue thru building and big expressive and powerful finish.

MP3 DEMO:
M1261. CLIMB EVERY MOUNTAIN version 2 - C Pianotrak
key - C - vocal range - C to F
Really expressive arrangement of this beautiful song from The Sound Of Music - perfect for an emotional and powerful voice with builds and lovely expressive verses.

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CLOSE TO YOU key G 3:45
4 bar intro ; vocal thru ; solo ; vocal back in and continue ; rall the last line and finish.

MP3 DEMO:
M307. CLOSE TO YOU
key - G - vocal range - B to E
This isn't the Carpenters hit but a beautiful Sinatra ballad from an album of the same title. Gorgeous song and a lovely Livetrak version.
 

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CLOSE TO YOU key C 2:54
tenor sax pickup /4 bar intro ; vocal thru ; tenor sax solo over the first "A" section and vocal back to " on the day that you were born..." ; continue ; repeat the last line twice and follow the piano phrasing for "close to you" staying on the melody. - nice finish!

MP3 DEMO:
M319. CLOSE TO YOU (CARPENTERS)
key - C - vocal range - A to D
Popular Carpenters song given a nice Livetrak arrangement.

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 CLOSE TO YOU (Carpenters) key C 4:01
8 bar intro; vocal thru; piano solo over the 1st "A" section then vocal back in at "on the day that you were born...."; continue; 2 time tag - "ahhhhhhhh...... etc"; and to end - phrase with the "band" and finish.

MP3 DEMO:
M683. CLOSE TO YOU (Carpenters) - C Bossa
key - C - vocal range - A to D
Cool new Bossa version of this great Carpenters song.

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CLOSE TO YOU (orchestral version) key C to Db 3:12
4 bar intro and vocal pickup on the 4th bar at 8 secs, continue thru, key change and short band solo at 1:26, vocal back in at 1:37 with "just like me, they long to be, close to you", continue thru, at 2:24 sing "just like me, they long to be, close to you" 3 times and finish.

MP3 DEMO:
M1133. CLOSE TO YOU (orchestral version)
key - C to Db - vocal range - A to Eb
Wonderful orchestra arrangement of the Carpenters hit, with a key change at the instrumental.

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CLOSE YOUR EYES key F 2:47
8 bar intro ; vocal thru twice - no solo - end with 3 time "close your eyes' and/or ad lib.

MP3 DEMO:
M611. CLOSE YOUR EYES - F
key - F - vocal range - E to F
Nice latin Livetrak take on this great tune. Versions by Doris Day and Andre Previn, Tony Bennett and Peggy Lee spring to mind.

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CLOUDY MORNING key Bb 3:26
4 bar intro and vocal in at 13 seconds, vocal through, piano solo at 1:40, vocal back in at 2:21 with "and then that... cloudy morning...", continue through and finish.

MP3 DEMO:
M1888. CLOUDY MORNING - Bb
key - Bb - vocal range - Bb to D
Wonderful old standard covered by Tony Bennett for his "Here's To The Ladies" album. Here's a lovely Trio arrangement in a great tempo. Same arrangement as M1887 except a full tone lower.

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CLOUDY MORNING key C 3:26
4 bar intro and vocal in at 13 seconds, vocal through, piano solo at 1:40, vocal back in at 2:21 with "and then that... cloudy morning...", continue through and finish.

MP3 DEMO:
M1887. CLOUDY MORNING - C
key - C - vocal range - C to E
Wonderful old standard covered by Tony Bennett for his "Here's To The Ladies" album. Here's a lovely Trio arrangement in a great tempo.

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COME BACK TO ME key F 3:24
8 bar intro ; vocal thru twice (use the alternative verse if possible for 2nd time) ; solo ; vocal in at " have you gone to the moon...." ; continue ; tag the ending and finish.

MP3 DEMO:
M119. COME BACK TO ME
key - F - vocal range - D to E
Mid tempo groovy version of this great Sammy Davis Jnr hit. Wonderful version also sung by the under-rated Matt Monro. Original Livetrak arrangement.

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COME BACK TO SORRENTO key Am to Bbm 2:39
orch and piano intro leading to vocal pick up into 3/4 tempo ; vocal thru ; 4 bar break and key change ; vocal back in ; continue ; rall the last two lines and finish.

MP3 DEMO:
M472. COME BACK TO SORRENTO
key - Am to Bbm - vocal range - A to Bb
Popular "Italian' standard that scored a huge hit for Dean Martin! Nice Realtrak arrangement.

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COME DANCE WITH ME key Bb 2:51
4 bar intro; vocal thru twice - no solo; tag the last line - "come on come on come on.. come on come on come on... come on come on come on.. come on and dance with me" and finish.

MP3 DEMO:
M863. COME DANCE WITH ME - Bb
key - Bb - vocal range - D to F
Another fresh Trio arrangement of this cool swing gem!

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COME DANCE WITH ME key G 2:59
8 bar intro; vocal thru twice - no solo - tag the last line - " come on come on come on.... ; come on come on come on....... come on come on come on.. come on and dance with me" and finish.

MP3 DEMO:
M862. COME DANCE WITH ME - G
key - G - vocal range - B to D 
Great trio arrangement of this wonderful Sammy Cahn and Jimmy Van Heusen song. The definitive version has to be Sinatra's but I love the Shirley Horn take on it!

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COME FLY WITH ME new 2010 - key C 3:01
8 bar intro; vocal thru; solo for 12 bars and back in at bridge (once I get you...); continue and finish with the typical Sinatra ending.

MP3 DEMO:
M13. COME FLY WITH ME - C 2010 version
key - C - vocal range - C to E
New 2010 Quartet arrangement of this popular swinger.

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COME FLY WITH ME key Bb 3:13
8 bar intro ; vocal thru ; short vibes solo over 2nd "A" section ; vocal back in at "once I get you up there....." ; continue ; repeat " come fly with me ,let's fly" ; then repeat the whole line and finish.

MP3 DEMO:
M442. COME FLY WITH ME - Bb
key - Bb - vocal range - Bb to D
new Realtrak Quartet version of this hugely popular tune - the Sinatra version has to be the difinitive!

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COME FLY WITH ME key Bb 3:20
12 bar intro and vocal in at 21 seconds, vocal through, piano solo at 1:53, vocal back in at 2:13 with "once I get you up there...", continue through and finish as per the Sinatra versions.

MP3 DEMO:
M2032. COME FLY WITH ME - Bb Trio
key - Bb - vocal range - Bb to D
Here's a Trio arrangement that is loosely based on the fabulous 1966 Sinatra at the Sands version, with the super cool intro and then it settles into the vocal key and you're away! Not as bright in tempo but in the original key.

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COME FLY WITH ME key C 3:32
4 bar intro and vocal in at 8 secs, continue thru - no solo - back to the bridge section ("once I get you up there"...) at 2:04, continue, ad lib the ending from 3:07 - "let's fly away..." ad libs and finish.

MP3 DEMO:
M998. COME FLY WITH ME - C reggae
key - C - vocal range - C to E
The old Sinatra classic with a reggae groove!

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COME FLY WITH ME key C 3:20
12 bar intro and vocal in at 21 seconds, vocal through, piano solo at 1:53, vocal back in at 2:13 with "once I get you up there...", continue through and finish as per the Sinatra versions.

MP3 DEMO:
M2033. COME FLY WITH ME - C Trio
key - C - vocal range - C to E
Here's a Trio arrangement that is loosely based on the fabulous 1966 Sinatra at the Sands version, with the super cool intro and then it settles into the vocal key and you're away though not as bright in tempo.
Same arrangement as M2032 except a full tone higher.

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COME PRIMA key A to Bb 2:46
4 bar intro and vocal in at 7 seconds, vocal through twice (4 bar break at 1:01 and vocal in at 1:06), at 2:02 key change and short trumpet instrumental break, vocal back in at 2:18 with "Ogni giorno, ogni istante, dolcemente ti dirò, Come prima, più di prima t'amerò" and finish.

MP3 DEMO:
M1954. COME PRIMA - A to Bb
key - A to Bb - vocal range - C# to D
Cool latin 4/4 arrangement of this Italian classic, also know as "More Than Ever".

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