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Jazzvville Backing Track Downloads
Jazzvville Backing Track Downloads

Welcome to the JAZZVILLE section, specially created with the musician in mind.
This section focuses on Jazz standards and standards in Real Book keys with extended playing times but with fresh arrangements, funky groove based arrangements as well as the typically classic feels.  Fresh backing track arrangements with mainly REAL BOOK changes and a few tasty ones by yours truly. Plenty of room to solo over and not simply looped forms or rehearsal tracks - full arrangements with builds, pushes, break downs, tasty endings and great sounds!

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£5.00
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WE'LL BE TOGETHER AGAIN key C 5:14
4 bar intro and into the head at 13 seconds, three times through in total.

MP3 DEMO:
J233. WE'LL BE TOGETHER AGAIN Jazzville
key - C - vocal range - C to D
Trio arrangement of this classic standard, in a slightly brighter tempo. Real Book changes.

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WHAT A DIFFERENCE A DAY MADE key Eb 3:54
8 bar intro and into the head at 17 seconds, continue through the head, soloing from 1:24, back into the head at 2:28, continue through, from 3:31 it's Eb and Db7 alternating bars and finish.

MP3 DEMO:
J306. WHAT A DIFFERENCE A DAY MADE - Eb Jazzville
key - Eb - vocal range - Bb to C
A lightly swinging Trio arrangement of the classic standard, with extended soloing space provided, 3 times through in total.

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WHAT A WONDERFUL WORLD key Eb 5:08
4 bar intro and into the song at 16 seconds, continue through - there is no tag at the end of the 1st time head, so at 2:28 repeat the full song (for soloing purposes) and at 4:30 add the end tag section and finish. Recap - Twice through the full song, add tag add the tag and finish.

MP3 DEMO:
J273. WHAT A WONDERFUL WORLD - Eb Jazzville
key - Eb - vocal range - Bb to C
The only reason I've added this version here in the Jazzville section is because it has extended soloing (the form is twice through the full song) so it's perfect for a vocal and a musician. It's a pretty safe arrangement i have to say, nothing fancy on my part and no subtle chord changes but it's a nice tempo for a very lovely song. Same arrangement as J272 except a full tone lower.

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WHAT A WONDERFUL WORLD key F 5:08
4 bar intro and into the song at 16 seconds, continue through - there is no tag at the end of the 1st time head, so at 2:28 repeat the full song (for soloing purposes) and at 4:30 add the end tag section and finish. Recap - Twice through the full song, add tag add the tag and finish.

MP3 DEMO:
J272. WHAT A WONDERFUL WORLD - F Jazzville
key - F - vocal range - C to D
The only reason I've added this version here in the Jazzville section is because it has extended soloing (the form is twice through the full song) so it's perfect for a vocal and a musician. It's a pretty safe arrangement i have to say, nothing fancy on my part and no subtle chord changes but it's a nice tempo for a very lovely song.

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£5.00
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WHAT AM I HERE FOR key Bb 3:56
4 bar intro, vocal/instrument in at 8 secs, vocal thru, soloing from 1:14, vocal back in at 2:20, continue and finish as per the Lambert Hendricks and Ross version.

MP3 DEMO:
J103. WHAT AM I HERE FOR
key - Bb https://www.youtube.com/watch?v=efJCGUg1mG0
TRIO arrangement of the Lambert Hendricks and Ross version of this classic Ellington tune, with lyrics by Frankie Laine. Extended soloing provided.

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WHAT CAN I SAY AFTER I'VE SAID I'M SORRY key F to Bb for the very last head 3:39
4 bar intro and into the theme at 9 seconds, continue through, soloing at 1:15, at 2:18 key change to Bb for the head again at 2:22, continue through and finish.

J175. WHAT CAN I SAY AFTER I'VE SAID I'M SORRY
key - F to Bb for the last time head
Classic Trio arrangement of this jazz classic, with a key change to Bb for the last time head.
 

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WHAT'S NEW key C 4:48
4 bar intro, head, soloing from 1:11, back to the head at 3:19, continue, tight finish - C7+11.

MP3 DEMO:
J86. WHAT'S NEW
key - C - vocal range - C to F - playing time - 4:48
Lightly swinging trio arrangement of this old classic standard.

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WHAT'S THE RUSH key Eb 3:46
4 bar intro and into the head at 19 seconds, twice through and then at 2:50 back to the B section (which is 9 bars), rit and finish. Basically the same form as the Johnny Hodges & Gerry Mulligan album version , with Mulligan sitting out.

MP3 DEMO:
J290. WHAT'S THE RUSH
key - Eb
Based on the Gerry Mulligan meets Johnny Hodges 1959 album version on Verve, same key, similar tempo, in a Trio arrangement.

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WHEN LIGHTS ARE LOW key Eb playing time 5:02
4 bar intro, head in at 7 secs, continue, soloing, head back in at 3:49, 4 time tag on the last line and finish.

MP3 DEMO:
J46. WHEN LIGHTS ARE LOW
key - Eb - playing time - 5:02 - vocal range - Eb to E
Great song; suitable for both a vocalist and musicians alike. Extended soloing space provided.

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WHEN SUNNY GETS BLUE key F 6:01
4 bar intro and into the head at 14 seconds, three times through in total.

MP3 DEMO:
J234. WHEN SUNNY GETS BLUE Jazzville
key - F - vocal range - C to Eb
Wonderful Trio arrangement of this classic standard. Real Book changes.

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WHEN THE SAINTS GO MARCHING IN key C playing time 2:05
4 bar intro, thru the head twice, solo space over the swing feel, back to head twice as per intro feel and then finish.

MP3 DEMO:
J21. WHEN THE SAINTS GO MARCHING IN - C
key - C - range - C to G
The fresh feel of the arrangement goes into a swing and then back to the opening feel to finish. This is a pretty safe version of this traditional jazz classic with loads of room for a solo over.

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WHEN THE SAINTS G MARCHING IN version 2 key C 2:00
12 bar intro and into the theme at 14 seconds, twice through the head, at 53 seconds into a swing feel for twice through soloing, back to the original feel and head at 1:32 and end with the typical ending.

MP3 DEMOS:
J202. WHEN THE SAINTS GO MARCHING IN - C version 2 Demo 1

J202. WHEN THE SAINTS GO MARCHING IN - C version 2 Demo 2
key - C - range - C to G
Here's a big orchestra arrangement of the old chestnut, punchy and bold with 2 demos to let you hear the different feels involved.

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WHEN YOU'RE SMILING key Bb 7:00
8 bar intro and into the head at 12 seconds, soloing from 59 seconds, 1:50, 2:39, 3:28, from 4:17 8 bars soloing then 8 bar drum solos, then from 5:05 4 bars soloing and 4 bars drum solos, back to the head at 5:53, tag the ending and finish.

MP3 DEMO:
J164. WHEN YOU'RE SMILING - Bb Jazzville
key - Bb - range - D to Eb
Lightly swinging arrangement of this classic standard, please note the extra long playing time and 8 and 4 bar drum breaks are included! Suitable for instrumental or vocal and instrument for the soloing space provided.

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WHY DID I CHOOSE YOU Jazzville key Bb 3:59
4 bar intro and into the head at 8 seconds, continue thorugh and solo from 1:21, back to the head at 2:32, continue through and finish.

MP3 DEMO:
J155. WHY DID I CHOOSE YOU Jazzville
key - Bb - Real Book key and changes
Wonderfully structured tune that starts in one key and ends in another. Hammond organ, upright bass and brushes in a lightly swinging arrangement not normally associated with the song.

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WILD FLOWER key Bb 6:18
8 bar intro and into the head at 9 seconds, through the head twice, soloing from 1:22, back to the head at 4:54, twice through and finish.

MP3 DEMO:
J206. WILD FLOWER
key - Bb  Real Book changes
The Wayne Shorter jazz standard, in a cool Trio arrangement.
 

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WITCHCRAFT key F 4:04
8 bar intro and into the head at 14 seconds, continue through, soloing from 1:22, 2:31, back to the bridge head at 2:58, continue through, at 3:33 3 time tag of the last line and finish.

MP3 DEMO:
J190. WITCHCRAFT Jazzville
key - F - range - C to D
Swinging Trio arrangement of this classic standard, with soloing space provided.

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YARDBIRD SUITE key C 4:27
4 bar intro (half time feel), head starts at 12 secs, continue then soloing at 51 secs, head back in at 3:40, continue and dead stop.

MP3 DEMO:
J47. YARDBIRD SUITE
key - C - playing time - 4:27
Cool half time groove arrangement of the classic Charlie Parker tune.

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YOU DON'T KNOW HOW MUCH YOU CAN SUFFER key Dm 3:40
Same form as the original Dutch Swing College Band version.

MP3 DEMO:
J113. YOU DON'T KNOW HOW MUCH YOU CAN SUFFER
key - Dm - playing time - 3:40
Wonderful tune from The Dutch Swing College Band and well worth learning!

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YOU MUST BELIEVE IN SPRING key Am (Real Book chart) 6:08
2 bar intro and into the head at 9 seconds, continue through, soloing from 2:02, back to the full head again at 3:58, continue through and finish.

MP3 DEMO:
J200. YOU MUST BELIEVE IN SPRING
key - Am (Real Book chart) - range - G to C (would suit a baritone male vocal range or a higher female range)
Jazzville Trio arrangement of this Michel Legrand and Alan & Marilyn Bergman jazz favourite. Also suitable for a vocal through, a soloing instrument next then back to the vocal to finish.

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YOU'D BE SO NICE TO COME HOME TO key Bb 5:48
8 bar intro and into the head at 12 seconds, soloing from 1:06, 1:59, 2:52, 3:44, back into the head at 4:37, continue through and repeat the last line 3 times and finish.

MP3 DEMO:
J176. YOU'D BE SO NICE TO COME HOME TO Jazzville
key - Bb - range - Bb to D
Cool Bossa vibe going on here, in a classic Trio arrangement with plenty of time to stretch and solo!
 

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YOU'VE CHANGED key Eb 4:45
4 bar intro and into the head at 15 seconds, continue through twice and finish.

MP3 DEMO:
J248. YOU'VE CHANGED - Eb Jazzville
key - Eb - Real book key and similar changes, also suitable for vocal range  - C to D
Lovely Trio arrangement of this wonderful standard.

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YOUR MIND IS ON VACATION key Eb 3:48
2 bar intro and vocal in at 5 secs, vocal thru, soloing from 1:06, vocal back in at 2:51 as per the Mose Allison version, continue and finish as per.

MP3 DEMO:
J104. YOUR MIND IS ON VACATION
key - Eb - https://www.youtube.com/watch?v=-wBdQ16rDgI
Mose Allison gem, in a trio arrangement and original key with extended soloing space provided. Also covered by Curtis Stigers and Buddy Guy.

Price:
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ZINGARO (Portrait In Black And White) key Gm 3:35
8 bar intro and into the theme at 14 seconds, 3 times through and then at 2:59 repeat the last 8 bars again and finish with the outro.

MP3 DEMO:
J258. ZINGARO (Portrait In Black And White)
key - Gm
Classic Bossa gem from Antonio Carlos Jobim and very loosely based on a version by the Pacific Jazz Project.

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