TAINTED LOVE key Am 3:34
8 bar intro, vocal in at 14 seconds, vocal through the song - no solo, at 2:00 go back to the first verse, continue through, at 2:53 sing the coda section "don't touch me please.. I cannot stand the way you tease..." etc , continue through, vocal ad libs and finish.

MP3 DEMO:
F1447. TAINTED LOVE - Am
key - Am - vocal range - A to B
Straight 8's Latin arrangement of this massive 80's synth hit, first done by Gloria Jones back in the 60's.
Same arrangement as F1446 except a full tone higher.

TAINTED LOVE key Gm 3:34
8 bar intro, vocal in at 14 seconds, vocal through the song - no solo, at 2:00 go back to the first verse, continue through, at 2:53 sing the coda section "don't touch me please.. I cannot stand the way you tease..." etc , continue through, vocal ad libs and finish.

MP3 DEMO:
F1446. TAINTED LOVE - Gm
key - Gm - vocal range - G to A
Straight 8's Latin arrangement of this massive 80's synth hit, first done by Gloria Jones back in the 60's.

TAKE MY BREATH AWAY key Ab 4:18
4 bar intro and vocal in at 12 seconds, vocal through the original hit form except there is no key change - same key all the way!

MP3 DEMO:
F1946. TAKE MY BREATH AWAY - Ab
key - Ab - vocal range - Bb to Bb
Two acoustic guitars and upright bass work a treat in this lightly swinging intimate arrangement of the massive Berlin hit from the 1986 movie "Top Gun". Note - the arrangement stays in the same key all the way.

TAKE THE A TRAIN key F 2:41
8 bar intro and vocal in at 12 seconds, vocal through 3 times in total (also suitable for a musician to solo over a chorus or 2) - at 1:48 sing the famous riff with the band each time, and a nice tight finish.

MP3 DEMO:
F2025. TAKE THE A TRAIN - F Trio
key - F - vocal range - A to A
Superb Trio arrangement of the classic Billy Strayhorn jazz standard. This key should be suitable for higher range females.

TAKE THESE CHAINS FROM MY HEART key Bb 2:28
4 bar intro ; vocal thru two verses; Hammond solo ; vocal back to verse ; continue ; tag the last line twice (nice stops!) and finish.

MP3 DEMO:
F514. TAKE THESE CHAINS FROM MY HEART - Bb
key - Bb - vocal range - A to A (optional Bb last note)
Fab and fresh Gospel tinged arrangement - trio + Hammond (hallelujah!)of the old country hit. Takes on a new life after you hear Ray Charles singing it!

TAKING A CHANCE ON LOVE 2014 key G 2:31
8 bar intro and vocal in at 15 secs, continue thru, piano solo at 1:13, vocal back in at the bridge (using the alternate lyrics?) at 1:42, continue and tag the last line and extend the last time - "tak...ing... a chance....on love....." and finish.

MP3 DEMO:
F80. TAKING A CHANCE ON LOVE - 2014
key - G - vocal range - F# to A
Great mid tempo arrangement, sung by every major vocalist. New 2014 Livetrak arrangement.

TAKING A CHANCE ON LOVE key F 2:37
8 bar intro and vocal in at 16 secs, vocal thru twice - no solo, tag the last line at 2:15 but extend the last line -----
"tak---ing.....a......chance......on.....love" and finish.

MP3 DEMO:
F877. TAKING A CHANCE ON LOVE - F
key - F - vocal range - E to A
Lovely new Livetrak Bossa Nova arrangement of this wonderful old standard.

TAKING A CHANCE ON LOVE key F 3:06
4 bar intro and vocal in at 12 seconds, vocal through, at 1:36 short piano solo over the 2nd "A" section, vocal back in at 1:58 with "I thought the cards were a frame up....", continue, tag the last line and extend the last line - "tak............ing..... ..a.... chance........ on...... ..love..........." and finish.

MP3 DEMO:
F1361. TAKING A CHANCE ON LOVE - F Pianotrak
key - F - vocal range - E to A
Lovely and intimate 2017 Pianotrak arrangement of this great old song.
Tip - the intro starts on the first beat! Same arrangement as F468 2017 except a full tone lower.

TAKING A CHANCE ON LOVE key G 3:06
4 bar intro and vocal in at 12 seconds, vocal through, at 1:36 short piano solo over the 2nd "A" section, vocal back in at 1:58 with "I thought the cards were a frame up....", continue, tag the last line and extend the last line - "tak............ing..... ..a.... chance........ on...... ..love..........." and finish.

MP3 DEMO:
F468. TAKING A CHANCE ON LOVE - G Pianotrak 2017
key - G - vocal range - F# to B
Lovely and intimate 2017 Pianotrak arrangement of this great old song.
Tip - the intro starts on the first beat!

TALK TO ME BABY key C 2:45
4 bar intro ; vocal thru first time without the tag; then back to the bridge section - no solo - and finish.

MP3 DEMO:
F498. TALK TO ME BABY
key - C - vocal range - G to A
Fab Peggy Lee hit, in a cool Livetrak arrangement.

TAMMY key Ab 2:40
4 bar intro; vocal thru; short piano solo and vocal back in at "the old hooty-owl.. hooty-hoos to the dove"; continue and rall the last line and finish.

MP3 DEMO:
F690. TAMMY - Ab
key - Ab - vocal range - F to A
Lovely song from the movie "Tammy and the Bachelor" starring Debbie Reynolds.
Lovely Livetrak arrangement.

TANGERINE key C 2:40
8 bar intro ; vocal thru twice ; solo ; vocal back in at " and I've seen... toasts to Tangerine.." ; continue ; tag the last line and finish

MP3 DEMO:
F154. TANGERINE
key - C - vocal range - G to A
Great jazz favourite sung by all the greats. Original Livetrak arrangement.

TANGERINE key C to Db 2:17
4 bar intro and vocal in at 6 seconds, vocal through - no solo - at 1:00 there is a key change to Db, continue through, tag the last line and finish.

MP3 DEMO:
F2282. TANGERINE - C to Db Quartet
key - C to Db - vocal range - G to Bb
Superb Quartet arrangement of the classic standard. There's a tasty semitone key change but i give you a guiding hand.
 

TEA FOR TWO key C 3:16
8 bar intro; vocal thru TWICE; piano solo; vocal back in at "Day will break and I'll wake..."; continue; no tag and finish.

MP3 DEMO:
F603. TEA FOR TWO
key - C - vocal range - G to A
Lightly swinging Livetrak arrangement!

TEA FOR TWO key Eb 3:28
4 bar intro and vocal in at 8 secs, vocal thru twice, short piano solo at 2:05, vocal back in at 2:35 with "dawn will break..",
continue thru, repeat the last line and finish.

MP3 DEMO:
F1168. TEA FOR TWO - Eb
key - Eb - vocal range - Bb to C
Lovely arrangement, TRIO plus Strings, of this classic standard. Suit higher female range & lower male range.

TEACH ME TONIGHT - key G to Ab 4:12
4 bar intro ; vocal thru ; very short solo ; vocal back in at " I'll use that star to write" ; continue ; key change for the last verse and tag the ending/ad libs and end very much like the Al Jarreau version format.

MP3 DEMO:
F40. TEACH ME TONIGHT (FEMALE)
key - G to Ab - vocal range - G to Ab (optional Eb top note Al Jarreau arrangement).
Wonderful song that's been covered by every major vocalist. This arrangement is loosely based on the Al Jarreau version, in an original Livetrak arrangement.

TEACH ME TONIGHT key A 2:58
4 bar intro with vocal pickup ; vocal thru - no solo - back to " the sky's a blackboard...." ; tag the last line and finish.

MP3 DEMO:
F408. TEACH ME TONIGHT - A
key - A - vocal range - A to A
Great Realtrak Trio arrangement of this wonderful classic standard.

TEACH ME TONIGHT key Bb 3:47
3 bar then vocal pick up: vocal thru; short solo and vocal back to "the sky's a blackboard, high above you"; continue; tag the last line and finish.

MP3 DEMO:
F732. TEACH ME TONIGHT Bb Pianotrak
key - Bb - vocal range - Bb to Bb
Lovely and intimate 2016 piano only arrangement of this wonderful old standard.

TELL ME MORE AND THEN SOME key Am 3:13
Piano pickup and 1 bar intro, vocal in at 7 secs, same form as the YouTube link below....

MP3 DEMO:
F954. TELL ME MORE AND THEN SOME
key - Am - vocal range - E to A
Nina Simone song and a great blues feel! This arrangement is loosely based on the YouTube version here:
https://www.youtube.com/watch?v=Bdxde-G1sLA
A full tone down from the original key.

TEN CENTS A DANCE key C 3:01
4 bar intro; vocal thru; short piano solo; vocal back in at "seven to midnight..."; continue; extend the last phrase "ten.......cents........a......... dance......." and finish.

MP3 DEMO:
F676. TEN CENTS A DANCE
key - C - vocal range - G to Ab
Fairly obscure Rodgers and Hart gem; featured in the movie "The Fabulous Baker Boys". Wonderful Trio arrangement!
 

TENDERLY key Ab 3:31
4 bar intro and vocal in at 7 secs, vocal thru TWICE, piano solo at 2:10, vocal back in at 2:40 " the shore was kissed by....."; continue thru, repeat " you took my lips, you took my love, so tenderly" and finish.

MP3 DEMO:
F1267. TENDERLY - Ab
key - Ab - vocal range Eb to Bb
Fantastic lightly swinging 2017 TRIO arrangement!
Wonderful standard for singers and jazz musicians alike. Sung by all the very best singers of the day.
Same arrangement as F114 2017 except a full tone lower.

TENDERLY key Bb 3:31
4 bar intro and vocal in at 7 secs, vocal thru TWICE, piano solo at 2:10, vocal back in at 2:40 " the shore was kissed by....."; continue thru, repeat " you took my lips, you took my love, so tenderly" and finish.

MP3 DEMO:
F114. TENDERLY - Bb 2017
key - Bb - vocal range - F to C
Fantastic lightly swinging 2017 TRIO arrangement!
Wonderful standard for singers and jazz musicians alike. Sung by all the very best singers of the day.

TENDERLY key Ab 3:20
3/4 8 bar intro and vocal in at 18 seconds, vocal through, at 1:34 short solo, vocal back in at 1:54 with "then you .......and I.............came wandering by..",  continue,  tag the last line and finish.

MP3 DEMO:
F401. TENDERLY Ab Pianotrak 2017
key - Ab - vocal range - Eb to Bb (huge range)
Gorgeous and hugely popular song in waltz tempo (3/4), and in a lovely 2017 Pianotrak arrangement.

TENNESSEE WALTZ key D 2:51
8 bar intro and vocal in at 16 seconds, vocal through, violin solo at 1:24, vocal back in at 1:58 with "I remember that night...", continue through,repeat the last line and finish.

MP3 DEMO:
F1719. TENNESSEE WALTZ - D
key - D - vocal range - D to F# (optional A)
Gorgeous band arrangement of this hugely popular standard and country classic, in the same key as Patsy Cline's version.

TENNESSEE WALTZ key G 4:38
electric piano intro and vocal in at 28 seconds, vocal through as per the Bonnie Raitt and Nora Jones Live version - same key, form and similar arrangement, electric piano and guitar solo at 2:17, vocal back in at 3:11 with "I remember that night...", continue through and at 4:07 slow down and repeat the last line and finish.

MP3 DEMO:
F1781. TENNESSEE WALTZ - G
key - G - vocal range - G to B
This hugely popular old classic was reworked by Bonnie Raitt and Nora Jones in a live version, with a different feel than the original versions and it's so good! Here is a similar arrangement in the same key.

TEQUILA SUNRISE key C 4:08
8 bar intro and vocal in at 23 secs, continue through, short piano solo at 2:49, vocal back in at 3:10 with "take another shot of courage..", continue thru and finish.

MP3 DEMO:
F937. TEQUILA SUNRISE - C
key - C - vocal range - A to A
I've always liked this wonderful Eagles hit, and here's a cool TRIO arrangement of it.

THANKS FOR THE MEMORY key C 2:51
4 bar intro and vocal in at 13 seconds, vocal through - no solo - at 1:52 go back to "Many's the time that we feasted...", continue through and finish.

MP3 DEMO:
F1860. THANKS FOR THE MEMORY - C
key - C - vocal range - G to A
Super trio arrangement of this old standard from the 30's.

THAT LOVELY WEEKEND key Bb 3:33
4 bar intro and vocal starts at 14 secs - very rubato but easy to catch onto - same form as the Vera Lynn version.

MP3 DEMO:
F893. THAT LOVELY WEEKEND
key - Bb - vocal range - F to A
Loosely based on the Vera Lynn version from 1942, arranged with a fairly authentic 1940's sound in mind!

THAT OLD BLACK MAGIC key Ab 4:35
Based on the Rod Stewart version, similar arrangement, same form and the original key.

MP3 DEMO:
F2017. THAT OLD BLACK MAGIC - Ab Rod Stewart
key - Ab - vocal range - Eb to Ab
The classic standard in a similar arrangement of the Rod Stewart version from his "Great American Songbook volume 5" album.

THAT OLD BLACK MAGIC key G 3:02
8 bar intro and vocal in at 11 secs, continue, vocal thru - no solo - vocal back to the bridge ("I should stay away......") at 1:43, continue to end, repeat
"in a spin........loving that spin I'm in......under that old black magic called love....." from 2:35 and finish.

MP3 DEMO:
F897. THAT OLD BLACK MAGIC - G latin
key - G - vocal range - D to G (suitable for lower female ranges)
Very cool latin based Trio arrangement of this hugely popular standard.

THAT OLD BLACK MAGIC - key - Bb 2:39
8 bar intro; vocal thru full song - no solo - vocal back in at "I should stay away......."; continue and repeat the last lines - "in a spin..........loving that spin I'm in........; I'm under that old black magic called love" and finish.

MP3 DEMO:
F44. THAT OLD BLACK MAGIC 2011
key - Bb - vocal range - F to Bb
Wonderful and popular old standard which was a huge hit for Sammy Davis Jnr and covered by all the greats including Ella, Carmen McRae, Sinatra, etc. 2011 Livetrak trio arrangement.

THAT OLD BLACK MAGIC version 2 key Bb 3:21
8 bar introduction, vocals thru, short trumpet solo, vocals back in at “I should stay away..” at 1:53, continue and for the ending - “in a spin.. loving spin i'm in…..under that old black magic called love..” twice and then “in a spin….loving that spin i’m in….under that old…………..black magic…………. called love…………” and then finish.

MP3 DEMO:
F790. THAT OLD BLACK MAGIC version 2
key - Bb - vocal range - F to Bb
This has a very cool “Las Vegas” style band arrangement of this incredible song, a hugely popular classic standard.

THAT OLD BLACK MAGIC version 3 key Bb 3:32
8 bar intro; vocal in at 11 secs; continue; piano solo; vocal back in at 2:11 "I should stay away.. but what can I do..."; continue and for the ending sing: " in a spin.. loving that spin I'm in.....under that old black magic called love.." twice and then "in a spin.. .loving that spin I'm in.....under that old .............black magic............ called love.............." and finish.

MP3 DEMO:
F791. THE OLD BLACK MAGIC version 3
key - Bb - vocal range - F to Bb
Another very cool "band" arrangement of the popular classic standard.

THAT OLD BLACK MAGIC version 3 key Bb TRIO ONLY VERSION 3:32
8 bar intro; vocal in at 11 secs; continue; piano solo; vocal back in at 2:11 "I should stay away.. but what can I do..."; continue and for the ending sing: " in a spin.. loving that spin I'm in.....under that old black magic called love.." twice and then "in a spin.. .loving that spin I'm in.....under that old .............black magic............ called love.............." and finish.

MP3 DEMO:
F792. THAT OLD BLACK MAGIC version 3 TRIO
key - Bb - vocal range - F to Bb
Same arrangement as F791 but as a TRIO ONLY.

THAT OLD DEVIL CALLED LOVE key Ab 3:32
4 bar intro and vocal in at 16 seconds, vocal through as per the original Billie Holiday form - no solo - at 2:23 the vocal goes back to "he'd follow me around... build me up....", continue through, at 3:09 sing "with tht old devil....called love..." and finish.

MP3 DEMO:
F872. THAT OLD DEVIL CALLED LOVE - Ab
key - Ab - vocal range - Eb to Ab
Fresh Trio arrangement of this classic Billie Holiday standard, in her original key.

THAT OLD FEELING key Ab 2:53
8 bar intro and vocal in at 13 seconds, vocal through twice, piano solo at 1:55, vocal back in at 2:21 with "once again I seem to feel that old.....", continue through and finish tightly.

MP3 DEMO:
F1428. THAT OLD FEELING - Ab Trio
key - Ab - vocal range - G to Ab
Wonderful swinging TRIO arrangement of the classic standard.

THAT OLD FEELING key G 3:17
4 bar intro, vocal through, tenor sax solo, vocal back in at "the moment that you walked by...", continue, repeat the last line and finish.

MP3 DEMO:
F229. THAT OLD FEELING - G
key - G - vocal range - F# to G
Great old standard,  sung by Diana Krall and all the very best singers of the day, given a Realtrak Quintet treatment.

THAT OLD FEELING key G 3:22
4 bar intro and vocal in at 11 seconds, vocal through, short 8 bar solo from 1:41, vocal back in at 2:03 with "the moment that you danced by.....", continue through

MP3 DEMO:
F2192. THAT OLD FEELING - G Acoustic Guitar
key - G - vocal range - F# to G
Wonderful Acoustic Guitar arrangement of this classic standard, at a great tempo and perfect for an intimate vocal.

THAT SUNDAY THAT SUMMER key Bb 3:35
5 bar intro and vocal pick up in at 17 secs, continue through, piano solo at 2:19 and vocal back in at 2:52 with "darling it would be, when you smiled at me....", continue and at 3:12 finish with "if i had to choose..... just one day...".

MP3 DEMO:
F1320. THAT SUNDAY THAT SUMMER - Bb
key - F - vocal range - F to Bb
Gorgeous TRIO arrangement of this wonderful old standard, covered by all the very best singers.

THAT'S ALL - key G 3:38
8 bar intro ; vocal thru ; full solo ; vocal back to beginning / thru again ; dead stop to finish.

MP3 DEMO:
F69. THAT'S ALL
key - G - vocal range - G to B
An original Livetrak swing arrangement done in the style of an Organ Trio. Sung by Bobby Darin ; Sarah Vaughan ; et al.

THAT'S ALL key F 4:48
8 bar intro and vocal in at 14 secs, continue thru, piano solo at 2:05, vocal back in at 3:01 with "there are those I am sure...", continue thru, tag the last line at 3:55 and finish similar to Nicole Henry's version.

MP3 DEMO:
F1047. THAT'S ALL - F
key - F - vocal range - F to A
Lovely arrangement of the classic standard, that is loosely based on a version by Nicole Henry.

THAT'S ALL key G 4:03
4 bar intro; vocal thru; short piano solo and vocal back in at "there are those I am sure...."; continue; rall the last line and finish.

MP3 DEMO:
F710. THAT'S ALL - G ballad
key - G - vocal range - G to B
Gorgeous piano and bass ballad arrangement of this cool song. Covered recently by Michael Buble.

THAT'S ALL key G 4:09
4 bar intro, vocal in at 16 secs and continue, short piano solo at 2:16, vocal back in at  2:45 with "there are those I am sure....", continue and rall the last line slightly and finish.

MP3 DEMO:
F828. THAT'S ALL version 3
key - G - vocal range - G to B
Gorgeous ballad arrangement of this classic gem.
 

THAT'S AMORE key E to F 2:52
8 bar intro and vocal in at 8 secs, continue thru, at 1:23 key change to F and accordion solo, vocal back in at 1:42 with "bells will ring...", continue thru, stays in tempo, rall the last line and  finish.

MP3 DEMO:
F1084. THAT'S AMORE - E to F
key - E to F - vocal range - F# to A
The old Dean Martin classic in a female key, without the verse but includes a key change.

THAT'S LIFE key C to Db 3:40
4 bar intro and vocal in at 15 secs, continue thru as per the usual form, key change into the last verse, similar finish based on the Sinatra version and finish.

MP3 DEMO:
F1025. THAT'S LIFE - C to Db Pianotrak
key - C to Db - vocal range - A to Bb
Very lovely piano only arrangement of the classic Sinatra hit.

THE ANNIVERSARY WALTZ key G 2:48
8 bar intro and vocal in at 16 seconds, vocal through, piano solo at 1:23, vocal back in at 1:55 with "let this be the anthem to our future years..", continue and tag the last line then finish.

MP3 DEMO:
F1555. THE ANNIVERSARY WALTZ - G
key - G - vocal range - G to A (optional B at the end tag)
Wonderful Trio arrangement of this classic standard, perfect for golden oldies and young at heart anniversaries!

THE BALLAD OF THE SAD YOUNG MEN key Bb 6:34
4 bar intro and vocal in at 19 seconds with "sing a song of sad young men.."..., continue through in that vein and similar tempo and vocal all the way, no solo and as long as you know the song well it should be an easy track to follow.

MP3 DEMO:
F1664. THE BALLAD OF THE SAD YOUNG MEN - Bb orchestral
key - Bb - vocal range - F to C
Gorgeous orchestral arrangement of this classic torch ballad and jazz standard, sung by Anita O Day, Roberta Flack, Kurt Elling, Boz Scaggs, Shirley Bassey, and many others.

THE BALLAD OF THE SAD YOUNG MEN key Bb 5:43
piano intro ; vocal thru all the way - no solo.
Easy to catch with a few ralls.

MP3 DEMO:
F585. THE BALLAD OF THE SAD YOUNG MEN - Pianotrak
key - Bb - vocal range - F to C (big range!)
Lovely song, covered by many great vocalists. Favourite versions are by Mark Murphy and Kurt Elling.
Easy to catch pianotrak - the intro verse is pretty rubato but then it keeps in a similar vein throughout.

THE BEST IS YET TO COME key E (Ab back to E) 3:23
4 bar intro; vocal thru song and then back to "come the day you're mine.... I'm gonna teach you to fly..."; continue and finish.

MP3 DEMO:
F684. THE BEST IS YET TO COME - E
key - E (this version starts in E; changes to Ab; then back to E) - vocal range - E to A
Loosely based on a Stacey Kent album version; this arrangement doesn't have all the key changes that the Sinatra version has.

THE BEST IS YET TO COME key F 2:45
4 bar intro ; vocal thru as per "Sinatra at the Sands" arrangement ; no solo and finish.

MP3 DEMO:
F389. THE BEST IS YET TO COME
key - F (A to F to F#) - vocal range - F to Bb
Awesome Realtrak arrangement ; based on the definitive Sinatra version ; of this wonderful standard.

THE BEST THING FOR YOU key G 2:36
8 bar intro ; vocal thru twice ; short bass solo ; vocal back in at " every day.. to myself I say.." ; continue ; ending is " the best thing for you.... the best thing for you.... the best thing for you would be me!" and finish.

MP3 DEMO:
F527. THE BEST THING FOR YOU
key - G - vocal range - F# to A
Wonderful Irving Berlin gem in a cool Realtrak arrangement.

THE BEST THINGS HAPPEN WHILE YOU'RE DANCING key Eb 2:10
4 bar intro and vocal in at 8 secs, continue thru, piano solo at 1:03, vocal back in at 1:35 with "even guys with two left feet....", continue thru and finish.

MP3 DEMO:
F1154. THE BEST THINGS HAPPEN WHILE YOU'RE DANCING
key - Eb - vocal range - G to G
Wonderful Irving Berlin song in a lightly swinging TRIO arrangement.

THE BEST THINGS IN LIFE ARE FREE key F 3:20
8 bar intro and vocal in at 13 secs, vocal thru twice, short piano solo at 2:03, vocal back in at 2:31 with " the flowers in spring..", continue thru, tag the last line and finish.

MP3 DEMO:
F1036. THE BEST THINGS IN LIFE ARE FREE - F
key - F - vocal range - F to A
Great TRIO arrangement of this old standard, covered by all the greats. Same arrangement as F1035, a full tone lower.

THE BEST THINGS IN LIFE ARE FREE key G 3:20
8 bar intro and vocal in at 13 secs, vocal thru twice, short piano solo at 2:03, vocal back in at 2:31 with " the flowers in spring..", continue thru, tag the last line and finish.

MP3 DEMO:
F1035. THE BEST THINGS IN LIFE ARE FREE - G
key - G - vocal range - G to B
Great TRIO arrangement of this old standard, covered by all the greats.

THE BIRTH OF THE BLUES key Eb 2:56
8 bar intro, vocal in at 15 secs with "they heard the breeze......in the trees....", continue thru, piano solo at 1:24, vocal back in at 1:59 with "from a whippoorwill......", continue thru, tag the end repeat the line - "that the southland.... gave birth to the blues...." and finish.

MP3 DEMO:
F1075. THE BIRTH OF THE BLUES - Eb Trio
key - Eb - vocal range - G to G
Trio arrangement  - piano, acoustic guitar and bass - of this classic standard, without the verse and the longer end tag (OMIT "they nursed it.. and rehearsed it...."). Swings along nicely!

THE BIRTH OF THE BLUES key F 2:56
8 bar intro, vocal in at 15 secs with "they heard the breeze......in the trees....", continue thru, piano solo at 1:24, vocal back in at 1:59 with "from a whippoorwill......", continue thru, tag the end repeat the line - "that the southland.... gave birth to the blues...." and finish.

MP3 DEMO:
F1076. THE BIRTH OF THE BLUES - F Trio
key - F - vocal range - A to A
Same arrangement as F1075, but a full tone higher.

THE BIRTH OF THE BLUES version 1 key F 3:53
string/piano intro leading to colla voce piano verse; main song thru once; back to bridge and tag the end and finish.

MP3 DEMO:
F48. THE BIRTH OF THE BLUES version 1
key - F - vocal range - F to A
Original Livetrak arrangement, including verse. Popular old standard. Sammy Davis Jnr had a big hit with it although it's been covered by every major popular artist.

THE BIRTH OF THE BLUES version 2 key F 4:02
string intro ; colla voce vocal thru ; tempo kicks in on " they heard the breeze..." ; continue ; no solo - back to " from a whipperwill..." ; continue ; tag the last line and add the reprise section and finish.

MP3 DEMO:
F49. THE BIRTH OF THE BLUES version 2
key - F - vocal range - F to A
Original Livetrak arrangement, an alternate arrangement from F48.

THE BLACK HILLS OF DAKOTA key D 3:11
4 bar intro and vocal in at 11 seconds, vocal through the song, piano solo at 1:37, vocal back in at 2:17 with "and when i get that lonesome feeling..", continue through and finish.

MP3 DEMO:
F2011. THE BLACK HILLS OF DAKOTA - D
key - D - vocal range - A to A
Simple and effective Quartet arrangement of the Doris Day hit from the movie "Calamity Jane", original key.

THE BOULEVARD OF BROKEN DREAMS key - Gm 3:03
4 bar intro/vocal pickup ; vocal thru ; harmonica solo over the 2nd "A" section ; vocal back in at " every evening you will find me...." ; continue ; tempo ralls and then just vocal and dramatic piano for " where gigolo and gigolette.... continue ; big vocal finish ; back into tempo and finish.

MP3 DEMO:
F455. THE BOULEVARD OF BROKEN DREAMS
key - Gm - vocal range - G to G (Bb optional top note)
Realtrak Latin arrangement of the old Tony Bennett hit. Also covered by Diana Krall and loads of others.

THE BOY FROM IPANEMA key C 3:15
8 bar intro ; vocal thru ; jazz gtr solo ; vocal back in at " oh! ;but I watch him so sadly..." ; continue ; repeat last line and ad lib / finish.

MP3 DEMO:
F388. THE BOY FROM IPANEMA
key - C - vocal range - F to G (suit lower female range)
Fab new Realtrak bossa arrangement of this popular Jobim gem!

THE BOY FROM IPANEMA key C 3:11
4 bar intro and vocal in at 8 secs, vocal through, piano solo at 1:28, vocal back in at 2:00 with "Oh.. but i watch him so sadly...", continue through, at 2:47 repeat the last line, ad libs and finish.

MP3 DEMO:
F1306. THE BOY FROM IPANEMA - C Pianotrak
key - C - vocal range - F to G
Piano only arrangement of the song that sparked the Bossa Nova revolution!

THE BOY FROM...... key F 3:24
intro and vocal in at 29secs; continue vocal all the way; once thru.

MP3 DEMO:
F768. THE BOY FROM.........
key - F - vocal range - similar to The Girl From Ipanema - NOTE! This is not THE GIRL FROM IPANEMA
Here's a wonderful song; written by Mary Rodgers and Stephen Sondheim. It's essentially a parody on The Girl From Ipanema with a similar range and style. Very funny and perfect as a Cabaret song. Nice Pianotrak arrangement.

THE BOY NEXT DOOR key F 3:13
8 bar intro; vocal thru; short STRINGS solo; vocal back in at "doesn't try to please me......doesn't even tease me"; tag the last line; rall and finish.

MP3 DEMO:
F720. THE BOY NEXT DOOR
key - F - vocal range - G to A
Great waltz from the movie Meet Me In St Louis and sung by Judy Garland. Covered by lots of great singers - "The Girl Next Door" for male singers! Lovely ORCHESTRAL Livetrak arrangement.

THE CARIOCA key Cm & C 2:33
8 bar intro ; vocal pickup and thru twice ; latin piano solo ; vocal back in at " you'll dream... of the new Carioca.."; continue ; and finish.

MP3 DEMO:
F474. THE CARIOCA
key - Cm & C - vocal range - G to A
Superb Latin version of this great lesser known gem. Singers include Fred Astaire,  Mel Torme and Carmen McRae.

THE DAYS OF WINES & ROSES key C 2:36
4 bar intro ; vocal thru ; solo ; vocal back in at " the lonely night discloses..." ; continue ; repeat '' the days of wine and roses" twice and then the full last line and finish.

MP3 DEMO:
F182. THE DAYS OF WINE AND ROSES - C
key - C - vocal range - G to B
Wonderful Henry Mancini standard which was a big hit for Tony Bennett.

THE DAYS OF WINE AND ROSES key C 3:52
4 bar intro and vocal in at 13 seconds, vocal through, piano solo at 1:58, vocal back in at 2:49 with "the lonely night discloses..", continue through and finish.

MP3 DEMOS:
F1997. THE DAYS OF WINE AND ROSES - C Quartet
key - C - vocal range - G to B
Wonderful Quartet arrangement of this sublime classic standard in a perfect tempo that's suitable for a classy and expressive vocal.

THE DAYS OF WINE AND ROSES key Bb 3:36
Orchestral intro leading to 4 bar intro ; vocal thru ; Orchestra solo ; vocal back in at "thru the meadow land, toward a closing door... " ; continue ; no tag - and finish.

MP3 DEMO:
F580. THE DAYS OF WINES AND ROSES Bb
key - Bb - vocal range - F to A
Absolutely gorgeous and dreamy Latin arrangement of this beautiful Mancini tune.

THE DOCK OF THE BAY key Bb 3:25
4 bar intro and vocal in at 10 seconds, vocal through - no solo - at the vocal goes back to "looks like... nothing's gonna change....", continue through and finish - no "whistling" section, just a classy ending.

MP3 DEMO:
F1832. THE DOCK OF THE BAY - Bb Trio
key - Bb - vocal range - G to Bb
Super classy Trio plus percussion arrangement of the Otis Reading hit with subtle chord substitutions thrown in. A great feel and groove, nice bright punchy piano and bass and a great song.

THE END OF A LOVE AFFAIR key Bb 4:51
4 bar intro and vocal in at 13 seconds, vocal through, short piano solo at 2:24, vocal back in at 2:48 with "so I talk just a little too much..", continue through and finish.

MP3 DEMO:
F1862. THE END OF A LOVE AFFAIR - Bb
key - Bb - vocal range - Eb to G
Wonderful standard in a dreamy Trio arrangement.

THE END OF A LOVE AFFAIR key Eb 3:28
4 bar intro and vocal in at 12 seconds, vocal through - no solo - at 2:11 the vocal goes back to "do they know.. do they care".., continue through and finish.

MP3 DEMO:
F2027. THE END OF A LOVE AFFAIR - Eb Trio
key - Eb - vocal range - Ab to C (suitable for higher female ranges & lower male ranges)
Superb Trio arrangement of this wonderful torch song, covered by all the greats. This arrangement is more "looking forward" than "moping around..". Have a listen...

THE END OF THE WORLD key Bb 3:25
4 bar intro and vocal in at 14 secs, vocal through - no solo - at 2:06 go back to "I wake up in the morning and I wonder....", continue through, at 3:03 sing again "it ended when you said goodbye......" and finish.

MP3 DEMO:
F873. THE END OF THE WORLD - Bb
key - Bb - vocal range - G to A
Gorgeous Trio arrangement of the popular Skeeter Davis hit.

THE FIRST TIME EVER I SAW YOUR FACE key C 5:12
4 bar intro, then as per the Roberta Flack version.

MP3 DEMO:
F499. THE FIRST TIME EVER I SAW YOUR FACE - C
key - C - vocal range - G to A
This Realtrak is based on the lovely Roberta Flack version ; with a 4 bar intro.
 

THE FOLKS WHO LIVE ON THE HILL key F 4:15
4 bar intro ; vocal thru (no tag first time thru) - no solo - back to the bridge ;continue and include the tag ; rall the last line and finish.

MP3 DEMO:
F258. THE FOLKS WHO LIVE ON THE HILL
key - F - vocal range - F to A
Sublime ballad! Singers include Peggy Lee ; Nancy Wilson and Mel Torme. Lovely Realtrak Trio.

THE FOLKS WHO LIVE ON THE HILL key F 4:41
Piano intro and vocal in at 25 secs, vocal thru and include the end tag, no solo - vocal back to "our veranda will command a view..." at 3:02, continue thru (more expressively paced), rall the last line and finish.

MP3 DEMO:
F980. THE FOLKS WHO LIVE ON THE HILL - F Pianotrak
key - F - vocal range - F to A
Stunning piano arrangement of this beautiful Jerome Kern song, easy to follow and beautifully paced.
Favourite versions are by Peggy Lee and Mel Torme.

THE FOLKS WHO LIVE ON THE HILL key F 3:24
4 bar intro and vocal in at 12 seconds, vocal through the song, including the end tag - no solo - at 2:09 the vocal goes to "our veranda will command a view of meadows green...", continue through and finish.

MP3 DEMO:
F2234. THE FOLKS WHO LIVE ON THE HILL - F Trio
key - F - the vocal range - F to A
Gorgeous Trio arrangement of this superb Jerome Kern and Oscar Hammerstein II song, covered by all the best singers and musicians of the day, probably the most popular vocal version was by Peggy Lee.

THE GENTLE RAIN key Em 3:25
4 bar intro; vocal thru; short piano solo; vocal back in at "don't be afraid.....I've a hand...."; continue; no tag and finish.

MP3 DEMO:
F670. THE GENTLE RAIN - Em
key - Em - vocal range - F# to A
Cool Bossa gem and covered by Tony Bennett; Astrud Gilberto; Luiz Bonfa and all the great musicians.
Great Trio and percussion version.
 

THE GENTLEMAN IS A DOPE key Fm 4:40
4 bar intro and vocal in at 7 seconds, vocal through (leaving out the tag), at 2:13 piano solo over the first A section, vocal back in at 2:44 on the second A section and continue into the bridge at 3:17, continue through and include the end tag, outro and finish.

MP3 DEMO:
F964. THE GENTLEMAN IS A DOPE - Fm
key - Fm - vocal range - E to G
Superb Trio arrangement, loosely based on a Rosemary Clooney version, in the same key, of this quirky Rogers and Hammerstein gem.

THE GIFT (RECADO BOSSA NOVA) key Cm 3:08
8 bar intro and vocal in at 12 seconds, continue through the song, piano solo from 1:31, at 1:54 vocal back in at the 2nd "A" section - lyrically it is "the gift of love.. is a precious thing..", continue through, at 2:45 repeat the last line "the gift of love is the greatest gift of all.."and finish.

MP3 DEMO:
F2005. THE GIFT (RECADO BOSSA NOVA) - Cm
key - Cm - vocal range - Ab to Bb
Wonderful bossa nova, popular with musicians, and with a great lyric by Paul Francis Webster. The Eydie Gorme version is so good (such a great singer), but it's been covered by artists like The Hilos and many others.

THE GLORY OF LOVE key C to Db 3:40
4 bar intro ; vocal thru ; solo ; vocal back in at " as long as there's the two of us .." ; key change for last verse and tag the ending/lengthen the very last line and finish.

MP3 DEMO:
F126. THE GLORY OF LOVE
key - C to Db - vocal range - G to A
Classy old standard in a livetrak arrangement. Original Livetrak arrangement.
 

THE GOOD LIFE key C 3:35
4 bar intro and vocal in at 14 seconds and continue through - no solo - at 2:12 go back to "it's the good life, to be free and explore the unknown....", continue through and slow the last line down and finish.

MP3 DEMO:
F1815. THE GOOD LIFE - C Trio
key - C - vocal range - E to G (suit lower female ranges)
Gorgeous Trio arrangement of a wonderful song that scored a massive hit for Tony Bennett, and been covered by so many wonderful singers and musicians.

THE GOOD LIFE key Eb 3:42
string intro - vocal pickup & into tempo ; vocal thru ; solo ; vocal back in at " you won't really..fall in love.." ; continue ; rall the last line and finish.

MP3 DEMO:
F254. THE GOOD LIFE - Eb
key - Eb - vocal range - G to Bb
A favourite song of mine! Wonderful Tony Bennett hit! Other singers include Bobby Darin. Original Livetrak arrangement.

THE GOOD LIFE key Eb 4:13
4 bar intro and vocal in at 8 seconds, vocal through twice, piano solo at 2:34 and vocal back in at 3:10 with "it's the good life.....to be free and explore the unknown...", continue and tag the last line and finish with the intro.

MP3 DEMO:
F2386. THE GOOD LIFE - Eb Quartet
key - Eb - vocal range - G to Bb
The wonderful song from Sacha Distel and Jack Reardon in a Quartet arrangement and at a great tempo.

THE GYPSY key G 3:37
4 bar intro ; vocal thru ; mute trumpet solo ; vocal in at " she looked in ...." ; continue ; no tag and finish.

MP3 DEMO:
F223. THE GYPSY
key - G - vocal range - E to A
Wonderful old standard given a Realtrak arrangement. Lovely!

THE GYPSY key G 3:06
4 bar intro and vocal in at 13 seconds, vocal through - no solo - at 1:54 the vocal goes back to "she looked in my hand and told me...", continue through and finish.

MP3 DEMO:
F2237. THE GYPSY - G Trio
key - G - vocal range - E to A
Wonderful old standard that scored hits for Dinah Shore, The Ink spots, Dorothy Squires in the UK and been covered by all the best singers and musicians of the day. Here's a very lovely fresh Trio arrangement.

THE IMPOSSIBLE DREAM key D 3:52
8 bar intro and vocal in at 13 seconds, vocal through in tempo - no solo - at 2:18 the vocal goes back to "this is my quest.. to follow that star..", at 3:25 extend "to ...reach......... the unreachable............star.................." and finish.

MP3 DEMO:
F1732. THE IMPOSSIBLE DREAM - D swing
key - D - vocal range - E to A
Wonderful Trio arrangement of the big song from "Man From La Mancha", with a wonderful bassline and at a great tempo.

THE IMPOSSIBLE DREAM key Eb to E 4:40
2 bar intro ; vocal thru ; no solo - back to the bridge-"this is my quest..." ; continue ; longer pause at "when I'm laid to my rest..." ; key change ; last verse ; continue ; for the last line -hold onto "reach---------------------------- the unreachable star----------------" & finish.

MP3 DEMO:
F216. THE IMPOSSIBLE DREAM
key - Eb to E - vocal range - F to Ab (B optional top note).
Nice Realtrak trio + string quartet arrangement of this lovely showtune.

THE IMPOSSIBLE DREAM 9/8 Pianotrak key Db 3:48
4 bar intro and vocal in at 12 seconds, vocal through - no solo - at 2:09 the vocal goes back to "this is my quest....to follow that star..", continue through and at 3:12 ("to reach.......") - stretch out and take your time and at 3:18 should be "unreachable".... and at 3:24 is your last word "star...", and let the track finish. It all falls into place perfectly and the track stays in time right until the end.

MP3 DEMO:
F1614. THE IMPOSSIBLE DREAM 9/8 - Db Pianotrak
key - Db - vocal range - F to Gb (optional Ab top note)
Stunning piano only arrangement of the big song from the musical "Man From La Mancha", in the original 9/8 time signature. It all falls easily into place for any quality vocalist. Same arrangement as F1613 except a full tone lower.

THE IMPOSSIBLE DREAM 9/8 key Eb 3:52
4 bar intro and vocal in at 12 seconds, vocal through - no solo - at 2:10 the vocal goes back to "this is my quest....to follow that star..", continue through and at 3:14 ("to reach.......") - stretch out and take your time and at 3:21 should be "unreachable".... and at 3:27 is your last word "star...", and let the track finish. It all falls into place perfectly and the track stays in time right until the end.

MP3 DEMO:
F1611. THE IMPOSSIBLE DREAM 9/8 - Eb orchestral
key - Eb - vocal range - G to Ab, optional top note Bb
Really stunning arrangement of the classic big song from the musical "Man From La Mancha". In the original 9/8 time signature, it really falls into place so easily and the orchestration is sublime - piano, harp and vibraphone taking the arpeggios and fills and strings and a gorgeous choir adding the icing on the cake.

THE IMPOSSIBLE DREAM 9/8 Pianotrak key Eb 3:48
4 bar intro and vocal in at 12 seconds, vocal through - no solo - at 2:09 the vocal goes back to "this is my quest....to follow that star..", continue through and at 3:12 ("to reach.......") - stretch out and take your time and at 3:18 should be "unreachable".... and at 3:24 is your last word "star...", and let the track finish. It all falls into place perfectly and the track stays in time right until the end.

MP3 DEMO:
F1613. THE IMPOSSIBLE DREAM 9/8 - Eb Pianotrak
key - Eb - vocal range - G to Ab (optional Bb top note)
Stunning piano only arrangement of the big song from the musical "Man From La Mancha", in the original 9/8 time signature. It all falls easily into place for any quality vocalist.

THE ISLAND key - Am to Bbm to Bm 3:51
8 bar intro ; vocal thru all the way - no solo - outro and finish.

MP3 DEMO:
F734. THE ISLAND
key - Am to Bbm to Bm - vocal range - G to A
A collaboration of incredible talents - the music of Ivan Lins and the Bergmans providing the English lyric to this wonderful classy gem. This is a really great orchestral arrangement ; slower in tempo to set the mood better, I feel.
You have the check out the Jane Monheit version - incredibly slow and she sings it beautifully in the native language; but the orchestration is simply wonderful!!

THE LADY IS A TRAMP key F 2:43
8 bar intro; vocal thru twice - no solo - to finish sing "that's why the lady.........that's why the lady.......that's why the lady is a tramp!

MP3 DEMO:
F700. THE LADY IS A TRAMP - F
key - F - vocal range - E to G
Cool trio arrangement of the classic standard; in an easy female key.
 

THE LADY IS A TRAMP key F 3:40
4 bar intro and vocal in at 16 seconds, vocal through twice - no solo, from 3:06 sing "hates California, it's cold and it's damp... that's why the lady... that's why the lady.. that's why the lady is a tramp" and finish.

MP3 DEMO:
F1600. THE LADY IS A TRAMP - F ballad
key - F - vocal range - E to G (optional A top note)
Gorgeous ballad arrangement of the standard everybody knows! A ballad version is something different and a very lovely Trio arrangement in an easy manageable female key for a more intimate take on this old Sinatra classic, the 2nd time through can be a bit more expressive, opening up more..

THE LADY IS A TRAMP key G/Ab 2:40
8 bar intro ; vocal thru all the way - no solo - end as per the Sinatra version.

MP3 DEMO:
F345. THE LADY IS A TRAMP - G to Ab
key - G to Ab - vocal range - G to Bb
Great Realtrak Big Band version of this popular standard. Based on the definitive Sinatra arrangement.

THE LATE LATE SHOW key Db 2:40
4 bar intro and vocal in at 8 secs, continue thru, short acoustic guitar solo at 1:07, vocal back in at 1:21 with "it's so cosy in the park tonight..", continue thru and finish as per the Dakota Staton version.

MP3 DEMO:
F1313. THE LATE LATE SHOW - Db
key - Db - vocal range - A to B (Dakota Staton version range A to E)
Loosely based on the Dakota Staton version from her classic Capitol album of the same title. This arrangement is a small group quartet consisting of piano, acoustic guitar, upright and drums.

THE LOOK OF LOVE - key Dm 4:03
4 bar intro, vocal thru, short hammond solo, back in at "the look of love is saying so much...." continue and end.

MP3 DEMO:
F56. THE LOOK OF LOVE
key - Dm - vocal range - A to C
An original Livetrak arrangement of this wonderful Bacharach and Hal David gem. These two guys brought a touch of class to the 60's.

THE LOOK OF LOVE key Cm 3:45
8 bar intro and vocal in at 17 seconds, vocal through including a 6 bar "don't ever go.." section (basically an ad lib) , short 8 bar piano solo at 2:22, vocal back in at 2:40 with "be mine tonight....let this be just the start.." continue and add the 6 bar end tag and finish.

MP3 DEMO:
F1845. THE LOOK OF LOVE - Cm swing
key - Cm - vocal range - G to Bb
Superb Trio arrangement of the Burt Bacharah and Hal David classic, lightly swinging and with phrasing that keeps to the song form plus some really classy substitutions thrown in. Same arrangement as M2110 except a full tone lower.

THE LOOK OF LOVE key Gm 3:56
8 bar intro and vocal in at 19 seconds, vocal through, piano solo at 2:28, vocal back in at 3:09 with "I can hardly wait to hold you...", continue through to the "don't ever go..." end section and finish.

MP3 DEMO:
F1834. THE LOOK OF LOVE - Gm Trio
key - Gm - vocal range - (D) G to G
Wonderful Trio plus percussion arrangement of this exceptional Burt Bacharach and Hal David gem.

THE LOVE OF A BOY key Bb 3:03
Same form as the original Julie Rogers version, in the original key.

MP3 DEMO:
F1370. THE LOVE OF A BOY
key - Bb - vocal range - F to C
Big hit in 1964 for Julie Rogers with this arrangement keeping pretty close to her version.

THE MAN I LOVE key Ab 3:20
8 bar intro ; vocal thru ; solo ; vocal back in at " maybe I shall meet him..." ; continue ; repeat the last line/ad lib and finish.

MP3 DEMO:
F221. THE MAN I LOVE
key - Ab - vocal range - Ab to Ab
Super cool Realtrak trio version of this great Gershwin classic. This arrangement is based on a live version by Ella Fitzgerald that was so groovy!!

THE MAN I LOVE key G 4:01
4 bar intro and vocal in at 20 seconds, vocal through - no solo - at 2:36 the vocal goes back to "maybe I shall meet him one day..", continue through, slow the last line down and finish.

MP3 DEMO:
F1948. THE MAN I LOVE - G Trio
key - G - vocal range - G to G
Gorgeous Trio reworking of the Gershwins' classic, with some subtle chord substitutions thrown in.

THE MAN I LOVE key Ab 4:03
piano intro into tempo and vocal in ; continue - no solo - vocal back to "maybe I shall meet him Sunday, maybe Monday, maybe not..." ; continue and finish.

MP3 DEMO:
F568. THE MAN I LOVE Ab ballad
key - Ab - vocal range - Ab to Ab
Wonderful Gershwin gem ; this time in a dreamy slow ballad arrangement with cool chord changes. Check out the Carmen McRae version from the album "Can't Hide Love" - sublime!

THE MAN THAT GOT AWAY key Bb 4:36
4 bar intro and vocal in at 13 secs, vocal thru - no solo - vocal back to " good riddance goodbye....." at 3:05, continue thru, rall the last line and finish.

MP3 DEMO:
F1212. THE MAN THAT GOT AWAY
key - Bb - vocal range - F to A
Lighlty swinging TRIO arrangement of this Harold Arlen gem that became synonymous with Judy Garland.

THE MAN WITH THE HORN key Ab 4:16
same key and form as the Anita O Day version.
Available with the sax removed.

MP3 DEMO:
F818. THE MAN WITH THE HORN
key - Ab - vocal range - Eb to Bb
Same key and form as the Anita O Day version, although a little slower. Trio arrangement with sax obligatos.
Also available with the sax removed.

THE MASQUERADE IS OVER (I'm afraid) key Ab 3:28
4 bar intro ; vocal thru ; no solo - vocal back to " I guess I'll have to play..." ;.... continue ; finish - no tag.

MP3 DEMO:
F207. THE MASQUERADE IS OVER (I'm afraid) Ab
key - Ab - vocal range - Ab to Bb
Realtrak Trio arrangement of this wonderful standard. Sung by George Benson, Nancy Wilson et al.

THE MIDNIGHT SUN key G 4:35
4 bar intro; vocal thru; no solo - vocal back to " was there such a night..." ; continue; rall the last line and finish.

MP3 DEMO:
F159. THE MIDNIGHT SUN
key - G - vocal range - F# to A
Really nice REALTRAK Rhodes Trio version. Sung by Nancy Wilson,Sarah Vaughan et al.

THE MOMENT OF TRUTH key F 2:37
8 bar intro ; vocal thru ; trpt solo over the 1st time "A" section ; vocal back in at the 2nd "A" section ; continue ; extend the last line and finish.

MP3 DEMO:
F500. THE MOMENT OF TRUTH
key - F - vocal range - G to A
Great swinger, sung by Peggy Lee and others, in a cooking Livetrak version!

THE MOOD I'M IN key Ab 3:03
8 bar intro and vocal in at 9 seconds, vocal through the song, piano solo at 2:10, vocal back in at 2:29 with "but I'm goin' the route single, oh don't look to find me..", continue through and finish big!
Note - This doesn't include the added extra tag line "you see my disbelieving friends" - just straight through as before - "you see my friends, it all depends on the mood..I'm..In" and finish.

MP3 DEMO:
F1413. THE MOOD I'M IN - Ab Pianotrak
key - Ab - vocal range - Eb to Ab
Fantastic piano only arrangement of this classic 3/4 gem.

THE MOON WAS YELLOW keys - Am to Bbm 3:26
4 bar intro and vocal in at 8 seconds, vocal through, marimba solo at 1:28, vocal back in at 2:05 with "here I am...", continue through, key change to Bbm at 2:47 and repeat the last verse "my love is mellow and my hopes are strung...", continue and finish.

MP3 DEMO:
F1463. THE MOON WAS YELLOW
key - Am - vocal range - A to Db
Classic rhumba gem, covered by all the very best crooners and singers of the day. This arrangement is based on the 1979 Lawrence Welk Show version featuring Anacani and Jack Imel - https://www.youtube.com/watch?v=j6XBmID_oP8
Same keys, slightly slower in tempo. Suit higher female range and lower male range.

THE MORE I SEE YOU key Bb 3:14
8 bar inro ; vocal thru ; solo ; vocal back in at " can you imagine...." ; continue ; no repeats / finish.

MP3 DEMO:
F100. THE MORE I SEE YOU
key - Bb - vocal range - F to Bb
Wonderful song in an original Livetrak arrangement.

THE MORE I SEE YOU key A 3:19
4 bar intro and vocal in at 9 seconds, vocal through, short synth solo at 1:34, vocal back in at 1:56 with "with every sigh.. I become more mad...", continue through and finish.

MP3 DEMO:
F2249 smooth. THE MORE I SEE YOU - A smooth
key - A - vocal range - E to A
I really love producing smooth arrangements of classic standards and this one is a belter! (as we say in Scotland). Very tasty chord changes, really nice sounds, I love the sub bass - it doesn't move much but it just holds everything nicely together.

THE MORE I SEE YOU key Bb 2:34
4 bar intro and the vocal in at 7 seconds, continue through - no solo - vocal through twice, repeat the last line "my heart won't try" 3 times and finish.

MP3 DEMO:
F2253. THE MORE I SEE YOU - Bb swing
key - Bb - vocal range - F to Bb
Swinging Trio arrangement of this wonderful classic standard.

THE MORE I SEE YOU key Bb 2:32
4 bar intro, vocal thru twice - no solo - repeat the last line ("my arms won't free you.... my heart won't try...") at 2:11 and finish.

MP3 DEMO:
F862. THE MORE I SEE YOU - Bb Tango
key - Bb - vocal range - F to Bb
Fresh Tango arrangement of this great gem, suitable for ballroom dancing.

THE MORE I SEE YOU key Bb 3:40
2 bar piano intro and vocal in at 7 seconds with the verse "each time I look at you is like the 1st time...", continue through and intro the main theme at 39 seconds - into tempo with the trio, continue through - no solo - at 2:25 the vocal goes back to "can you imagine... how much i love you..." , continue through and finish.

MP3 DEMO:
F2251. THE MORE I SEE YOU - Bb Trio (incl verse)
key - Bb - vocal range - F to Bb
Wonderful song with the equally wonderful verse included - musical perfection in a tastefully played and produced Trio arrangement.

THE MORE I SEE YOU key Bb 3:42
piano intro and vocal in at 13 seconds with the verse "each time I look at you is like....", into the main song "the more I see you" at 47 seconds and into tempo all the way. Continue through the song, there's no solo included so at 2:17 go back to "with every sigh... I become more mad about you..." and continue through and finish.

MP3 DEMO
F402. THE MORE I SEE YOU Bb Pianotrak 2017
key - Bb - vocal range - F to Bb
Wonderful song with the gorgeous verse included in this lovely 2017 Pianotrak arrangement.
The demo includes the verse and then into tempo.

THE MOUNTAINS OF MOURNE key - C to Db to D 6:05
8 bar intro; vocal thru 1st verse; 4 bar break; vocal thru 2nd verse; key change and 4 bar break (2:27); vocal thru 3rd verse - no break - straight into the 4th verse and continue; key change and 4 bar break (4:37); vocal thru 5th verse - rall the last line and finish.

MP3 DEMO:
F743. THE MOUNTAINS OF MOURNE
key - C to Db to D - vocal range - G to A
Wonderful Irish folk song in a really lovely 3/4 Trio arrangement; with 4 bar breaks between verses (to catch your breath!); and key changes.

THE NEARNESS OF YOU key Bb 3:44
4 bar intro, vocal in at 13 secs, continue thru - no solo - at 2:16 go back to "when you're in my arms...', continue thru and finish.

MP3 DEMO:
F1272. THE NEARNESS OF YOU - Bb 2017
key - Bb - vocal range - F to G
Beautiful 2017 Orchestral ballad arrangement of this wonderful Hoagy Carmichael classic.
Same arrangement as F119 2017 except a full tone lower.

THE NEARNESS OF YOU - key C 3:44
4 bar intro, vocal in at 13 secs, continue thru - no solo - at 2:16 go back to "when you're in my arms...', continue thru and finish.

MP3 DEMO:
F119. THE NEARNESS OF YOU - C 2017
key - C - vocal range - G to A
Beautiful 2017 Orchestral ballad arrangement of this wonderful Hoagy Carmichael classic.

THE NEARNESS OF YOU key C 2:48
8 bar intro and vocal pickup at 8 seconds, continue through twice - no solo - with the vocal back in at again 1:21, continue through and finishing.

MP3 DEMO:
F1954. THE NEARNESS OF YOU - C 3/4 Trio
key - C - vocal range - G to A
Using different time signatures and different tempos always intrigues me and here's a fresh Trio take on the lovely old Hoagy Carmichael ballad and it works great!

THE NEARNESS OF YOU key C 4:20
4 bar intro and vocal in at 15 seconds, vocal through - no solo - at 2:38 go back to "when you're in my arms...", continue through and slow the last line down and finish.

MP3 DEMO:
F1956. THE NEARNESS OF YOU - C Trio
key - C - vocal range - G to A
The beautiful Hoagy Carmichael ballad in a superb Trio arrangement with lovely light piano lines and subtle voicings.

THE NEARNESS OF YOU key Bb 3:15
4 bar intro ; vocal thru ; short acoustic gtr solo ; vocal back in at " it isn't your sweet conversation...." ; continue ; no tag - finish.

MP3 DEMO:
F581. THE NEARNESS OF YOU latin Bb
key - Bb - vocal range - F to G
Fresh Latin arrangement of this dreamy Hoagy Carmichael gem.

THE OLD FASHIONED WAY version 1 key - Eb to E to F 3:52
4 bar intro and vocal in at 7 secs, continue thru the song, key change at 1:30 leading to a short mute trombone solo, vocal back in at 1:46 with "dance in the old fashioned way, won't you stay in my arms, and we'll discove heights....", continue thru, key change at 2:28 with another short mute trombone solo, vocal back in at 2:43 with "dance in the old fashioned way, won't you stay in my arms, and we'll discove heights......", continue thru and repeat the last line at 3:24 and finish.

MP3 DEMO:
F1102. THE OLD FASHIONED WAY version 1
key - Eb to E to F - vocal range - Bb to C
Very lovely Quintet arrangement - piano, guitar bass and drums and lovely muted trombone fills and solos! This classic Charles Aznavour hit is a bit brighter in tempo than you'd expect, but still works lovely! If it's too fast for you then there's always Version 2...